Alexander Calder – Untitled, 1967.
Lint Roller? I Barely Know Her

ellievsbear
wallacepolsom

@theartofmadeline

★
styofa doing anything
Today's Document

No title available
TVSTRANGERTHINGS
Keni
Claire Keane
Misplaced Lens Cap

PR's Tumblrdome
No title available
ojovivo

Andulka
tumblr dot com
h
2025 on Tumblr: Trends That Defined the Year
AnasAbdin
seen from United States
seen from Paraguay
seen from Malaysia

seen from Malaysia
seen from United States

seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States

seen from Türkiye

seen from Singapore

seen from T1

seen from Denmark
seen from South Korea
seen from United States

seen from Türkiye
seen from United States
seen from T1

seen from France
@fakharany
Alexander Calder – Untitled, 1967.
Вьетнамская девушка
This painting belongs to the neoclassical period of Pablo Picasso, a phase in which the artist seems to have calmed the storm slightly after the explosive experimentation of Cubism. Here, Picasso is no longer trying to fragment the body or shatter perspective as he once did; instead, he returns to the human being itself — to silence, emotional weight, and contemplation.
The seated woman performs no dramatic action, and yet the painting feels psychologically charged. She does not look directly at the viewer, but rather into a distant space, as though she is lost inside a thought we cannot access. This is precisely what gives the work its power; Picasso is not painting an “event,” but a state of mind.
The face is rendered with restrained and delicate lines, while the eyes carry a sense of drifting introspection that resembles daydreaming or existential exhaustion. There is no intense outward emotion, yet a hidden feeling of withdrawal from the world lingers beneath the surface. The crossed arms suggest defensiveness or emotional closure, as if the woman is trying to contain herself or protect her vulnerability.
“ونحن نحب الحياة إذا ما استطعنا إليها سبيلا.”
ماهو الخط الفاصل بين أنا وما ليس انا ؟
لا تسمح خيوط العنكبوت برؤية شىء أبعد من حدود الشبكة .
انت مريض ياصديقى بمرض الحياة والمرض بدون علاج ..او أن العلاج الوحيد هو الموت
ومادمت حياً فعليك أن تجد لنفسك مسكّن ما من المسكّنات
ريكو ..حلويات الطفولة الأولى
/ لا شيء ينقصني في غيابك: نهدايَ لي. سُرَّتي. نَمَشي. شامتي
،ويدايَ وساقايَ لي.
كُلُّ ما فيَّ ليولك الصُّورُ المشتهاةُ
، فخذها لتؤنس منفاكَ،
The art of Kathleen Ryan
ليس لدي أية فكرة ، كيف استطعت أن أحيا طوال هذه السنوات في مدينة صفراء ، لا تطل علي بحر. بل و اتخذتها وطناً لي . أعلن بدأ مشروعي للانتقال...
إيجون تشيلي١٩١٥
-من مدونة أحد لاحمد عبدالله-
أتفق تماما ...
اعتقد ده أول فيلم دخلته سينما فى حياتى ..فى سينما الزيتون
الفنان أحمد صبرى (1889-1955)