She said she’d rather destroy Manderley than see us happy here.
Judith Anderson in Rebecca (1940) dir. Alfred Hitchcock
The Bowery Presents
Not today Justin

titsay
taylor price
The Stonewall Inn
noise dept.
No title available
Doug Jones
macklin celebrini has autism
EXPECTATIONS

roma★

shark vs the universe
almost home
RMH
Noah Kahan
Mike Driver
$LAYYYTER
Monterey Bay Aquarium
Aqua Utopia|海の底で記憶を紡ぐ
todays bird

seen from United States

seen from United States

seen from United States
seen from United States

seen from Brazil

seen from United States

seen from United Kingdom
seen from United States
seen from South Korea
seen from Canada
seen from Italy
seen from Brazil

seen from Norway

seen from United States

seen from United States

seen from Bangladesh

seen from Malaysia

seen from Germany

seen from United States
seen from United States
@film-escapism
She said she’d rather destroy Manderley than see us happy here.
Judith Anderson in Rebecca (1940) dir. Alfred Hitchcock
THE MORE THE MERRIER (1943, dir. George Stevens)
Scarlet Street (Fritz Lang, 1945).
BETTE DAVIS in ANOTHER MAN'S POISON — 1951, dir. Irving Rapper
Tony Curtis, Jack Lemmon and Marilyn Monroe on the set of “Some Like It Hot”, Summer 1958.
You can see now? Yes, I can see now.
City Lights (1931) — dir. Charles Chaplin
The Naked City | Jules Dassin | 1948
Barry Fitzgerald, Dorothy Hart, Howard Duff
Hugh Grant as Clive Durham in Maurice (1987)
Tony Curtis and Sidney Poitier The Defiant Ones (1958) dir. Stanley Kramer
Sometimes a little delay does the trick. THE PROWLER 1951 | Joseph Losey
PLAN 9 FROM OUTER SPACE (1959) dir. ed wood
Eraserhead (David Lynch, 1977)
Maggie Gyllenhaal, James Spader / Steven Shainberg’s Secretary (2002)
Twin Peaks: Pilot (1990) dir. David Lynch
[ID: gifs from Twin Peaks. Dale Cooper is driving and talking into a voice recorder. He says, “Diane, 11:30AM, February 24th. Entering the town of Twin Peaks.” End ID]
when hugh grant complained that movie leads don't have affairs on set anymore because they're too busy staring at their phones he was so right
Montgomery Clift and Alfred Hitchcock on the set of I Confess (1953)
I am insane about this man. I can’t put in words just how much I need him like he’s genuinely the finest man on earth.