Anatomical Pieces (detail), 1819
by Théodore Géricault.
2025 on Tumblr: Trends That Defined the Year

No title available
YOU ARE THE REASON
AnasAbdin
Peter Solarz

Product Placement
trying on a metaphor
Show & Tell
hello vonnie

★

if i look back, i am lost

JBB: An Artblog!
Misplaced Lens Cap
Sade Olutola
art blog(derogatory)

#extradirty

shark vs the universe
One Nice Bug Per Day
tumblr dot com
Cosimo Galluzzi
seen from United States

seen from Canada
seen from United Kingdom

seen from Japan

seen from Japan

seen from Malaysia
seen from United States
seen from United Kingdom

seen from United States

seen from United States
seen from Singapore

seen from United States
seen from United Kingdom
seen from Japan

seen from United Kingdom
seen from United Arab Emirates

seen from United States

seen from T1

seen from Germany
seen from Thailand
@expectavi
Anatomical Pieces (detail), 1819
by Théodore Géricault.
“The breath of life, lack of time, past and future, the small, trembling moment in the face of non-existence. Only those who face their emptiness can become whole.”
— Tommi Nordgren
That autumn had the colour of oxidised silver.
2025, Saint-Petersburg
10х15, Silverprint, Author's copy
The Long Term Effect of Magical Thinking by hjl on Flickr.
Igor Mitoraj - “Teseo Screpolato”, Polo Reale Torino
City: V (1970, mezzotint) - Włodzimierz Kotkowski
Lucifer Rising
Piazza Statuto, Turin, Italy
Teodor Axentowicz - Cover Illustration for Weekly Illustrated No. 14, Warsaw, 1908
beautiful…
Ahndraya Parlato Who Is Changed and Who Is Dead, (Mack Books, 2021),
Katia Berestova
Herbert Bayer - Look into Life, 1931
Luca Ortis, Half remembered, half imagined 1, 2024
Luca Otis
Half remembered, half imagined 1, 2024
Lillian O’Neil. Better things, 2025. Collaged archival pigment ink prints on cotton rag, 3 parts each 80 x 60 x 5cm (right panel detail) (photo: John O’Neil)
https://www.instagram.com/lillianoneil
Ralph Eugene Meatyard (1925–1972)
“Untitled, (two ghosts with fireplace)”
gelatin silver print, 1969 — source
La Victoire de Samothrace, Le Louvre, Paris, ph: Serge de Sazo
©Philomena Famulok
.