[prostheticknowledge]

[iheartmyart]

IRIS by HYBE 

Interactive installation is grid of transparent LEDs which display halftone and circular patterns whose display can emulate it’s viewers.

A week ago, I covered a New Media exhibition in Seoul called ‘The Da Vinci Ideas Exhibition’ and was intrigued by this piece, hoping there would be a video of it. Well, the brilliant Creative Applications discovered it, which you can watch in the embed below:

Created by Korena collective HYBE, IRIS is a media canvas with matrix of conventional information display technology, that is a monochrome LCD.Through the phased opening and closing of circular black liquid crystal, IRIS can create various patterns and control the amount (size) of passing lights. 

More Info and images can be found at Creative Applications here

(via prostheticknowledge)

[videomapping]

[eyeonmotion]

Speed Of Light

by Nexus

The world’s smallest all action police chase…

Directed By The Theory

The tiniest police chase ever seen, made using the world’s smallest ‘pocket video projectors’. Featuring an escaped convict, a determined cop and a fully armed police helicopter, Speed of Light takes ‘projection mapping’ to a whole new (and low) level.

Speed of Light was all projected and filmed FOR REAL - there’s no CGI trickery.

- The car and helicopter are toys bought from a model shop filmed against greenscreen. - As well as using the world’s smallest projectors from MicroVision, we also partially filmed using the world’s smallest HD camera.

And a Special thank you to Microvision for the projectors - microvision.com/

thetheory.co.uk/

nexusproductions.com/directors/the-theory

[eyeonmotion]

BETWEEN ME AND TOMORROW

"There's an exitential and romantic side in waiting. While waiting, the dreams seem real and reachable, the fantasies get loose and with eyes wide open we perceive moments that we believe are perfect.

A woman wanders with the certainty she'll arrive to a place where she'll meet with her dreams. Where ready she'll stay waiting for the promised wonderful moment. Anxious that finally everything happens in her life.

I'm ready for amazing things to happen in my life. And if anything can happen in this life, then I'm here, I'll stay here waiting after all the long paths."

Filipa Fabrica

Directed by: Paulo Pinto

Styling by: Filipa Fabrica

Fashion film made in Olot (Catalunya, Spain).

Spaces Forest: La Fageda Flowers: Parc Natural del Croxcat Volcano: Volcan del Croxcat Sea: Barcelona - Playa de Bogatell

http://www.facebook.com/eyeonmotion

[videomapping]

Demo 2012 - Mapping 3d / Motion & Vjing

by NATURE graphique 

Structure / motion & vjing by Aurélien Lafargue : nature-graphique.com

[eyeonmotion]

An EYEON the last collaboration of Marta Veludo as an Art Director Assistant with No-Domain, who has been commissioned by Yoigo to their new campaign manifest.

"Hi, my name is Marta. In my childhood, I wanted to be a bailarina but i ended up as an image and story maker. My work moves around illustration, typography, moving image and graphic design. Ways to show concepts & ideas & stories."

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Worked over a year at No-Domain, a multidisciplinary studio as Art Director Junior. Worked as Graphic Designer at Ana Mirats Studio, Barcelona. In the present is working at Matte Studio, Amesterdam and making freelance projects all over the world.

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I belong to a collective, collaborating on design projects, illustration, exhibitions and workshops. We call ourselves as Sophie Lingerie Collective. Recently I joined to Colher, Inside of Portuguese Design as a contributor writer.

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Other collaborations

Twopoints.net, La Rambla, 2010 Galula Studio, Wild Manta, 2011 Colher, Siboney, 2011 Ricardo Leite, Swinging Rabbits, 2011 Rita Lino, Story to Be Told, 2010 Terra Design, Arraial Pride Illustration, 2009

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More

Flickr Vimeo Behance

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Shop

At society6 Graphic & Delicious

http://www.martaveludo.com/index.php?%2Fvisuals%2Fyoigo--tarifa-infinita%2F

[eyeonmotion]

Nike Fuel Station at  Boxpark by String

Sales staff at The Nike Fuel Station at Boxpark were given iPads that used augmented reality to tell customers about any product in the store. Mirrors also displayed digital avatars that would appear when customers approached them, giving the customer interactive information about a product.

