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A collection of artwork that tickles me. This is a side blog. I follow from vagaybond.

[fatartappreciation]

Standing Nude by artist Carol Adelman

[fangogh]

Abuse of Power Sweater "Knit takeoff of Jenny Holzer's Abuse of Power t-shirt, 2016. Chart patterns adapted from mitten pattern by Drunk Girl Designs."

Kathryn Batsel

[huariqueje]

Beach Hotel Rangoon   -   David Hockney, 1971.

British  b.1937-

pastel, ink, crayon, colored pencil and graphite on paper, 17 x 14 in. 43.2 x 35.6 cm.

[fastman27-2]

Burning

[rosieandthemoon]

Vladimir Archipovich Bondarenko

[jadeseadragon]

Vladimir Bondarenko (Russian, 1866–1900), Forest Scene, 1880s, oil on Canvas, 174 × 133 cm; private collection.

[tomorrowandbeyond]

[recolored-classics]

The Arnolfini Portrait (1434) by Jan van Eyck

[thejawsdevour]

Theresa Musoke (Ugandan-Kenyan) - Impala 13 (watercolor on paper, 1970s)

[kaytario]

Eileen Mayo

[rearte2]

by Wayne Thiebaud, 2008

[jareckiworld]

Pedro Friedeberg (1936-2026) —The Gioconda Palace During Mona Lisa Week [gouache and ink on museum board, 1963]

[grundoonmgnx]

Alex Roulette (American, b. 1986), Reflectors, nd

Oil on Panel, 32 x 36 in

[dream-and-delirium]

Leon Berkowitz, The Pool I, 1976, acrylic on canvas, 110 x 58 inches

[huariqueje]

City View - Bertel Nordström , 1928.

Finnish , 1884-1967

Oil on canvas , 73 x 60 cm.

[meirimerens]

Yumna Al-Arashi, Axis of Evil (Yemen, Afghanistan, Iran, Iraq), 2020

in Leica Fotografie International (LFI) magazine:

"This photograph was made for my first European solo show in Berlin, in the gallery Anahita Contemporary. It's a self-portrait alongside Anahita Sadighi, Moshtari Hilal and Susu AbdulMajid. We are respectively from Yemen, Iran, Afghanistan and Iraq. Despite our different roots I noticed that we all share a similar background, having grown up in Western nations that often vilify the places our families are from. I also noticed the strong profiles of each of our faces. So I decided to create this portrait with the title Axis of Evil – a play on the term so frequently used to describe our home countries when we were growing up. It also embraces the beauty of our distinctive noses, which are often treated as ugly, something to be changed. I wanted to embrace these qualities of ours in this image, creating something powerful, defiant."

[mismedleym]

toward the sun, from the sun

[thombalan]