Noah Kahan
🪼
we're not kids anymore.

bliss lane
Claire Keane
Show & Tell
will byers stan first human second

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2025 on Tumblr: Trends That Defined the Year
Lint Roller? I Barely Know Her
Mike Driver

shark vs the universe

oozey mess
Jules of Nature
No title available

pixel skylines
todays bird

gracie abrams
I'd rather be in outer space 🛸

Love Begins
seen from United States

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seen from Algeria

seen from United States

seen from Bangladesh

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seen from Argentina
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@exulis
Percy Bysshe Shelley, from "Epipsychidion" in The Collected Poems of Percy Bysshe Shelley
@ryebreadgf / The Truth About Grief, Fortesa Latifi / bone deep, m.v.e / Sidewalk, Richard Silken / unknown / 60 hours, m.v.e / @itsblackleader / Salt, Nayyirah Waheed / @heavensghost
James Baldwin, from Another Country [ID'd]
Stephanie Foo, What My Bones Know: A Memoir of Healing from Complex Trauma
She wanted to scream, but a person who is alone—alone in the absolute sense of the word—does not scream out her despair; it is useless. Deserts do not hear. But she can do things with her hands which even a desert must notice. She can tear at the sand until the desert bleeds.
– Stig Dagerman, from “Men of Character,” The Games of Night (Quartet, 1986)
hearts of darkness (1991) dir. eleanor coppola, george hickenlooper, fax bahr
Marjane Satrapi, Persepolis
Camille Claudel. The Waltz, 1889-90.
"Mission", Leonard Cohen
Maram al-Massri, from A Red Cherry on a White-Tiled Floor (trans. Khaled Mattawa) [ID'd]
Rodin sculpture and couple, Tate Modern, London, 1993 - by Elliott Erwitt (1928), French/American
The Mirror, 1981
Will Barnet
Maram al-Massri, from A Red Cherry on a White-Tiled Floor (trans. Khaled Mattawa) [ID'd]