Faux Parachute

*Check the tag #faux parachute to filter by original posts!* A New York-born punk/IDM/experimental band, formed in 2022. Also documenting the punk scene in NYC through film, photography, and interviews

[fauxparachute]

New track

[fanzines]

Some mini zines on Jewish folklore (includes zines on golems, dybbuk, malachim and sheydim) by illustrator / zinester, Ezra Rose. Buy them here and pay what you like.

[omegaverse]

Being an artist is so crazy because one day my art looks like this

And other days it looks like this

[omegaverse]

Looks like another woke mob terrorist is jealous of my artistic range 🙄

[fauxparachute]

So sad to find this on my dash. Heartbroken

[fauxparachute]

Solenoids are so cool. You can just put one in a resonant object and watch it bounce around pushing things?? And record it with a contact mic??? Hello

[spaceintruderdetector]

Suzanne Ciani: a masterclass in modular synthesis

Buchla synthesiser

[art-creature]

dormant / mixed media in sketchbook, spring 2022

[vizreef]

🖤  Chunky & chafed Shure FP31 // 3-Channel Portable Microphone Mixer (US, 1989)

[fauxparachute]

Editing all these interviews right now and damn, digital drift is a motherfucker

[thebristolboard]

Original page by Bill Sienkiewicz from Moby Dick: Classics Illustrated, published by Berkey Publishing Group, 1990.

[aholefilledwithtwigs]

So here is a video of the Stereo Field interacting directly with the metal bug while playing a drum loop. Audio is both camera and recording taken from the stereo field. I am loving the interplay between these two— the stereo field is all about electromagnetic interference and the metal bug is mechanical/vibrational interference. Two unstable systems interacting with each other.

Oh, and fair warning, gets loud and distorted 😸

[altcomics]

Ochia Sohei

[soundrooms]

F L O R I G E N I X   |   Australia

Cool cat-approved summer studio 🐈‍⬛

[yodaprod]

Nec Data Recorder PC-DR321 (1983) for PC-8801 and MSX computer

Nec データレコーダーPC-DR321 (1983年)

[takenbynoise]

Pharmakon

[postpunkindustrial]

Mica Levi / Micachu

[fauxparachute]

Making experimental music is trying to make music that sounds nothing like the music that you love, while still retaining the indescribable qualities of the music that you love

It's very strange

[bikinikillarchives]

Bikini Kill is Back Because We Need Them - LA Weekly

Bikini Kill is Back Because We Need Them: It took Kathleen Hanna 20 years to decide that she wanted to play the music of Bikini Kill.

BIKINI KILL IS BACK BECAUSE WE NEED THEM: LA Weekly, Brett Callwood, April 14, 2022.

KH: "I just want to be part of positive stuff, because there’s so much evil around. I want to bring joy and righteous anger. Anger’s not a bad thing. We should all be angry."

" When Bikini Kill played in the ‘90s, there was a lot of violence and aggression towards us, and there were also a lot of people who loved us and were very supportive. (...) It’s really amazing for me to come back as a singer so many years later and get so much love and positivity. I think people don’t realize that we weren’t a popular band – Bikini Kill was a very niche thing. People either really loved us or wanted to literally kill us. There were a lot of ‘you guys don’t even deserve to exist,’ kind of sentiment. So to come back and be like, we do deserve to exist and actually, these songs – sadly, sadly, sadly, sadly – are feeling more relevant now than they did then. "