Reliquary in the shape of a three-legged fish, from Germany, ca. 900-1350 CE.
Crafted from rock crystal and silver-gilt, and it was designed as a vessel for relics of Mary Magdalene.

oozey mess

★
dirt enthusiast
Xuebing Du

blake kathryn
Lint Roller? I Barely Know Her

JVL
noise dept.
Alisa U Zemlji Chuda
Peter Solarz
Cosimo Galluzzi
occasionally subtle

roma★
KIROKAZE

if i look back, i am lost

titsay
Sweet Seals For You, Always

JBB: An Artblog!

Janaina Medeiros
d e v o n

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@flumptonbronzebottom
Reliquary in the shape of a three-legged fish, from Germany, ca. 900-1350 CE.
Crafted from rock crystal and silver-gilt, and it was designed as a vessel for relics of Mary Magdalene.
French Kiss? No Tongue Please...
Women: historically they’ve been classified as goddesses and seductresses, first-sinners and saints, those who conquer the hearts and minds of men and those envious of penises. Let’s get a little medieval and look at a woman whose seduction leads to a gruesome lingual mutilation.
Limbourg Brothers, Saint Paul the Hermit Witnessing a Christian Tempted (detail), The Belles Heures of Jean de France, Duke de Berry, early 1400s, tempera colors and gold on parchment. The Metropolitan Museum of Art, The Cloisters Collection
According to The Golden Legend, an “impure woman” tempted a Christian youth by caressing his body. As a gesture of piety, the Christian bit off his tongue and spat it in her face! That’s right, he spat his bitten-off tongue in her face! WTF?!? Take a close look and you’ll see his tongue flying through the air! Would you expect anything less from the French? Look also at his hand – it seems to be crossed behind his back, as if he is totally trying to resist her advances. And take a good look at where her hand actually is… Yup, she’s going in for a grope session and yup, medieval art is pretty awesome! This image presents a classic WTF moment. In the full scene (below), you’ll notice the peeping-Tom Saint Paul the Hermit witnessing the event. Other images from this book of hours will feature in WTF Art History in the weeks to come… Enjoy!
Limbourg Brothers, Saint Paul the Hermit Witnessing a Christian Tempted, The Belles Heures of Jean de France, Duke de Berry, early 1400s, tempera colors and gold on parchment. The Metropolitan Museum of Art, The Cloisters Collection
1942 Mickey Mouse Gas Mask
The London Pneumatic Despatch Railway
Guillotine earrings commemorating the execution of Louis XVI during France’s Reign of Terror, c. 1793
Gilt-bronze bat chandelier, ca. 1910
Cast by Herman Bergman A.B.
Gilt-bronze, glass, the perimeter applied with flying bats, the satellite pendant lights enclosed by furled bats.
Maker: Swedish lamp company Böhlmarks A.B.
The International Pilgrim Virgin Statue of Our Lady of Fatima - A work by Portuguese sculptor José Ferreira Thedim, 1947. Medium: Brazilian mahogany; height: approx. 1.04 m. Collection: World Apostolate of Fatima, USA. Photo: via World Apostolate of Fatima.
Most works of art remain stationary-confined to a museum display case, a church niche, or a private collection. In stark contrast, this statue has traveled the globe for decades as a ticketed passenger, securely buckled into a seat with her own boarding pass.
The story begins in 1917 in the small Portuguese village of Fatima. That May, ten-year-old Lúcia dos Santos and her two young cousins, Francisco and Jacinta Marto, reported seeing a female figure dressed in white while tending their flock in a pasture. These apparitions, which occurred six times between June and October, quickly garnered global attention and left a profound mark on the Catholic world. Lúcia, the sole survivor among the three children, later became a Carmelite nun and dedicated the rest of her life to bearing witness to these visions.
The statue itself was created in 1947 as a physical representation of these apparitions. Renowned sculptor José Ferreira Thedim - often referred to as the *Michelangelo of Portugal* - carved the figure based on Sister Lúcia’s detailed descriptions at the request of the Bishop of Leiria. Lúcia had previously reviewed an initial draft by Thedim and noted that certain details - specifically the cuffs and collar of the garments, as well as the necklace -weren't quite right. In response, the diocese brought the two together to meticulously revise and perfect the design.
On October 13, 1947, marking the 30th anniversary of the Miracle of Fatima, the Bishop of Leiria-Fatima, José Alves Correia da Silva, blessed the statue in the presence of 200,000 pilgrims and sent it off on a worldwide tour.
So, how exactly did this statue travel on airplanes?
I'd like to share the details provided by Patrick Sabat, the current custodian of the traveling statue: the figure is never stowed in the cargo hold. Instead, on every flight, she's seated in a passenger seat with her own ticket and boarding pass, securely fastened with a seatbelt.
