Faith in Lou

No es una mala vida, solo es un mal día, es por eso que tengo fe en ti...... Ivi / Louie / 18 +

[faithinyourfuturelt]

HAPPY NEW YEAR 2023!!! 🎊🎇🎉

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[alwayslouistomlinson]

Louis Tomlinson for Icon Italian magazine! He looks so good 🔥❤️🥰 How Did I Get Here? Is out in 2 weeks! So excited 🙌😊

[dailytomlinson]

LTHQOfficial: Announcing LTHQ's Christmas Countdown!

Ahead of next month’s release of How Did I Get Here? we'll be dropping 10 days of giveaways and exclusive content starting tomorrow! Make sure you’re signed up to the mailing list ✉️ Those of you already signed up will automatically be included. louistomlinson.os.fan/sign-up

And don't forget to pre-save How Did I Get Here? out 23rd January. https://louist.lnk.to/HowDidIGetHereTW

[faithinyourfuturelt]

Him

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are you older or younger than louis tomlinson (born december 24, 1991)?

i am older

i am younger

i was born that day

Voting ended onDec 19, 2025

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HOW DID I GET HERE? out 23rd January. Pre-order now. https://louist.lnk.to/HowDidIGetHere

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[ssfoc]

hiya Sea. Louis' songs are always so visual, there's almost always some kind of imagery involved. like the church of burnt romances in OTB, the broken beaks and dead birds in Copy, the mirror in Louis' brain in Saturdays etc. idk if you've talked about this before but what is/are your favourite imagery in Louis' lyrics?

What a great question! Thank you for asking!

I think I’ll always love the “broken beaks and dead birds/ can’t get through the glass” lyric most of all. It uses hauntingly, violently the diction of dark fairy tales and apocalyptic hopelessness. The inevitable march toward death is echoed in the rigid trochaic tetrameter (bró kěn béaks ǎnd déad bǐrds, cán’t gět thróugh thě gláss) and the dropped last syllable— a meter Louis loves to use (which is why I think he wrote lyrics like, “Wá kǐng úp, běsíde yǒu I’m ǎ lóaděd gún, I ćan’t cǒntáin thǐs ánÿmóre, I’m áll yǒurs I’ve gǒt nó cǒntról,” and the verses of Strong).

When I think of great visual imagery, something like “birds just passing by, love,” pops into my head (another trochaic meter).

The lyric does something we all do to try to distract ourselves when in pain; we look at nature and say, “Life goes on, the world is much bigger than we are, try not to focus on small injuries,” but the fact that nature has a beautiful order and we’re all chaos inside just makes us feel hella lonelier. The “love” at the end conveys just enough tenderness and forgiveness to be heartbreaking (and it’s repeated line after line!). The distance between the community of birds in the sky and us, alone here on earth, depicts how far away hope feels. All of these feelings are conveyed in a simple, conversational, neutral, five-word visual description!

Similarly, we know how Louis stood in relation to his partner, with visuals like, “mentally you were already out the door,” “all that’s left of us is a cupboard full of clothes.” We feel the ache of nostalgia and regret through visual images of memories slipping away, “Through my cigarette, a shadow of you.”

The cowardice of someone chasing money and status instead of art: “Cash in your weekend treasures/ your suit and tie, a second wife.”

One of my favorite visual images comes from one of my favorite songs, Lucky Again. Similar to the Foo Fighters song Louis covered, My Hero, Lucky Again is about questioning the apotheosis of celebrities, like rock stars and movie stars (and maybe influencers), and also staying grounded as a celebrity, knowing you are merely mortal and your worth should come from work, not from other people’s worship.

“If you believe that guy is Superman/ They’re selling tickets at the cinema.”

The beauty of the description is that we can all see it so vividly, the Hollywood fantasy of nerdy Clark Kent turning into godlike Superman, the ephemeral two hours we spend at the movies removed from reality, the fact that even Clark Kent isn’t Superman— he’s just some actor doing a job, like a rock star is also just someone doing a job. Louis writes this lyric over one harmonic chord (in opera terms, like a recitative over a held bass note), as if he’s saying a fleeting thought in one breath, a throwaway anecdote that’s nevertheless the heart of the song.

The songwriting is so effortlessly light and natural, so easy and efficient. And in this case, opposite from the trochees of broken beaks and dead birds, “Superman” flows in soft, fluid iambic pentameter - Alexander Pope’s meter, the elegant, didactic meter of Shakespearean sonnets.

[ssfoc]

I’ll never understand the narrative that Louis was surprised about hiatus. Zayn left, Harry was hanging with Azoffs, 1D numbers were declining. Furious? I believe that for sure. But if he was in a situationship with Harry, and if he is the smart business mind we believe him to be, he was not surprised in that meeting (or other meetings).

I think we can see it two ways.

1. Was Louis honest in describing his emotional response to the group meeting about hiatus? Probably yes, with some revision in hindsight.

