Juno Temple (as Di) María Valverde (as Fiamma) From Jordan Scott’s solo-directorial debut, CRACKS (2009)

izzy's playlists!
sheepfilms

titsay

shark vs the universe
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ
No title available

No title available

roma★
🪼
Cosimo Galluzzi

⁂
Lint Roller? I Barely Know Her
taylor price
One Nice Bug Per Day

tannertan36
cherry valley forever
YOU ARE THE REASON
Sweet Seals For You, Always
Keni
seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom

seen from Germany

seen from Switzerland

seen from Romania

seen from Türkiye

seen from Malaysia
seen from Vietnam
seen from Germany

seen from United States
seen from Germany

seen from Türkiye

seen from Malaysia
seen from Italy
seen from Denmark

seen from Malaysia
seen from Hong Kong SAR China
@exthethinwhiteduke
Juno Temple (as Di) María Valverde (as Fiamma) From Jordan Scott’s solo-directorial debut, CRACKS (2009)
I like shiny things, but I'd marry you with paper rings...
🤍🩷🤍
Call me by your name bts
Just you and me
Just grass and sky
But I want more
And you know why
We kiss the first time
We couldn't say no
I love you only
That's all I know
Sketch "Darkness and Light"
if I were an SNL screenwriter😋
Awesome short story @timoarmie
Only this
❤
by armie_hammer_ita1983
Smitten 🤩
Timothee Chalamet as Elio Perlman in Call Me By Your Name
Luca Guadagnino ♥️
📸 Jonathan Anderson insta
The amount of chaotic energy this interaction has… I—
Bonus:
It takes A LOT for us Capricorns to lose it in public.
Timmy must have had it and the press tour was only about 2/3 done at this point.
SŁOŃ (2022) dir. Kamil Krawczycki Bartek runs a small horse farm in the mountains in Southern Poland. He has to become head of the family when his father leaves and his mother has a breakdown. One day their neighbour dies and his son Dawid comes to the village for the funeral. Bartek becomes fascinated by Dawid and his recklessness, and now this first love will force him to decide if he’s ready to choose his freedom over family obligations. (link in title)
armasha2023 reblog
".. it's like stepping through the looking glass," says producer Peter Spears, "you're not going to a set or a soundstage, you're literally living and breathing this."
Such proximity to each other, and to the specific environment of the movie, created a rare bond that carried into the film. Spears describes a sequestered world in which the usual artifice of a film set falls away to the point where the line between the actors and the characters they play becomes blurred and porous.."
(Peter Spears, October 2017)
".. to the point where the line between the actors and the characters becomes blurred and porous.."
".. so, I'm serious.. I love you, seriously.. okay."
(Timmy to Armie, New York Film Critics Awards 01.03.2018)
it's all so loud and clear here.. nothing else to say. ❤️