YOU ARE THE REASON
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Kiana Khansmith
hello vonnie

gracie abrams

if i look back, i am lost

blake kathryn
Fai_Ryy
Sade Olutola
Cosimo Galluzzi

ellievsbear
macklin celebrini has autism
d e v o n

Jar Jar Binks Fan Club
EXPECTATIONS
taylor price
ojovivo
Jules of Nature
I'd rather be in outer space 🛸

★

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@fl0ravista
read literature in your first language! learn about your country's literary history! read those sentences and memorize new words you didn't know yet! find an author you like and explore their work! explore the modern literary scene in your country! visit a local bookshop and ask for recommendations in your own language! refuse to let the english language trample over linguistic diversity! stop acting like it's too hard! just START!
“The first note known to have sounded on earth was an E natural. It was produced some 165 million years ago by a katydid (a kind of cricket) rubbing its wings together, a fact deduced by scientists from the remains of one of these insects, preserved in amber. Consider, too, the love life of the mosquito. When a male mosquito wishes to attract a mate, his wings buzz at a frequency of 600Hz, which is the equivalent of D natural. The normal pitch of the female’s wings is 400Hz, or G natural. Just prior to sex, however, male and female harmonise at 1200Hz, which is, as Michael Spitzer notes in his extraordinary new book, The Musical Human, ‘an ecstatic octave above the male’s D’. ‘Everything we sing’, Spitzer adds, ‘is just a footnote to that.’”
— “Symphony of a Thousand Millennia“ from Literary Review
Oscar Wilde, The Picture of Dorian Grey
ig: walimn
بوی عطر دل پاک، ھمه جا حس می شود
Farsi, saying: «The fragrance of a pure heart is sensed everywhere»
“The ceramics teacher announced that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pounds of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work-and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.”
— David Bayles, Art & Fear: Observations on the Perils (and Rewards) of Artmaking
Campos de cempazúchitl. Puebla, Mexico. Eduardo Camarena
The night gardener once asked me if I knew how citrus trees died: when they reach old age, if they are not cut down and they manage to survive drought, disease and innumerable attacks of pests, fungi and plagues, they succumb from overabundance. When they come to the end of their life cycle, they put out a final, massive crop of lemons. In their last spring their flowers bud and blossom in enormous bunches and fill the air with a smell so sweet that it stings your nostrils from two blocks away; then their fruits ripen all at once, whole limbs break off due to their excessive weight, and after a few weeks the ground is covered with rotting lemons. It is a strange sight, he said, to see such exuberance before death.
When We Cease to Understand the World, Benjamín Labatut