Steve Bartlett asked whether they met on their own, or whether there were “representatives.” Louis replied tellingly, “It might as well have been representatives.” What representatives? They didn’t have individual managers. Who were these people that Louis was talking about?

Louis used the words “empty” and “cold.” The opposite of these adjectives would be “full” and “warm.” Contrast them to the usual narrative of “arm-in-arm, arm-in-arm.” Louis was describing an emotional scenario when, as a group, they no longer trusted each other to be honest. Louis’ intellect may have suspected something like “hiatus” was coming, but his emotions couldn’t accept that the Harry had changed. Harry had begun looking at his bandmates as commodities, as competition for revenue and fame— the same way that labels did. In hindsight, one could argue that Harry’s “representatives” taught him to see the band this way.

2. Why is Louis telling this story now? Why is he creating a narrative that it was “only the boys” who made the decision about hiatus, and that Sony and Syco let them do whatever they wanted?

Again, thoughts from a mutual below.

It’s funny for Louis to imply that the 1D guys could decide how long the hiatus would be. No forward planning needed by Sony. No shareholder concern over lost revenue while the guys messed around with solo stuff until they all failed and decided to come back, or succeeded and didn’t come back. No concern that the label and fans would move on. Supposedly they didn’t even have their own non-imposed management, but they were making the big decisions about $billions in corporate profit? It’s a fanfic view of the music industry where artists make the choices and helpful labels exist to enable them for their art.

In this telling, the 1D boys take the fall. They were naive; they made bad decisions; maybe they weren’t “brave enough,” maybe they were dishonest. The clowns— Simon Cowell and Modest Management— look foolish but not evil. Does any music exec come out of this badly other than the old bogeymen? Modest Management, not the Azoffs. Simon Cowell, not Rob Stringer. The powerful slip away.

The thing to remember, I believe, is that none of it is really organic. Too much money and power is involved right down the line. Fans are the herd; we’re not the farmers.

“Past the second year, no one can make us boys do something we didn’t want to do.”

And yet Liam was locked in hotel rooms in between concert gigs, emptying the mini bar, becoming an alcoholic and suicidal.

Niall had to perform with a knee that should have been operated on. And every media outlet was full of stories belittling the others and building Harry. And Louis was constantly undermined, described as the asshole of the group, not the singer, not the heartthrob, not the creative talent. The band was worked into the ground to maximize profits before the built-in kill date of 5 years. But they were totally in charge! This is the old basic story they used throughout the band… 5 ordinary lads full of beans and mischief being guided by strict but also lenient Uncle Simon. And Sony… invisible Sony, never blamed by fans even into 2020 because it chose Harry.

It’s more like after 2012, they became fodder in the Sony /Azoff machine. In One Direction, Simon Cowell had discovered a goldmine, which was essentially propping up Syco Music, and Sony wanted a piece of it. Simon tried to play with the sharks in industry, believing he held the cards with 1D. He ended up without a label and his main asset cannibalised. They all believed music is a formula, and no band from reality TV could last longer than 5 years. Stringer and Azoff saw a project to get rich on, a ready-made rock star with a fanatical fanbase, carefully created over three years after squeezing the band dry while carefully setting up its ending, and then this star launched fully formed, purely— of course— on his own outstanding talent! Harry also formed the basis of a new company for Jeff Azoff to run, with media set up to compare him to rock legends before one album even sold. I just think they were never as clever as they thought. They could manipulate and destroy and acquire, but they were so sure 1D was just another boyband, they paid no attention to its uniqueness. They planned for its destruction to create a greater product like Beyoncé or Justin Timberlake. They used a whole new set of tools to get inside fans’ minds, and herded us successfully, to an extent. But even with astroturfing and planted blinds and faux scandals and bought PR, it’s hard to create human magic. Maybe they were too old and hidebound to understand 1D wasn’t just a random band, luckily timed to launch with the explosion in social media. One Direction, instead, was actually a crazy, lucky mix of individually remarkable people— Simon’s one real stroke of luck. Which is why none of them just vanished conveniently after the assassination. The mix was the magic, and imo Louis was the key. On paper, Harry Styles should be covered in stardust. But he lacks things the others had, as they lacked things he had. The band could have evolved like, say, 5SOS, and done solo projects and grown. But Stringer and Azoff are old men with old ideas, and Harry Styles is an old man’s idea of a star.

This rewritten history, though, suggests something has changed between 2022 and 2025, especially after Liam’s death. Someone still cares enough to want the fandom to believe the old fairytales again, just with a bit of a rougher edge to feel like truth. I think it’s why Louis and Zayn are doing a documentary, and why Louis is finally getting another glimpse of the inside of the industry.

[dailytomlinson]

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[dailytomlinson]

"I don't wanna go home I'm not losing control I don't wanna go home (I don't wanna go home)

She's so bitter, she's so sweet Lemonade, Lemonade A little taste is all I need Lemonade, Lemonade"

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I hear like tabla influences!!!

I’m about to pee my pants thinking about how mindblowing this record is going to be!!!

