Billboard photoshoot outtake by Jenny Sargent, 2015.
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Billboard photoshoot outtake by Jenny Sargent, 2015.
HUNGER // 3RD MAY
The first single from Florence + the Machineās new album
Music video by A.G. Rojas
āEven then, she knew that there is no such thing as sure. There is no absolute anything. The gods love to fuck with us.ā ā Lauren Groff, Fates and Furies
Snow Whiteās stitching up the circuit board
Synapse slipping through the hidden door
Aesthetic: Florence Welchās hands
previously unseen pictures of florence welch, taken by tom beardĀ
SO IT GOES // ISSUE 11 ā FLORENCE WELCH by Gia Coppola
New York Poem (for Polly) read by FlorenceĀ š
My mother and father come to me in visions
And I can feel their arms of love stretch out across
the sea, across time, across divorces deception
and death, I know that I am their daughter.
And I know that they love me, despite the damage.
We walk past the hotel where we nearly died,
a kind of, passive double suicide.
Wave at the ghosts of ourselves,
Cold and still inside
Run screaming into the street
THIS IS THE NEW SHIT
Heady with pagan worship
of water towers,
fire escapes, ever reaching,
high as hope.
Then we are dead.
And we are together inĀ āotherā New York.
Which is both heaven and hell,
and we coffee, and ice cream
and aching hearts.
Sky Full Of Song vinyl for Record Store Day 2018Ā
Sky Full Of Song
Illustration by monolimeart
Florence backstage with Arcade Fire in London last night ā¤ļø
When I was writing this song, I would go to Isaās studio after art school, (cycling up Crystal Palace hill which takes some dedication) I had been listening to an album called āFuneralā And I wanted to at least try and make something that could be in any way as beautiful. I donāt know if I succeeded, but to play it with them last night was a dream come true. Arcade Fire changed the way I wanted to make music and I will be forever grateful to them x
āSky Full of Songā - Music Video Analysis
Florence + the Machine return with the teaser single āSky Full Of Songā for Record Store Day, with an artistic accompanying video, directed by A.G. Rojas (who also worked with Florence and Vincent Haycock on their Odyssey in 2015/16). As per tradition, we will be attempting to break down this video to make sense of it. As always, if you have any comments or ideas, feel free to write them in the comments section!To understand the concept, we will first outline the meaning of the song itself. In āSky Full of Songā, Florence talks about how she writes songs in order to escape her feelings. She has mentioned in the past that the songs are personal notes to herself, and then when she sings them on stage, they become a release - an exorcism of emotions to make her feel better. Florence has previously talked about her channeling new energies and transcending to higher levels when she performs on stage, and how the songs themselves help her sore to higher places:
The trumpets at the end of that song [How Big, How Blue, How Beautiful] - thatās what love feels like to me. An endless brass section that goes off into space. And it takes you with it. Youāre so up there. And thatās what music feels like to me. You want it just to pour out endlessly, and itās the most amazing feeling
However, in this song, she comes to realise that there is a paradox. The very songs that she writes to escape her reality, actually ground her. She realises that although she writes the songs to transcend and remove her feelings to the air, they have real and heavy meanings to her, since they are written about her āchaoticā life in her darkest moments. Whilst sheās singing them, and soaring high, filling the sky with song, she wishes she can be shot down from the sky to release her from the pain of the paradox.
Sometimes when you are performing you get so high, itās hard to know how to come down. There is this feeling of being cracked open, rushing endlessly outwards and upwards, and wanting somebody to hold you still, bring you back to yourself. Itās an incredible, celestial, but somehow lonely feeling
It was pointed out to us that this video used similar imagery to the famous horror film āThe Ringā. We think itās worth briefly talking about the imagery in the film. The plot of āThe Ringā is of a girl who was adopted, but her new mother pushed her into a well and left her there to die (pretty bleakā¦). The girl made a video tape of her experience in the well, and anyone that watched the video is cursed if they do not force other people to watch it within 7 days. In the cursed video, the famous ring shape is that of the well cover, as the little girl looks up to the sky. This ring mirrors a similar image used in Florenceās music video - the vinyl in glass. More on this later. The video for āThe Ringā also features a chair, and a ladder, which is seen in Florenceās video too. We believe that the parallels between the horror film and Florenceās video are to highlight that just as the little girl was pushed into the well by the one she loved, and couldnāt escape, Florence was also pushed from the sky to the ground by her loved one.Ā
Now to the main analysis. The video starts by showing a colourful flower, growing from soil on the floor. It then jumps to the inky ring-shaped artwork. Just as the little girl looked up from inside the well and saw the sunlight around the cover, this shot is Florence looking up to the sky, watching the clouds move across. Notice the directions that the ācloudsā move; they encroach upon the centre, like the sky and the ground meeting in the middle. This is where Florence longs to be, without feeling rooted to the room sheās trapped within. The shot then shows a candle in a dimming room that extinguishes. Candles are usually perceived as romantic, and judging by the amount of wax on the table, it appears Florence has lit this candle all too often, hoping that the person / things she loves will join her in her purgatory. They do not, and the flame goes out.
Florence is seen trapped in this room. She has a flower growing in her hand, and she lies in a white room with a black backdrop. This related directly back to the song - Florence was under the illusion that singing songs would allow her to transcend to a higher place (the sky), hence the white dreamy-looking room. However, in fact, Florence is grounded by their dark meanings, hence the black backdrop. Each flower in that room represents another song she has written, in the hope that they will grow and allow her to climb to the sky. To the contrary, they all remain beautiful, but very small, flowers. She agonises over a pot of soil, hoping that this last flower (song) will allow her to finally escape her torment. She lays on the floor, allowing this flower to sap the energy from her. It literally roots her to the ground, unable to move as she channels her life-force into providing energy for this flower to grow. All the while, she looks up to the sky and continues watching this ring-like cloud structure above her rolling overhead, longing for the flowers (songs) to serve their intended purpose and allow her to transcend without being tethered down in this false āheavenā. Finally, Florence decides that her best efforts are useless, and leaves the flower, presumably to die. As she does this, she notices a ladder that will allow her to escape. She realises that all this time she has been cultivating these flowers, that were rooting her to the floor, they were not the answer. She found it within herself to search for other ways to make herself better, and she finds it. The video ends by focusing on this last colourful flower, showing that even though it has been left, it can survive and be its own beautiful being without having to serve another purpose. Just like Florenceās beautiful songs, it is what it is, and nothing more.Ā
What do you think? Do you agree with our interpretation, or think there is another meaning? Weād love to hear your opinions! Let us know and weāll add them to the bottom of this analysis.Ā
āSky Full of Songā is out now!
I thought I was flying but maybe Iām dying now
I thought I was flying but maybe Iām dying tonight
The calm before the storm