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[eyeonmotion]

           THE ELEGANT LADY

“The Elegant Lady” a 3-D mapping building projection celebrating The Queen’s diamond jubilee, as part of Bangor’s diamond jubilee celebrations on the night of the 4th of June we were commissioned to produce a projection, our show culturally traced the six decade reign of Queen Elizabeth II through the eyes of the wonderful Bangor Castle.  The event book ended by the Ulster Orchestra and the Beacon lighting ceremony provided a spectacular finale to the occasion. Wendy Smith, North Down Borough Council: “I thoroughly enjoyed working with you and the crew and as soon as I met you had total faith and confidence in your abilities. You totally embraced the project and dealt with the topic sympathetically and with I felt great respect.” 

[videomapping]

Diamond Jubilee Concert - Madness - Our House

[eyeonmotion]

Draw Your Own Self Portrait With Your Eyes Closed

The ‘Blind Self Portrait‘ machine, a collaboration between Kyle McDonald and Matt Mets, helps you draw a picture of yourself with your eyes shut. At the intersection of art and technology, the machine lets the user be both the subject and the artist. While their eyes are closed, a moving platform guides a pen in their hand to draw a self portrait. Computer vision is used to track their face and generate a line drawing.

[vimeo-deactivated20240328]

VISUATARI - 3d Videomapping installation by Tonner Vi

Video projection mapping meets video games, and it’s a match made in 8-bit heaven. 

[eyeonmotion]

PROJECTION MAPPING

Once a novel technique, the likes of which could land you a gig, projection mapping is fast evolving into a fundamental skill every visual artist must have. It’s the ability to work not only with your content, but to be creative with its delivery, almost as much as something as basic as an alpha blend or a crossfade. It separates the visualists who work within rectangles and those who don’t.

As a semi-daily chronicle, this site often provides specific stories about one project or another. In the short film “Augmented Reality,” by Belgian filmmaker Dane Luttik, the camera pulls back to a big-picture overview of what the technique is about.

It’s perfect for introducing those new to the idea. But even if you’re skeptical about such things or tired of lots of projection mapping – indeed, especially if you fit under that header – it offers insight.

I’ll excerpt one quote from Ilan Katin, though, that I think is best of them all: “To do it right … you need to have an idea.”

[eyeonmotion]

HOW WILL KINECT CHANGE FILMMAKING?

Jonathan Minard and James George from RGB+D are using the Kinect and a DSLR to reimagine filmmaking. They have created a technique that lets you map video from the camera onto 3D data from the gaming console device, generate a CGI and video hybrid. This could make it easier and cheaper to create 3D films using commercially available hardware and open source software.

Minard and George have recently released a preview of their experimental film Clouds, which utilizes the technique. This “computational documentary” features a number of hackers and media artists talking about code, culture, and the future of visualization. The feature length production will be released later this year, and you can watch the preview above:

via PSFK: http://www.psfk.com/2012/06/kinect-filmmaking.html#ixzz1wrg7uXV6

[eyeonmotion]

LEAP

Leap represents an entirely new way to interact with your computers. It's more accurate than a mouse, as reliable as a keyboard and more sensitive than a touchscreen. For the first time, you can control a computer in three dimensions with your natural hand and finger movements.

[eyeonmotion]

BRIGHTLY COLORED

Here we take a look at the very first campaign released by clothing label KENZO while under the creative direction of Opening Ceremony founders Carol Lim and Humberto Leon. The video is a fun, brightly coloured 40-second-long animation directed by Jo Ratcliffe, produced by Ryan Goodwin-Smith and brought to life by animators Rob Ward and Suzanne Deakin.

[eyeonmotion]

HEARTBEAT INTERACTION

This interactive artwork by Andrew Small and Steven Almond was commissioned for the Royal Manchester Childrens’ Hospital in the UK. The sculpture uses digital lighting, medical monitoring equipment and control devices, and it becomes a heart rate monitor when people interact with it.

At rest, the artwork ‘breathes’ in waves of blue light at the average human breath rate. When a person interacts with it by holding the grips, it takes and projects their heart rate in pulses of red light. Infrared sensors around the sculpture create different color and sequence patterns when their beams are broken, and the sculpture also becomes a clock for five minutes on the hour.

[aether-net]

[eyeonmotion]

EPIC ASCII ANIMATION

Japanese animator Ohashi Takashi dedicated his thesis project to studying this complex relationship between the growth of human intelligence and the transformation of words.

Takashi’s film is called CHANNELER, stemming from the Japanese imageboard 2ch, where users are called “Nichannelers.” In his animation, he also makes reference to the ASCII art often found in 2ch.

[eyeonmotion]

RESSONANCE

Resonance is a collaborative project with over 30 independent visual and audio designers/studios. The aim was to explore the relationship between geometry and audio in unique ways.