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[ssfoc]

This morning 16 September 2025, fans in London found promotional posters for Louis’ Lemonade on Bakers St. and Earls Court, SoHo, Manchester UK, and Paris. Part of the font on the poster (and in the recipe below) is similar to Louis’ handwriting. Louis had tweeted Lemonade in May 2025.

QR codes are found linked to the website Louis-lemonade.com.

Easter eggs include the phrases, “SO BITTER SO SWEET,” “A LITTLE TASTE IS ALL YOU NEED.” The phrase “Elle muy amarga” (she so bitter in Spanish) was in Louis’ and LTHQ’s updated Twitter header the previous day.

“JUST A LITTLE TASTE” has echoes of Kill My Mind’s “Just a little taste, babe.” “COMING TO LIFE” echoes of “Raise my body back to life.”

“A LUCKY CHARM” echoes Lucky Again.

“SWEETNESS TOUCHED BY BITTERNESS,” evokes “Bitter ends turn sweet in time,” from Louis’ song Chicago (FITF).

“GLASSES RAISED AND NO ONE WANTED TO GO HOME,” echoes “Just one more pint or five,” from Miss You, and “I don’t feel like going home,” from Silver Tongues

The references reveal the transformative nature of art. Life’s trials and chaos have matured to contemplative but also joyful reflection: “SWEETNESS SOFTENED BY A TOUCH OF BITTERNESS.”

The website opens to a few infographics:

The 🍋 prompt has Louis’ trademarked smiley face ◟̽◞̽ (2017):

ABOUT US

A SIP OF BALANCE

LOUIS’ LEMONADE BEGAN WITH A SINGLE GLASS, SWEET YET BITTER, SIMPLE YET ALIVE.

MORE THAN A DRINK, IT FELT LIKE A LUCKY CHARM, A SYMPTOM OF COMING TO LIFE.

SOME CALL IT BALANCE, OTHERS CALL IT JOY. WE CALL IT LEMONADE. OR, IN ANOTHER SPIRIT: PURA VIDA.

THE REDISCOVERY

FOR DECADES THE BOOK WAS FORGOTTEN, UNTIL THE LAST DAY OF SEPTEMBER, WHEN IT RESURFACED AT A FAMILY GATHERING. A PITCHER WAS MIXED, GLASSES RAISED AND NO ONE WANTED TO GO HOME.

THAT DAY BECAME OUR QUIET ANNIVERSARY, THE DAY LOUIS’ LEMONADE RETURNED.

WHY LEMONADE?

THE WORLD IS CROWDED WITH DRINKS THAT CHASE TRENDS. LEMONADE IS TIMELESS.

OURS ADDS DEPTH: SWEETNESS SOFTENED BY A TOUCH OF BITTERNESS.

BECAUSE LIFE ISN’T ONE NOTE. IT’S BOTH.

TODAY

OUR FIRST MODERN BATCHES WERE TESTED LATE AT NIGHT… TOO SHARP, TOO SOFT, THEN FINALLY BALANCED. THE FIRST SIP WAS BRIGHT, ALMOST OTHERWORLDLY. “A TASTE IS ALL I NEED,” SOMEONE SAID, REACHING FOR MORE.

THAT’S WHAT WE BOTTLE: BALANCE, DETAIL, MEMORY.

WHO WE ARE

WE’RE NOT A FACELESS COMPANY. WE’RE STORYTELLERS, KEEPERS OF SCRIBBLES, BELIEVERS IN THE BEAUTY OF SMALL THINGS.

LOUIS’ LEMONADE IS SWEET. IT’S BITTER. IT’S BOTH AT ONCE. IT’S LIFE IN A GLASS.

[The background, while dark, is not completely black. There is scattered white noise. Ice cubes have fallen outside of the glass.]

Lemonade recipe, once email and telephone number are submitted.

Lemonade Recipe:

INGREDIENTS:

5 cups of water

1 cup of hot water

1 cup sugar

4 large lemons or 4 cups of freshly squeezed lemon juice

Optional: swap out cold water for cold, sparkling water for some carbonation 🫧

TO GARNISH:

Lemon slices: A couple per glass, or use the leftover skin to make a pretty squiggle

Mint: A sprig per glass, for a sunny touch 

TO SERVE:

With ice, lots of it

INSTRUCTIONS:

Squeeze or juice, the lemons until you have 4 cups of juice, remove the seeds and pulp if you’d like a smoother texture

Create a syrup in a large bowl or a pitcher by combining the cups of sugar with the hot water, stirring until clear

Combined the syrup and lemon juice

Finally, slowly pouring the cold water. A little taste is all you need to make sure it’s to your liking

If she’s too bitter, add more sugar

If she’s too sweet, dilute with water or add more lemon juice

SERVING:

Chill in the fridge 30 minutes to an hour before serving, or simply pour over ice

Garnish with lemon slices, squiggles, or sprigs of mint

Louis trended on Twitter today:

Louis launched a TikTok in his own name today, and it is promoted.

Louis’ Lemonade on the big screen, promo in BOLIVIA.