#me trying to unlock my phone with face id while wearing a mask
noise dept.
Fai_Ryy
sheepfilms
Cosimo Galluzzi
d e v o n
Interview Vampire Daily
Sade Olutola
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shark vs the universe
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cherry valley forever
Not today Justin

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blake kathryn
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ojovivo
Keni
2025 on Tumblr: Trends That Defined the Year
seen from Belarus
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@feelsterrorist
#me trying to unlock my phone with face id while wearing a mask
What we do in the shadows | 1.06
@khadrimxart
Weâre werewolves, not swearwolves
Weâre werewolves, not swearwolves
The dead sea is less salty đđ
âHeâs just a kid, he can fall overâ
iM WHEEZING
The banter between Barnes and Barton in Tales of Suspense is fucking flawless.
A limited run is not enough!!!
I canât fucking get enough of these two.
Just wrapped up a project on an upcoming anthology with Red Stylo Press called Cosmic Love. I colored âGreen Lightâ, written by Mario Candelaria, art by Adam Ferris, and letters by Scott Ewen. Good stuff!
Finally got the Kid Sherlock trade at work, so of course I immediately made a shelf talker. âșïž#kidsherlock
Get this man a shield
Bucky Barnes (Sebastian Stan) in the Vanity Fair cover shoot
HOLY AHHHHHHHHH OMG đ±đ±đ±đđđ
angsty assassins
Bucky Barnes Flame Con 2017 commission
Dressed as Gus from Sweet Tooth at work today. #comics
Hellâs Kitchen Movie Club #2: Silent Running
This was just supposed to be a dumb strip about bad action movies, obscure band t-shirts, and the peculiar rhythms of male friendship. Then as I wrote it, these two assholes starting having emotional arcs and longer, interconnected storylines about loss and PTSD, and *throws up hands* why canât I just make stupid things?
Then the Last Vegas shootings happened. Dave and his wife did a lot of the graphic design for that concert; they had many friends in the audience. And suddenly a lot of the casual conversations in bars weâd been having about these characters and their larger presence in the American cultural landscape got very real.
Look, Iâll go to my grave swearing that artists have a duty to be irresponsible. You try for responsibility in art â giving the audience what they expect â and you end up with Soviet Realism, or WPA murals. Theyâre pleasant enough in their way, but they donât really make you feel anything, do they?
The act of creation is, at heart, wildly irresponsible. So, sure. Be daring. Tweak noses. Astonish and anger your audience. But remember there is first a far more fundamental rule, the numero uno, the bedrock law of existence in civilised society:
Donât be evil.
And donât enable the use of your creations for evil by others.
This is true from your very first story. Itâs even more true when you are the brief caretaker of a multi-million-dollar corporate character, especially one that represents disenfranchised white male working-class rage, or a yellow-haired man wrapped up in red, white and blue who represents âAmericaâ, whatever that is.
Because make no mistake: evil is abroad in this land. It visits itself daily in violence on innocent bodies based on the color of their skin or the name they call God. And nobody does anything. It visited itself on hundreds of innocent music fans in Las Vegas. And nobodyâs doing much of anything to stop it happening again.
Iâm not saying you have to do anything. You donât have to be a hero.
Just donât be evil.
And if youâre lucky enough to write heroes, donât do it in a way which allows the hateful to use them as symbols for evil.
If you want to do something, consider giving a little money to the Las Vegas victimsâ fund (Team Frank) or Stop Soldier Suicide (Team Bucky). Or, yâknow, maybe both.
Yours always (or at least until the inevitable Cease & Desist),
Alex
PS love to my volunteer co-creators, @dave-acosta (line art) and @deecunniffe (colour art), please follow them.Â
PPS you can read the colour version of Hells Kitchen Movie Club #1 right here.