Galatea (1847) by Charles Jalabert
occasionally subtle
Interview Vampire Daily
Noah Kahan

Origami Around

gracie abrams
sheepfilms
Show & Tell
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almost home

PR's Tumblrdome

Love Begins

❣ Chile in a Photography ❣

roma★
untitled
★
Lint Roller? I Barely Know Her
Cookie Run:Kingdom Official!
Claire Keane
One Nice Bug Per Day

titsay

seen from United States
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@firstandlastandfloodland
Galatea (1847) by Charles Jalabert
“The Sorrows of Satan” (1926) film still | dir. by D. W. Griffith | A cinematic image immortalized through Bauhaus’ “Bela Lugosi’s Dead” (1979) cover artwork.
The Calling of Samuel by Gustave Doré, 1877
Saint Cecilia, (Detail), (c. 1686), by Onorio Marinari (Italian, 1627 – 1715), oil on canvas, 72 x 57.5 cm (approximately 28.3 x 22.6 in), Private Collection
Bellona, (Detail), (1633), by Rembrandt van Rijn (Dutch, 1606 – 1669), oil on canvas, 50 x 38 3/8 in. (127 x 97.5 cm), The Metropolitan Museum of Art, New York City
Marcel Roux (1878–1922), “La Visiteuse (la Mort)”
etching, 1907 — source
'Saint John the Baptist' (1635-40) by Cesare Fracanzano (1605–1651)
located: Capodimonte Museum, Naples (Museo di Capodimonte, Napoli)
Ernst Fuchs (1930–2015), “Daphne”
etching, n.d. (c. 1960-87)
source
Georg Erler (1871–1950), “Death and the Maiden”
etchings, c. early 20th century — source
Crimson Tide by Maéna Paillet, 2025
The Holy Grail by Devin Becker
“What’s Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death’s at Hand.”
William Faithorne the Younger (c. 1669–1703) after William Faithorne (c. 1620–1691) after Philippe de Champaigne (1602–1674)
mezzotint & etching on paper, c. 1669–1703 — source
The Creatures (Siouxsie Sioux and Budgie), circa 1983
in honour of 47 years of bela lugosi’s dead, here is my favourite tweet about it
october_midnight ~ the oldest bones know the path