
No title available
Misplaced Lens Cap
The Bowery Presents
ojovivo
Lint Roller? I Barely Know Her
Game of Thrones Daily

#extradirty
Cosimo Galluzzi
No title available
Monterey Bay Aquarium
RMH

@theartofmadeline

JVL

❣ Chile in a Photography ❣
Show & Tell
sheepfilms
will byers stan first human second
NASA
Cosmic Funnies
Fai_Ryy
seen from United Kingdom

seen from Malaysia

seen from Brazil

seen from Venezuela

seen from United States

seen from United Kingdom

seen from United States

seen from United States
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seen from Ireland
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seen from Ecuador

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seen from United States
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@exulis
Percy Bysshe Shelley, from "Epipsychidion" in The Collected Poems of Percy Bysshe Shelley
@ryebreadgf / The Truth About Grief, Fortesa Latifi / bone deep, m.v.e / Sidewalk, Richard Silken / unknown / 60 hours, m.v.e / @itsblackleader / Salt, Nayyirah Waheed / @heavensghost
James Baldwin, from Another Country [ID'd]
Stephanie Foo, What My Bones Know: A Memoir of Healing from Complex Trauma
She wanted to scream, but a person who is alone—alone in the absolute sense of the word—does not scream out her despair; it is useless. Deserts do not hear. But she can do things with her hands which even a desert must notice. She can tear at the sand until the desert bleeds.
– Stig Dagerman, from “Men of Character,” The Games of Night (Quartet, 1986)
hearts of darkness (1991) dir. eleanor coppola, george hickenlooper, fax bahr
Marjane Satrapi, Persepolis
Camille Claudel. The Waltz, 1889-90.
"Mission", Leonard Cohen
Maram al-Massri, from A Red Cherry on a White-Tiled Floor (trans. Khaled Mattawa) [ID'd]
Rodin sculpture and couple, Tate Modern, London, 1993 - by Elliott Erwitt (1928), French/American
The Mirror, 1981
Will Barnet
Maram al-Massri, from A Red Cherry on a White-Tiled Floor (trans. Khaled Mattawa) [ID'd]