The story of Lavellan and Solas tickles my Tolkien-influenced love for fantasy. It falls into the category of Beren and Lúthien - a love story that, by all real-world logic, is absolutely batshit insane. And yet, placed within the mythic frame of fantasy, it fits perfectly. It belongs there. These are the kinds of stories that only make sense in a world comfortable with myths, legends, ancient beings, monsters, supernatural war and absurdity - where love doesn’t follow rules, it transcends them.
That’s what I love: the illogical. Because love isn’t logical. For every argument I’ve seen that says it “makes no sense” for Lavellan and Solas to fall in love over the course of Inquisition, or that waiting that many years to be together is unrealistic. I sit back and laugh. Really? Love needs a timeline? In a fantasy?
Beren took one look at Lúthien dancing and fell irrevocably in love - and Lúthien was all in too. They didn’t take three years to build a foundation of trust and talk about boundaries or what they saw in each other. Their version of courtship was joining forces to battle literal evil so they could earn the right to be together. It was reckless, wild, insane, illogical and absolutely delicious.
Lavellan and Solas hit that same mythic nerve for me. Their story - two people drawn together across time, fate, and existential stakes - feels like something out of The Silmarillion.
I don’t need these stories of love and pain and tragedy and trauma and desire to be logical in the real-world sense. It was never meant to be. Like all mythological love stories, it speaks to something eternal, irrational, and luminous.
There are themes and tropes woven through Lavellan and Solas’ story that utterly captivate me. And it’s partly to do with the fact that their love story isn't a comfortable one. It asks something of you. It asks you to reconcile contradiction: love and betrayal, hope and despair, violence and tenderness, destiny and choice, love as performance vs love as presence.
I’ve uncovered themes and archetypes that fit perfectly in this world of fantasy and discovered new ones in conversations with fellow Solas and Lavellan lovers as well. Here’s my attempt to weave some of those tropes and themes together.
Their story carries what I like to call the Tolkien Effect: elven culture where immortals and mortals fall in love and brave inconceivable odds just to be together. It’s the story of a man tormented by the choice between duty and love - Solas’ self-imposed responsibility to mend the world demands that he sacrifice his heart, while Lavellan’s bond with him is forged within that very conflict. He stands as the tragic anti-hero: prideful, guilt-ridden, withdrawing into self-destructive isolation because he’s convinced only he can set things right. She, meanwhile, plays Beauty to his Beast - seeing the fractured soul beneath the would-be destroyer and, by loving him, becoming the mirror that reflects his lost humanity. In classic fashion, they are star-crossed lovers - she's a mortal leader of the present, he's an immortal haunted by his past. Their timelines are misaligned, their love a sacrifice in the face of fate.
Their relationship goes from prejudice to passion. At first, Solas sees Lavellan as a biased curiosity - a product of a world he resents. But curiosity gives way to respect, respect deepens into desire, and desire transforms into a love so overwhelming it must be cloaked in restraint. He tries to resist her, but she becomes a gravitational force pulling him into an orbit he can't break.
Here, love becomes existential salvation or existential disruption. Lavellan offers Solas something terrifying: a path out of the endless cycle of destruction. It's a chance to choose life and yet instead he chooses to run from it, fleeing the love that might transform his path.
He tries to let her go, believing he must shield her from the darkness he carries. But he's the immortal who can't let go. He dreams of her. Writes to her. Remembers her. Because this is love across time - a mythic bond that survives years, silence, betrayal, and distance. A love that endures even after everything else has fallen.
He's the lonely immortal whose memories stretch back to betrayals no one else can comprehend. Lavellan is shaped in the mold of Tolkien’s quiet heroes - Frodo’s endurance, Aragorn’s purpose, Éowyn’s resolve - meeting unearthly stakes with a resilience that refuses to break, even when love itself feels like punishment.
In the end, wisdom and mercy override vengeance. Lavellan’s forgiveness doesn’t excuse but provides a path to healing. She has taken on the role of mortal muse of the divine. A single, fleeting human heart - fragile, finite - a key that might yet save an ancient, wounded soul. And so great is this ancient being’s pain, so immense the guilt and fear he carries, that it takes a fellowship to save Thedas, to save him - the mortal and immortal working together. And at the end, the star-crossed lovers are reunited, a bittersweet ending as they experienced so much pain to get there. They ascend together into another world, stepping outside the boundaries of Thedas, likely to inspire new legends in the years to come.
Should I go on? There are more themes and tropes I’ve pulled from this story - more patterns of myth and meaning that keep drawing me back. And now, with the story of Lavellan and Solas together in the Fade, it begs for new narratives, new archetypes, new emotional terrain.
The story isn’t over. It’s only deepening.
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