selec+ (the photographic showcase) no. 36 - istanbul

if i look back, i am lost
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
Three Goblin Art
styofa doing anything
ojovivo

izzy's playlists!
Peter Solarz

#extradirty

Janaina Medeiros
he wasn't even looking at me and he found me
No title available
occasionally subtle
RMH
Game of Thrones Daily
sheepfilms

@theartofmadeline
Alisa U Zemlji Chuda
Today's Document
seen from United States
seen from Mexico

seen from United States
seen from T1
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from T1

seen from United States
seen from United States
seen from Argentina
seen from New Zealand
@fingermeat
selec+ (the photographic showcase) no. 36 - istanbul
Randy Ortiz, “The Dance”
charcoal, pastel, and acrylic on art board, 2020
Infinity Science Fiction Jun 1958
Edmund Emshwiller
dennis manarchy in american photo magazine november/december 1990
Into Darkness - John Dowd , 2024.
American , b. 1960 -
Oil on linen , 8 x 10 in.
Night Hunt, John Brosio, 2013
Oil on canvas
Dracula trade paperback #1, Warren Publishing, 1972. Front and back cover illustrations by Esteban Maroto.
Info from Grand Comics Database.
radiorama magazine december 1969
Randy Chisholm, “Country of the Dead”, c. 1982
Norman Lindsay (1879–1969), “Old Paris”, 1934
source
GENESIS P-ORRIDGE IN DECODER [1984]
“information is like a bank. some of us are rich, some of us are poor with information. all of us can be rich. our job, your job is to rob the bank—to kill the guards. you go out there to destroy everybody who keeps and hides the whole information.”
Guy Bourdin - Charles Jourdan Ad (Vogue Paris 1969)
Soledad Miranda in Nightmares Come at Night (1970)