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guys be honest, is there ACTUALLY a way to make a more fem voice sound male? like actually?
i tried editing on audacity with the formant shifting, lowering pitch-speeding up tempo combo, and adjusting the bass/treble and my audio STILL sounds deeper but clearly edited
anything else i can try? no ai voice obviously i’d rather die
any help is appreciated i’m kinda dying here :(
Gnomes? Gnomes!
[REDACTED] is BACK BABY and so is my girl, Eloise! 👩☎️
Streaming now wherever you get your Podcasts! 💛
Announcement time!
I’ve opened up commissions for podcast editing, soundscaping and sound design!!
Whether it’s for audio-dramas, actual plays, cutscenes, animations, twitch starting soon screens, etc, I offer a variety of services and styles of editing for audio-based projects, to varying levels of complexity/price (all prices are listed in USD)!
So whether you’re looking for custom environmental or action sound design or just someone to edit dialogue, I most likely have an option for you! Whilst Ko-Fi doesn’t allow video/audio integration I do have reference samples of each option and style of editing available upon request, so feel free to contact me either here on tumblr or through Ko-Fi if interested! <3
Commissions Open! Click to see ConnorsNotHere's commission menu.
Gallery Piece but Kevin Barnes really wants to crash your car
I cant get the audio file to upload so you'll just have to be stuck with this video
Lyrics ⬇️
🐝 Did you know that Maya creates custom EQs for each character in an episode? She also gives each voice a distinct location to help you track conversations—another reason to listen to the Singing Porch with headphones. 🙉 Do you have any other questions for Maya? Comment and let us know! Image description: a woman sits on a blue and red plaid couch with an audio editing software open on her computer. Transcript: --
Joe: So hey Maya, roughly how many audio tracks are you working with for this one piece?
Maya: I don't even know. No? They're all listed in the side over here, and I'd have to count, but it's a long list.
Joe: And why are there so many tracks?
Maya: Because we have our dialogue tracks, of course. But our dialogue tracks, because they're positioned in different places and we have different characters in this story, uh, we have four different characters who speak in this story. Each one you want to place in a different spot... so it's easier for your listener to track who is talking when. And that's both, like, spatially in your headphones, and also I have different EQs on each of those characters, so they just sound a little different. One sounds a little younger, one sounds a little richer. So having the different tracks allows me to make sure they're consistent throughout the story. And then I have, like, subfolders of a bunch of different effects for different times of day. I have a whole night ambiance folder.
Joe: Um- Really? I don't think I knew that.
Maya: Yeah. Yeah. I have different settings and different times of day. I have, like, interior. I have interior when she's cooking on the stove. I have interior when she's not. Um, and then we also have like a whole livestock folder, and there's part of the bit of the story is that livestock is going missing in this village, and so it gets sparser and sparser and more distorted as the story goes on.
Joe: That's so cool.
Maya: So there's a lot of different tracks throughout kind of tracking those changes. And then some of these tracks are also just folders for organization.
Joe: Sure! Thank you, Maya.
Maya: Of course.
How to glitch your Spamton!!
Here's the ref: Chapter 2 of Beyond Repair by ManofthePipis
first you take your rough recording
next you snip them up and move them to their proper channels (also a little artistic plagiarism for the funsies! Alex Rochon, I'm stealing two seconds of your voice for the sake of shitposting art! I will never make a cent of bank from this and in fact it has cost me over a month at this point AHAHAHAHAHAHAHAHAHAHAHAHAHA)
Each channel has filters for different characters and limiters to keep loud noises to a minimum while also not making anything too quiet to hear
then we take what he was trying to say
and cut out all the parts his benefactor didn't like
then move the ads into position with a little time dilation and extra trimming to make them punchier
now usually voice clips like this also get glitched to heck and back to match the misspellings, extra punctuation marks, and capitalization errors. Maybe I'll share a tidbit of one of those when I get to another one
Anywho, chapter 2 of the podfic's coming along alright
death note musical but L has his voice filter
Hey! Hope you're having a great February. What inspired you to make your ASMR scripts? Did it take a lot of time/thought writing them out? It's been over a month, and I still get giddy over them.
Hello!
Truth be told, I have listened to plenty of intimate ASMRs before. Every so often I’ll listen to them because I’m a weird guy 😆
I wanted to make these attempts with Pierrot(and possibly others soon!) other than just comic dubs and dubs of the scenes from the game. I love doing the comic dubs, don’t get me wrong, I wanted to flex the muscles and try, plus Pierrot’s voice is already kind of whisper-y which works incredibly well with ASMR.
Writing the scripts themselves, if I absolutely focused on them, slight reworks and bridging the dialogue to flow better throughout the script, I’d say collectively they could’ve taken anywhere between 2-3 hours each?
Finding the sound effects takes about the same amount of time depending on how many effects you want to include, finding the perfect sounds, finding ways to mash up sound effects(like Pierrot opening the door to the bedroom was two separate door sound effects). Then editing together isn’t awful, just gotta hope everything sounds great once it’s altogether 😆
Trying to work on a few other projects soon though! Stay tuned!
