Filmic Artifacts

exploring the intersections between moving and still art

[queenantoinetteoffrance]

Kirsten Dunst as Marie Antoinette by Jenna Gribbon for Marie Antoinette (2006) vs. Marie Antoinette with the Rose by Elisabeth Vigée-Lebrun

[perlabionda-deactivated20210716]

[70rgasm]

Claudia Cardinale for Il Gattopardo directed by Luchino Visconti, 1963

[kafka-f-deactivated20130406]

“Blue Nude,” Pablo Picasso (1902)

Possession, Andrzej Zulalwski (1981)

[andreii-tarkovsky]

1851/1852 - Ophelia, painted by John Everett Millais

2016 - Bojack Horseman, created by Raphael Bob-Waksberg

[twiststreet]

[apositivegirl-deactivated201805]

i just realised

SAME FRIGGIN POSITION

I’m dead

(Reservoir Dogs, Quentin Tarantino vs. Antonio Canova, Psyche Revived by Cupid’s Kiss. Here in the Criminal Killed by Cop’s Confession version.)

[filmicartifacts]

Edward Hopper. Nighthawks. 1942.

Songs from the Second Floor (Roy Andersson, 2000)

[1878s-deactivated20171004]

Natalia Vodianova by Paolo Roversi. Sad eyes by Joseph Lorusso.

[firinambar]

[filmicartifacts]

Amaranth, Nightwish (2009)

The Wounded Angel, Hugo Simberg (1903)

submitted by @xescie

[cinemphatic]

The Witch (2015) + Francisco de Goya (1746 –1828)

[lesbianwaves-deactivated2022021]

Fallen Angel, Alexandre Cabanel, 1868 / Mad Max: Fury Road (2015)

[temper-on-canvas]

Saoirse Ronan photographed by Steven Meisel for Vogue, December 2011.

The shoot was inspired by John Everett Millais’ Ophelia, ca 1852, oil on canvas, 76.2 cm × 111.8 cm.

The painting itself depicts a scene from Shakespeare’s play Hamlet.

[thefilmstage]

A video essay on the significance of paintings within movies.

[artofseeingandnoticing]

Caspar David Friedrich (1774-1840)

Werner Herzog - Nosferatu: Phantom der Nacht (1979)

[filmicartifacts]

Halloween (John Carpenter, 1978)

Self-Portrait with Flowered Hat, James Ensor (1883)

[filmicartifacts]

Woman with a Fan, Modigliani (1919)

Skyfall (Sam Mendes, 2012)