Moreover, according to Sabat, some flight captains would even make pre-flight announcements telling passengers they'd have a safe flight thanks to their "special passenger, Mary."
Having visited over 100 countries to date, the statue holds the title of the most well-traveled religious artifact in world history.
Consecrated on May 13, 1947, for tours in the East, the No. 1 statue was permanently enshrined in the Basilica of Fatima after decades of traveling; she now welcomes visitors there. Meanwhile, the No. 2 statue- consecrated on October 13, 1947, for Western tours -along with subsequent replicas, continues to travel across various continents to this day.
Dr. Wansbrough’s Metallic Nipple Shields, patented in 1842 and apparently sold as late as the 1930s
Blue and white cardboard box with a paper label (black print) on top. Box contains two metal nipple shields and paper insert. Label reads: "
@questionableadvice
~ Lysol, c. 1948
To make this advice even more questionable, until 1952 Lysol contained cresol, which burns and irritates the skin. More about the history of Lysol as a feminine hygiene (and birth control) product, over here.
Thanks @wonderfullywicked !
One of the many anti-vaccination images produced in response to Edward Jenner’s 1798 vaccine for smallpox, the first of its kind. More in our essay, “Mark of the Beast” by @BishkekHistory, on the original anti-vaxxers: https://publicdomainreview.org/essay/the-mark-of-the-beast-georgian-britains-anti-vaxxer-movement
Gaetano Giulio Zumbo, Siracusa 1656 - Parigi 1701, "Anima dannata" attr. Firenze, Museo degli Argenti.
“Canting arms”, ones based on puns, were actually pretty common back then!
Miss Kilmansegg and Her Precious Leg
By Thomas Hood
1870
Miss Kilmansegg is the very annoying and spoiled child of wealthy people who buy her everything. Including, when she loses her leg in a riding accident, a golden replacement limb. This appendage naturally elevates her to the top of the gossip tree and comes to the ears of a romantic "French count". They marry. He drains her fortune in gambling and eventually when there is nothing left, he kills her to obtain her golden leg to melt down and sell to pay his debts.
here's a video of miss piggy mowing down nazis which im posting for no specific reason, in relation to nothing in particular
Terracotta Votive Statuette of a Anglerfish,
Rare and extraordinarily naturalistically worked out terracotta votive statue of an anglerfish. The figure made of sand-coloured clay with red slip depicts a fish in its typical waylay posture with a raised, crescent-shaped caudal fin.
The mouth is open and ready to snap, the thick row of teeth is visible. The head with large eyes and the characteristic folds above is skilfully accentuated. Both tapering fins are raised on the sides. On top the cone-like dorsal fin protrudes. The bottom is flat.
Anglerfish were a particularly popular motif in the decoration of the well-known South Italian fish plates.
Greek/Campania, mid 4th century B.C.
Terracotta, 11.8 cm x 12 cm
In 1957, renowned herpetologist Karl P. Schmidt documented his own death in a meticulous scientific account that newspapers later dubbed his “death diary.” After being bitten by a juvenile boomslang (Dispholidus typus), he refused medical treatment, choosing instead to record the clinical progression of the venom's effects until he lost consciousness.
On September 25, 1957, while identifying a 30-inch snake at the Chicago Natural History Museum (now the Field Museum), the snake bit Schmidt on the fleshy part of his left thumb. Schmidt wrongly believed a juvenile, rear-fanged snake could not deliver a lethal dose to a human. When colleagues urged him to seek help, he reportedly replied that medical intervention would “interfere with the symptoms” he was observing.
“I took it from Dr. Robert Inger without thinking of any precaution, and it promptly bit me on the fleshy lateral aspect of the first joint of the left thumb,” Schmidt wrote in his journal.
Over the next day, he documented a terrifying sequence of symptoms: nausea, chills, gum bleeding, fever, and urination of blood. He maintained his routine, eating meals and taking the train home while recording every detail with meticulous precision. Even his breakfast the following morning was logged, complete with a note about continued bleeding from his mouth and nose, which he understated as “not excessive”—a chilling understatement, as it would be the last word he ever wrote.
Read more of his story here...
Grotesque and fantastical heads by Anton Seder inspired by fish, bat, and crustacean forms. Das Thier in der decorativen Kunst. The Animal in Decorative Art. 1897.
Gallica