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Sweet Seals For You, Always
wallacepolsom

Product Placement

Kaledo Art

Origami Around
dirt enthusiast
KIROKAZE

titsay
ojovivo
PUT YOUR BEARD IN MY MOUTH
Aqua Utopia|海の底で記憶を紡ぐ

祝日 / Permanent Vacation
i don't do bad sauce passes
Xuebing Du
Jules of Nature
cherry valley forever

Love Begins

Janaina Medeiros
Misplaced Lens Cap

seen from China

seen from T1
seen from Czechia
seen from United States
seen from Canada
seen from Philippines

seen from Türkiye
seen from Türkiye

seen from United States

seen from Malaysia

seen from Italy
seen from Canada
seen from Finland
seen from United States
seen from Netherlands
seen from United States

seen from Canada
seen from Germany

seen from Germany

seen from Italy
@fireheart10
«Know only this, mon cher. You are the only being I trust, and whom I love, above and beyond myself. All my love belongs to you. You are its keeper.»
INTERVIEW WITH THE VAMPIRE | 2.02 "Do you know what it means to be loved by Death?"
Still missing each other.
The fact that being forever separated from Louis is worse than death for Lestat 😭And him saying that even in death he will be yearning for him 😭
Indeed.
“Know only this, mon cher, you are the only being I trust and whom I love above and beyond myself. All my love belongs to you. You are its’ keeper. A veil will now forever separate our union, but it is a thin veil. And I’m always on the other side. Face pressed up against your longing.”
I’m fine.
pls pls kmn PLS💔
Rome. By all means, Rome. I will cherish my visit here in memory as long as I live.
Judy Garland
Judy Garland Esquire, June 1944 Photography by George Hurrell
Girl Crazy, 1943 (dir. Norman Taurog and Busby Berkeley)
Zinaida Nikolaevna Gippius, from Selected Works; “Memoirs of Martynov,"
In the Mood for Love (2000), dir. Wong Kar-wai
Ruin me, ruin us, and I’ll let you
Taylor Swift, “illicit affairs” | R. F. Kuang, The Burning God | Zara Larsson, “Ruin My Life” | 5 Seconds of Summer, “Bad Omens” | audrey emmett | Lorde, “Writer in the Dark” | Richard Siken, “Scheherazade” | Oscar Wilde, in a letter to Leonard Smithers
Return to Seoul (2022)