Fooling The Silence

Danielle Borremans /Artists I do like and my work

[formlab]

Breaking Black, Bente Sætrang, 2012

[heartandjelly]

Yukako Manabe

[arte-artem-artibus]

Ernst Ludwig Kirchner - Wildboden (Bergwald, Sommerlicher Waldweg), 1927-28, oil on canvas, 135.3 x 99.7cm

[rrrauschen]

Chantal Akerman, {2006} Là-bas (Down There)

[theegoist]

Alfred Manessier (French, 1911–1993) - Crown of Thorns, oil on canvas, 113.03 x 161.29 cm (1954)

[kiki-de-la-petite-flaque]

Chantal Akerman by Micheline Pelletier

[archiveofcanvas]

Pablo Picasso - Portrait of Pierre Auguste

Renoir, 1919

[arterialtrees]

Carol Rama

[oldsardens]

Jordy Kerwick - Untitled

[thunderstruck9]

Jordy Kerwick (Australian, 1982), Snake, 2022. Oil, acrylic and spraypaint on canvas, 120 x 100 cm.

[rearte2]

by Jordy Kerwick, 2021

[scytheos]

Bruce Nauman | Human Nature/Life Death/Knows Doesn’t Know | 1983

[garadinervi]

Gianpaolo Pagni, GRANDE STORIA DELL'ARTE ITALIANA série, 2025, n° 3, (stick oil on cotton canvas printed by Rubelli, pages from the book 'Storia dell'arte italiana', G. C. Argan (Sansoni, 1986)) [© Gianpaolo Pagni]

[rearte2]

by Pablo Picasso

[cyborges]

“It often happens that Nietzsche comes face to face with something, ignoble, disgusting. Well, Nietzsche thinks it’s funny and he would add fuel to the fire if he could. He says: keep going, it’s still not disgusting enough. Or he says: excellent, how disgusting, what a marvel, what a masterpiece, a poisonous flower, finally the ‘human species is getting interesting.’”

— Gilles Deleuze, ‘Nomadic Thought’. (via bustakay)

[fragrantblossoms]

Onchi Kōshirō. Lyric No. 23, 1952. Multiblock print; ink and color on paper.

[lemaldusiecle]

Repose en paix, dear Marjane Satrapi (1969-2026).

You were my goal during my teenage years. Photographs by Rahi Rezvani 🖤