PEREGRINUS EXPECTAVI

{pedes meos in cymbalis}

[diana-andraste]

Death and the Maiden, Denis Forkas, 2016

Acrylics on prepared paper

[0thello]

Anatomical Pieces (detail), 1819

by Théodore Géricault.

[charnel-grounds]

“The breath of life, lack of time, past and future, the small, trembling moment in the face of non-existence. Only those who face their emptiness can become whole.”

— Tommi Nordgren

[lichtvoetig]

That autumn had the colour of oxidised silver.

[sasharauschen]

2025, Saint-Petersburg

10х15, Silverprint, Author's copy

[hjlphotos]

The Long Term Effect of Magical Thinking by hjl on Flickr.

Igor Mitoraj - “Teseo Screpolato”, Polo Reale Torino

[sictransitgloriamvndi]

City: V (1970, mezzotint) - Włodzimierz Kotkowski

[benjishop]

Lucifer Rising

Piazza Statuto, Turin, Italy

[6-as-above-so-below-9-deactivat]

Teodor Axentowicz - Cover Illustration for Weekly Illustrated No. 14, Warsaw, 1908

[spectrvmlvsitani-deactivated201]

beautiful…

[thinkingimages]

Ahndraya Parlato Who Is Changed and Who Is Dead, (Mack Books, 2021),

[charnel-grounds]

Katia Berestova

[regardintemporel]

Herbert Bayer - Look into Life, 1931

[yama-bato]

Luca Ortis, Half remembered, half imagined 1, 2024

Luca Otis

Half remembered, half imagined 1, 2024

[fragrantblossoms]

Lillian O’Neil. Better things, 2025. Collaged archival pigment ink prints on cotton rag, 3 parts each 80 x 60 x 5cm (right panel detail) (photo: John O’Neil)

https://www.instagram.com/lillianoneil

[charnel-grounds]

Ralph Eugene Meatyard (1925–1972)

“Untitled, (two ghosts with fireplace)”

gelatin silver print, 1969 — source

[irenelichtensteinblog]

La Victoire de Samothrace, Le Louvre, Paris, ph: Serge de Sazo

[philomena-famulok]

©Philomena Famulok

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