'Bout To Get On

[kny111]

Have you heard of Lunar Analemma?

This digital composite image illustrates the changing position and phase of the Moon over the Dali Theater and Museum in Figueres, Spain, during one lunar month.

Analemma is generally known as the motion of the sun in the sky in a complete year. if you follow the position of the Sun at the same time each day, it makes an 8-like trace over the course of a year known as analemma. The position change is caused by the Earth’s motion around the Sun combined with the tilt of the Earth’s rotation axis (see 1, 2, 3). [**]

Analemma of The Moon by Juan Carlos Casado

[wehepicat-blog]

What’s the language on the Scroll? Gola, an Afro-Diasporic language that will express the proverbs and memory of African people in Louisiana.  These are the symbols you see on Hepicat designs. The Gola Language is Afrofuturist: it proposes a new language for African-descended people to write in as an alternative to those of Europe.  The Gola Language is Pan-African in its origin and genealogy. I’m creating this language to openly defy the violence of the many African slave trades, colonization, and Black miseducation in the diaspora. Where Black folk were once robbed of languages, we created our own. Patois, Creole, Jazz, Blues, Hip-Hop. Through Gola I’m building on that history. Stay Woke.

[flyawaybus]

prepare your hand held digital device for our arrival with this “app.”

[flyawaybus]

We hit shortly, in the ATL

[flyawaybus]

33°45′18″N 84°23′24″W

We arrive shortly. There has been a call for an articulation of (e.a.r.)T.H.

Shooting the down, arriving the 21st tune. 2nd Beat, 9th Pulse. (Feb 9th, 2013)

[photojojo]

These colorful mazes aren’t illustrations or paintings - they’re photos shot through a microscope.

Fabian Oefner mixed watercolor and ferrofluid and placed it in an electromagnetic field to create patterns. It’s the iron in the ferrofluid that makes the black lines that separate the colors. 

Photos of Ferrofluid and Watercolor

Read the Interview at It’s Nice That

[flyawaybus]

And the story this time...

LIVE NARRATION

This chronosphere has seen major disturbance in the last few hours. The young woman is fluttering between one presence and prescience, between a fantasy and a new reality. She wears the Patch. She abuses the Patch. In the agony of her ecstasy she has called a portal open, allowing us to experience multiple Tunes at once. We have arrived.

The transdimensional beings known as the ori.Xas were last seen in the 21st Tune in the coordinates of  34.20980972,-118.48997333 after a freak encounter with space fish disrupted Their SUT causing them to crash land here on (e.a.r.)TH {(early acquisition retreat) Theater Homeunit] at the jumpstation FlyAway. They were on a mission to collect a precious element, Rhythm, essential to their existence and the proper pitch of each Tune, within the 33 dimensions for which they are responsible. This mission was called N2 B.O.O.G.I.E. (that’s Better Optimized Orb Growing Intelligence Eternally) It was to take them to Detroit, where an intense amount of rhythm had been detected in the ferrous field in the chronospheres of 60 - 90 of Tune 20. Residual amounts are still strong and have been detected radiating  now across radio frequencies from  laterals and between the 41st and 10th parallels, or as is colloquially stated, ‘From Sea to Shining Sea.”

After finally catching local transport to make it to LAX to meet team leader ori.Xa-BA, the team had a few rough spots as they accidentally pulsed to the Airliner Nightclub while attempting to get on the airliner on the tarmac. Eventually they made it back to the LAX to board a terrestrial bound flight to Detroit.

Enough rhythm was collected there to fuel the repair of the SUT, the Chain of Light that is the customary travel device for the ori.Xas. The e.X.u., the swiss army knife of communications and materializations hardware, was also repaired, thus allowing the ori.Xas to once again travel freely between Tunes, enjoying the harmonics of the dimensions in the multiverse.

ori.Xa-Ian.i was also able to launch the translation film with ori.Xa-LU into hologram form. That is what we are. We record, translate and transmit the journeys of the ori.Xa in localized form. We are Anyan-Wu, The Sound of Light & Cognition.

[flyawaybus]

augmented for proper B.O.O.G.I.E.

[flyawaybus]

[flyawaybus]

prepare your hand held digital device for our arrival with this "app."

[flyawaybus]

we so enjoy anymons simulations of the everlove of the B.O.O.G.I.E.

[flyawaybus]

We are dipping into the slip stream, leaving the 22nd Tune between the 41st and 10th parallels looking for anymons like this one with Long Memory of the B.O.O.G.I.E. The e.X.u. indicates that we must return to the 21st Tune, where the Great Forgetting commenced. We need clean clear Rhythm to continue our journey. Too much static on even this line. What is this "Tanqueray?"

[flyawaybus]

We return to this ferrous field, in search of what anymons call "black history."

Tickets are on sale now. Join us.

[incidentalcomics]

[flyawaybus]

(e.a.r.)TH's rhythm was set with the finest tempo we know.

[beautifulurself]

[flyawaybus]

First Beat.

[flyawaybus]

Evasive maneuvers may be necessary given any-mons penchant for turning carbon at this density into trading devices. ori.Xa: recalibrate!

[flyawaybus]

This particular aspect of any-mons excites, and amuses us. They seem to work so hard to make things their ancestors several chronospheres back used to accomplish with only their intent. Still the ori.Xas find this to be a decent development as long the magic of math--rhythm--is not overrun by the static of numeration.