boyancientâ   /   five hargreeves.
â I havenât, â he said, shook his head, numb still and too focused to think about Klaus of all people and what he mightâve gotten himself into now â later. One fucked up family member at a time. And this was important, this mattered more. He had to be the one to tell her. To tell her that he knew, and what he did with that knowledge, and â and â
He slipped past her and into the house, shaking his head slowly. Worried. She was worried about him. It wasnât surprising, wasnât she always the one who worried and fretted and cared? Too much, and before he found it annoying and an imposition but now he knew better. At least he hoped he did. He turned to look at her directly. Paused for a moment. â Iâm sorry, â he said. â I didnât mean to worry you. I shouldâve called to let you know I was fine. â They were always on his case about it, about calling and letting them know if he was alive or fucking dead, and their worry never registered as something real. Hardly real enough for him to step out of his comfort zone and let anyone know he was alive before he went off grid. â I canât promise you Iâll call next time, but I promise you Iâll try. â
â I was in Arkaley, â he said. â I tracked it down after you and Diego came back. I wanted to know what happened. â Curiosity or paranoia? Maybe both. Which one eclipsed the other, he didnât know. â Iâll admit I got a lot more than I bargained for. â An understatement, but now that he knew he didnât wish he stayed ignorant. He wished he knew before. Earlier. He wished it never happened.
â I know what they did to you, â he said. He walked up to her as he spoke, steps slow and tired, but his voice held back a simmering fire and rage. Not at her. Not now, not ever again. â I know what you survived in there. What they said and did and why. I talked to the Priest and your mom. â He gestured for her to lift her hand palm up, and pulled out a chain with a cross and ring looped through it. He dangled the chain between them. An offering. A confession? â I really hope you werenât emotionally attached to any of them, because theyâre all dead now. â
               when five apologizes, itâs a warning bell. whatever has happened, it canât be good. she suddenly wants him to look anywhere else. she wants to be anywhere but here, away from that gaze, somewhere she canât hear whatâs going to come out of his mouth but she is frozen. not a single external cue to allow him to see the internal shift, sheâs gotten quite good at this over time but she doesnât know how long she can hold onto this. itâs not as if she can walk away and itâs hard to focus on what exactly he says next, like sheâs listening through a haze of static until---------- i was in arkaley.
          the instinct to apologize is first, burning on the tongue and freezing in the blood like her veins had been filled with liquid nitrogen. she cannot look away as her mouth opens but no sound comes out. she is paralyzed, terrified of that which must be coming. the inevitability that the anger will come, that now he surely must see the monster lurks deep within her, the same way the parish had always been able to. a necessary evil to eliminate the threat. she wants to tell him ( beg him, really ) to make it quick. painless is probably too much to ask.
           i know what you survived in there.   she can feel the pounding of her heart in every inch of her skin, the deafening quiet between beats that feels shorter and shorter still, her voice still a hostage held between her teeth. the mouth of a beast. the sickening swell of deadly fear that refuses to be quelled as he approaches, and the palm that is raised is trembling, she canât help it until he produces the cross and the ring and she canât remember how to breathe. theyâre all dead and she doesnât know how to feel. how to move. she blinks, and she is in motion, falling as her legs give way beneath her, like a puppet whose string was cut.
          she doesnât feel the the impact when she hits the ground, seated and staring ahead, her thoughts a thousand miles away as she tries to process the maelstorm of emotion ripping through her even as she seems distant and placid. her eyes shut for a moment, and a sharp inhale precedes her finally managing to speak, tone distant and monotone.   â  ...ARE YOU OKAY ? â