pixel skylines
Cosimo Galluzzi
d e v o n
will byers stan first human second
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
if i look back, i am lost
DEAR READER
Keni
Andulka
Alisa U Zemlji Chuda
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
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Sade Olutola
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❣ Chile in a Photography ❣
$LAYYYTER
tannertan36
Misplaced Lens Cap
seen from Germany
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@flowersanddirt
HANNAH STARKEY: NEW VISUAL INTELLIGENCE AND THE REPRESENTATION OF WOMEN.
Hannah Starkey is a photographer, a mother of two and is curious about how to give the younger generation more than what is currently being offered. Her works are presented in a wide range of exhibitions and publications. As...
Gregg Evans Jesus Playing You as David
"No matter how much information is sharp and visible in an image, how detailed the title and how accurate the exposure, there is always a part of the image that was solely experienced by its creator. I love the idea that there is action in the images I make that can never be seen; the ghost of the picture that will always remain a mystery. There is a performative aspect inherent in photography - the ephemeral process of creating, the thing that is always lost." - Evans, from PS1 Studio Visit
cass bird Sasha & Molly, 2007
"These photographs show, through portraits, landscapes and documentary scenes, lives that resist and create alternatives to the structures of societal norms. They illustrate the convergence of alternative lifestyles with accepted conceptions of motherhood, nurturing and family. The subjects include people who manipulate gender roles, pushing perceived boundaries of gender specification. The photographs portray the beauty and the positive existence of these individuals, their male or female origins overridden by their own will to define their gender, sexuality, and place in society." - Brooklyn Museum
NEW BUNNY COLLECTIVE SHOW OPENING IN TACTIC, CORK ON NOV 27 AT 7PM. featuring work by Bunny Collective members, Areole Collective and guest artist Hobbes Ginsberg.
SUGAR brings together for the first time the work of two all-female art collectives: Cork based Bunny Collective and Areole, based in Tampere, Finland. This partnership reflects the overarching themes of the exhibition: multiplicity, community and of investigating differences and similarities in women’s lives. SUGAR takes as its point of departure the socially-inscribed connection between women and sweetness, and how ‘sugar’ as a metaphor has come to stand for femininity as a whole. From this, SUGAR presents a dynamic exploration of femininity, one that stresses the multiple, contradictory and connective possibilities of female identity rooted in the diversity and range of perspectives offered by the exhibiting artists instead. Thus, sugar, as a term, takes on new significance, one anchored in the compound properties of the chemical
+12.02.15 from ‘The Days’ - Aoife O’Dwyer / 2015
still life collab w/ chloe feller, los angeles
dec 2014
//
from my new book still alive that’s now available online !!! via snow leopard press
8x10 / 25 pages / $26
144 pages long, A4, with a glossy cover to rival any mainstream magazine, Parallel Magazine is your alternative to misogynistic “women’s” periodicals.
Issue 1, “Liberation”, features: interviews with Kate Nash, Hanecdote, Big Joanie, Harnaam Kaur, and the Clandestine Collective; pieces on Carry That Weight and the Good Night Out campaigns; reviews of Girls Get Busy, The Chapess, and Body Talk zines; and work by Nicci Peet, Alayna Cole, Sarah Vickery, Sian Irvine, Lilly Vigna, Megan Pattie, Robyn Nichol, Janine Booth, Giselle Morgan, and of course the fabulous Parallel team themselves.
We talk about everything, from politics to body image; from race representation to the Spice Girls.
Grab a copy online here or find us at one of our stockists!
I just received my copy of this and it is wonderful! Very exciting for myself and clandestinecollective to be part of such a cool project.
Ryan Duffin
Pastel - by Liam Rimmington
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David Moses - Untitled (2013)
"Feminists have largely overlooked the pleasures associated with feminine exhibitionism and display, I think, because the pleasures are suspect. Acknowledging them may seem to authorize the sexual objectification of women or to suggest that surveillance is benign because on some levels it feels...
my feelings about the next two weeks of uni. it’s over soon.
Now is no time to think of what you do not have. Think of what you can do with what there is.
Ernest Hemingway, The Old Man and the Sea (via likeafieldmouse)
