[fortuneaday]

[cozyvu]

via marieannederville

[rapturousrot]

Isabelle Huppert on her role in The Piano Teacher (2001) directed by Michael Haneke, from an interview c. 2017

[romanceyourdemons]

sometimes you just want to look at the qing dynasty jadeite cabbage again

[romanceyourdemons]

here she is!

[ID: a sculpture of a chinese cabbage carved from a piece of two-tone white-and-green jadeite, resting on an intricate wooden stand /end ID]

[ps1]

青空の下で

[fortuneaday]

[victoriascanlonw]

my mom took this nearly 10 years ago. she was outside and just happened to have her camera when some newlyweds went by on a bicycle for two

[mona-l1sa]

[existential-celestial]

“Love bestows innocence. It has nothing to forgive. The person loved is not the same as the person seen crossing the street or washing her face. Nor exactly the same as the person living his (or her) own life and experience, for he (or she) cannot remain innocent. Who then is the person loved? A mystery, whose identity is confirmed by nobody except the lover. How well Dostoevsky saw this. Love is solitary even though it joins. The person loved is the being who continues when the person’s own actions and egocentricity have been dissolved. Love recognises a person before the act and the same person after it. It invests this person with a value which is untranslatable into virtue.”

— John Berger, from “Between Two Colmars,” in About Looking (1980).

[lamignonette]

[picalla]

[syring3]

[concupiscience]

[jareckiworld]

Leonora Carrington (1917-2011)— Again, the Gemini Are in the Orchard (oil on panel, 1947)

[chinesefortuneteller]

Love this blue in my home

[pyritetears-deactivated20260218]

Waltrina Kirkland-Mullins, Breaking Down Fences - Revealing The Past. (2003)

[sentimentalbeing2001]

Joan Didion’s home