Captivated by this Eyvind Earle artwork of Big Sur, California, 1970 and his interesting life story and work... (1916-2000)
Born in New York in 1916, Eyvind Earle began his prolific career at the age of 10 when his father, Ferdinand Earle, gave him a challenging choice: read 50 pages of a book or paint a picture every day. Earle choose both. From the time of his first one-man showing in France when he was 14, Earle’s fame grew steadily. At 21, Earle bicycled across country from Hollywood to New York, paying his way by painting 42 watercolors. In 1937, he opened at the Charles Morgan Galleries, his first of many one-man shows in New York. Two years later at his third consecutive showing at the gallery, the response to his work was so positive that the exhibition sold out and the Metropolitan Museum of Art purchased one of his paintings for their permanent collection. His earliest work was strictly realistic, but after having studied the work of a variety of masters such as Van Gogh, Cézanne, Rockwell, Kent and Georgia O’Keefe, Earle by the age of 21, came into his own unique style. His oeuvre is characterized by a simplicity, directness and surety of handling.
In 1951 Earle joined Walt Disney studios as an assistant background painter. Earle intrigued Disney in 1953 when he created the look of Toot, Whistle, Plunk and Boom, an animated short that won an Academy Award and a Cannes Film Festival Award. Disney kept the artist busy for the rest of decade, painting the settings for such stories as Peter Pan, For Whom the Bulls Toil, Working for Peanuts, Pigs is Pigs, Paul Bunyan and Lady and the Tramp. Earle was responsible for the styling, background and colors for the highly acclaimed movie Sleeping Beauty and gave the movie its magical, medieval look. He also painted the dioramas for Sleeping Beauty’s Castle at Disneyland in Anaheim, California.
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