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art history @Fundgruber

[smartfox]

Arbeiterinnen - Horst Baluschek, 1900

[smartfox]

Edward Burra - Straw Man 1963

[smartfox]

Christian Arnold, Eingang zum Industriehafen in Bremen 1927

[archiveofaffinities]

Isamu Noguchi, A World I Did Not Make, 1952

[jareckiworld]

Tabea Blumenschein (1952-2020) — Dixie Marine [gouache, photo, colored pencil, on paper, 1995]

[jointheamberclub]

Patty Chang, Filming Performance

'Chang's early work in particular finds its roots in performance, riot grrrl feminism and a provocative criticism of orientalist myths, all of which are merged within an imagist sensibility of recording the immediate present as concisely as possible. Ana Mendieta and Marina Abramovic are both potent influences for Chang's work, though I can also see flourishes of the Patty Chang ouevre in Valie Export's …Remote… Remote… (1973) and Hannah Wilke's Gestures (1974). All of these artists centred the morphing and even desecration of their own bodies as a mode of expression. Chang's video art in particular incorporated the outrageous punk sensibilities of the 1990s, hilarious and discomfiting, whilst also displaying a keen desire for a more tactile, embodied world, all of which was ironically mediated through the lens of a camera. Whether using fruit to represent her breast and scooping the flesh out to eat it, using sparkling water to shave her pubic hair or placing eels inside her shirt and sitting for an uncomfortable amount of time, Chang could not be separated from her provocations. She literally was them.'

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[rearte2]

by Auguste Herbin, 1914

[watchingcbeams]

Rubem Valentim, Emblem No. 15, 1973. Acrylic on canvas, 59 1/4 × 39 1/2 in. (150.5 × 100.3 cm). Art Gallery of Ontario, Toronto, gift of Brascan Limited, 1976, 76/189. Photo: © Rubem Valentim.

[nemfrog]

Feurfrau. Fire woman. 1918-1921. Hedwig Slutzky-Arnheim (1894-1944).

Museum für Kunst and Gewerbe Hamburg

[abwwia]

In October 1986, took place the "Making Waves. Interactive Art/Science Exhibition", in Evanston, Illinois.

Sonia Landy Sheridan (April 10, 1925 – October 30, 2021), known as Sonia Sheridan, was an American artist, academic and researcher, who in 1969 founded the Generative Systems research program at the School of the Art Institute of Chicago. She was honorary editor of Leonardo, the Journal of the International Society for the Arts Sciences and Technology (Leonardo/ISAST). Sheridan had received awards from numerous institutions, including the Guggenheim Foundation in 1973 for Photography[4] and the National Endowment for the Arts (1974–1975, 1976–1977, 1981–1982). via W

Sonia Sheridan, “Untitled (portrait of Sonia Sheridan),” March 20, 1974, mixed media telecopier collage. Three-piece layered collage to annotated top left “3.20.74 VSW,” top right “Sheridan talking about I.L.,” left bottom “#6”, and right bottom “6”. 11 5/8″ x 8 1/2″/Photo: Sonia Sheridan and Stephen Daiter

[abwwia]

Laila Pullinen – Passion (1959). Photo: Matti Huuhka / Museum photo. Laila Pullinen – Passio (1959). Kuva: Matti Huuhka / Museokuva. Suomalaiset taiteilijat: Laila Pullinen https://www.lily.fi/blogit/kauno/suomalaiset-taiteilijat-laila-pullinen/

[abwwia]

Österreichische Galerie Belvedere https://sammlung.belvedere.at/people/560/helene-funke/objects

Hélène Funke (1869-1957)

Hélène Funke (1869-1957)

Hélène Funke (1869-1957) was German – Austrian painter and a graphic artist #PalianShow #womensart #artbywomen

Helene Funke (3 Sept 1869 – 31 July 1957) was a German-Austrian painter and graphic designer of modern times. From 1905 and until 1913, she lived in France and then moved to Vienna until her death. In 1918 she became a member of the artist group “movement” or “free movement” (from 1919). In addition, she was a member of the group of Viennese women’s art. In 1928 she received the Austrian State Prize for the picture Tobias and the Angel . “Their pictures often show women’s groups or women’s couples and represent a differentiated examination of the topic of femininity.” (Geheimsache Leben, 2005) In 1957, Helene Funke died in her apartment in Vienna. https://palianshow.wordpress.com/2023/09/03/helene-funke/

[ntn888]

[famegruber]

Paul Weiner (*1993)

[harminuya]

Armenian girl. Markarit, by Mariam Aslamazyan, 1985.

[lostfunzones]

Enzo Mari.

[armchairarchivist]

Lee Krasner, Desert Moon

[abwwia]

Hilda Vīka. The Flower Waterers. Ca. 1933. Watercolour on paper. Collection of the Latvian National Museum of Art. Photo: Normunds Brasliņš

Hilda Vīka (5 November 1897 – 14 February 1963), also known as Hilda Vīka-Eglīte, was a Latvian artist and writer. She made stylised watercolour and oil paintings of everyday life and dreamy visions. She wrote poetry, short stories and novels, illustrating her own works. Beginning in the 1930s, she incorporated Latvian mythology in her works. During the Soviet era she adapted to socialist realism but was expelled from the artist union for most of the 1950s. Via Wikipedia