She may very well pass for forty-three
In the dusk with the light behind her

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@fuckyeahgilbertandsullivan
She may very well pass for forty-three
In the dusk with the light behind her
bitches love me because i have many cheerful facts about the square of the hypotenuse
Bet YOU don’t know what is meant by mamelon and ravelin!
"average person marries 3 women a year" factoid actually just statistical error. average person marries 0.0125 women per year. Weddings Ludwig, who lives in Pfennig-Halbpfennig & marries 4 women each day, is an outlier adn should not have been counted
miminy piminy
Francesca di Rimini?
a legal ghoest ..........
a technical ghoest
Oh how unfortunate to be a twenty one year old man who has just discovered he was born in leap year and thus must still fulfill the contract binding him to a pirate apprenticeship until his one and twentieth birthday (nota bene: not his one and twentieth year)…
Happily, many of Broken Hearts' themes and plot devices are also used in Cyrano De Bergerac, and resurface in The Yeomen of the Guard.
(Broken Hearts synopsis by Sarah Cole)
to say she is his mother is an utter bit of folly
(oh, fie! our strephon's not a rogue!)
perhaps his brain is addled and it's very melancholy
(taradiddle, taradiddle, tol-lol-lay!)
i wouldn't say a word that could be reckoned as injurious,
but to find a mother younger than her son is very curious
and that's a kind of mother that is usually spurious
(taradiddle, taradiddle, tol-lol-lay!)
Life is love in merry May!
The opening night, uncut version of Ruddigore is so much more exciting than the sanitised revised version.
Please listen to the ghost scene with the extra bits put back in that were cut for being too spooky for light opera (the little instrumental after the first chorus; and the little solo and chorus bit between "...set on thee his grisly hand" and "beware!")
Illustrations by W. Russell Flint for W. S. Gilbert, RUDDIGORE; OR, THE WITCH’S CURSE (G. Bell and Sons, 1912).
‘The Yeomen of the Guard’ from ‘Savoy operas’ by W. S. Gilbert; With illus. in colour by W. Russell Flint. Published 1909 by George Bell & Sons, London.
See the complete book here.
OMG! The Patience ones!!!
Patience being both the smartest and dumbest woman among them and looking FINE!
When you’re not even Early English
Realistic woman woman interaction where someone shares a story of their past affection and the other asks “👁️👄👁️Who is he”
Leave it to a maid to look for a love that’s completely unselfish. Put herself first? Never.
Bunthorne is just sighing, waiting for this to be over, only in it for 🙌The Attention
Jane… fire your cello teacher. It’s so much easier if you sit.
Thanks for reading my additions
We could all do with a bit more TANTANTARA in our lives.
I am the very model of a frightened shaking animal
GUYS GUYS GUYS
CUT IOLANTHE MUSIC FULL ORCHESTRATIONS NOT A DRILL
On a recent research trip to London, I found three deleted songs from Iolanthe, hiding in plain sight in the British Library.
Oh, my enemies may sing / Of the joys of being King…
I’m still not hugely familiar with The Gondoliers, but this song got itself stuck in my head and I felt another Henry VI parody coming on. So here’s Henry’s account of most of what happens to him in Part II… as a G&S patter song. Someone stop me before I create an entire “What If Gilbert & Sullivan Wrote Shakespeare’s History Plays?” parody operetta.
KING HENRY Rising early in the morning, In an apprehensive mood, My thoughts full of dire warning: How will this new day conclude? I embark without delay On a most… eventful day.
This began a pleasant outing, With our falcons and no shouting, But my squabbling court are all at odds again, Like a sunny April morning That transforms with little warning To a darkened sky and floods of chilly rain. Buckingham brings news that makes this bad day worse: Apprehension of some sorcerers mid-curse, With intent to do me harm. And what is more, They were led by my dear auntie Eleanor! So I have to have her banished. But the scandal hasn’t vanished: There’s an uproar and my uncle’s forced to step down in disgrace From his role as Lord Protector. I already fear the specter Of some national emergency I’m unprepared to face. My authority is tested And my uncle is arrested ‘Midst a flood of accusations I am helpless to prevent. Come on, Henry, chill a minute! Hold a trial; he will win it! For I’m sure my uncle Humphrey is completely innocent.
Oh, philosophers may sing Of the joys of being King; But it’s really very stressful when your court won’t get along. No-one tells me what they’re doing But I know there’s trouble brewing And I have this dreadful feeling something’s very, very wrong.
I announce my uncle’s trial. He’s been murdered?! Full denial Of wrongdoing from his rivals in the court. Warwick says it’s Suffolk’s doing, So he’s banished. ‘Midst ensuing Chaos, comes a servant with a grim report: Beaufort’s gravely ill and soon will be a corse – He dies feverish and haunted by remorse. Then a messenger arrives with Suffolk’s head – Pirates captured him and now he, too, is dead. More bad news: now London’s falling To a rebel leader calling Himself “Mortimer”. (He’s really just a tailor named Jack Cade.) Meg and I must flee the palace To escape his vicious malice… Wait – the Commons have switched sides again and Cade has been betrayed. Crisis solved? While we’re still reeling, I’ve another awful feeling, Like a ship that ‘scapes a storm, then meets a vicious pirate threat. Suddenly – approaching horses: York’s returned with mighty forces Which he claims he’s only brought to rescue me from Somerset.
Oh, my enemies may sing Of the joys of being King; But it’s not a job I wanted, and I’d gladly yield my crown. Oh, a shepherd’s plain existence Is a path of less resistance Than this treacherous position with its duties and renown.