[koddlet]

some people have asked about making zines, and i've seen a lot of people in the tags talk about wanting to make some but don't know how... so here is a zine (technically two) about making zines! wowza! pardon the handwriting lol

there are other methods of making zines that require a stapler or sewing, but this one-page zine is the simplest form of it.

i hope this makes sense, feel free to ask if anything is unclear :]

[melodious-tear]

( ‾́ ◡ ‾́ )

[forlornwind]

pops in here to say:

I've got a promotion ~

I'm writing elsewhere ! feel free to ask.

[forlornwind]

Major disconnect between Warring States and Founders Era is the inconsistent portrayal of Senju Hashirama.

Before I start: The Founders Three were plot devices in their own era, not the main characters in their own era. They were written in a very exact way in order to facilitate Madara’s fall to indoctrination and eventually leaving the village, so that it leads into the Fourth Shinobi War proper.

Any canon interpretation of the Founders Three would not be grossly ooc, because they are supposed to be kinda ooc in that time. The portrayal of Founders Era is really continuity for introductions made in the Fourth War, not continuity for the Warring States Era, sadly.

I reckon this is mainly why I ( and the pro-Uchiha side of the Naruto Founders fandom? ) will tend to paint the shippuden authorial intent onto the Founders Era. Not only because of Tobirama’s canon one / two liner, but because it makes sense.

Look at the mess of trying to fit so many genre of things into one year of Madara being in the village:

1. There is nothing to suggest that the Hokage candidature could have any impact on external investments, because what we see is the opposite of that. The village seems quite built already when Hashirama and Madara were on the cliff, so it seems Konohagakure got the funds BEFORE a Hokage was elected.

2. We have to assume, at the very least, it is Hashirama, Madara, and Tobirama working their asses off. Clearing forests, core infrastructure, piping, etc all that renovation and economics stuff. I’m sure trade, diplomacy, contracts, and policies must be in this category too because how do you get so much resources to build so much?

3. If we are generous, we can assume the Senju, Uchiha, and whatever clans putting in the work as well. ( at the time of the cliff scene, many clans are newly joining )

4. If we want to be prejudiced, we can say only Senju put in the work because “Uchiha can’t be trusted” this is very sad though, but eh I could accept it as plausible.

5. Hashirama and Madara seems to be on good terms, they’re joking with each other. But when it comes to the village, it is mostly Hashirama talking and Madara finding out things from Hashirama.

+ Madara being weak hearted.

6. Now we come to this iconic scene where Uchiha can’t be trusted. Tobirama probably prefers point no. 4

[ Click for Madara’s canon characterisation ]

I think the office talk wouldn’t have happened the way it did had Hashirama not been too obvious with his favouritism ( or if Tobirama didn’t find out about it )

If Hashirama had drafted some kind of proposal or speech about his view of Madara’s / Uchiha clan’s qualities, it might have gone better. In the Warring States just probably months before, Hashirama seems very sure of Madara. Hashirama knows exactly what he wants, what he can see working, and Hashirama says it in front of many people, even in front of Tobirama.

Then, we come to the Founders Era and there’s kind of none of that. I really draw blanks and can’t make sense of this one and it is always the main gripe I have with the portrayal of Hashirama.

The most consistent part of Hashirama’s character is his misunderstanding of Madara’s motivations.

The fact stands that Hashirama and Madara must have been separated for at least 15 years. Hashirama doesnt know Madara much at all in terms of Madara’s personal qualities, or even the Uchiha clan let’s be real. so Hashirama probably couldn’t come up with any thing more than “He’s very kind and we vibe about village.” and that would not be enough in Tobirama’s eyes.

A friend of mine from the Founders Discord server:

But that is legit tho, they were separated for a good amount of years, and even with the fact of Hashirama wanting Madara to be the Hokage, even in a vote Madara would have lost because of his reputation and the fear that surrounds him and the Uchiha in general.

Hashirama possibly could have done something, but you are right. There could have been little he could say or do with the fact that he truly doesn’t know Madara past their collective desire for the village, which in the end seemed to be more on Hashiramas part than Madaras.

Lastly in Fourth Shinobi War: Hashirama still harping on Madara and Izuna’s sibling relationship, as seen in Hashirama sending Sasuke to suicide against Madara. 

And Madara totally disproved Hashirama’s theory so spectacularly, so accurately! Madara was physically blind and he couldn’t have seen Sasuke’s face. Madara could only use his sensory perception. Madara said that Sasuke was just like himself, having a straight patterned Eternal Mangekyou Sharingan.

Hence, I refuse to accept that Madara and Hashirama had any last talk as “war buddies” when Madara lay dying. Hashirama, after so many years, still didn’t understand Madara. They are still not on equal grounds, Hashirama’s worldview is still so far below Madara’s.

Preferred Ending

Madara died and went to pure lands to be reunited with Tajima-papa, Izuna, his unnamed brothers, Hikaku and the Uchiha clan who now recognise Konoha was trash because they all got killed by the government, and they apologise to Madara for not seeing it clearly the first time.

Madara says that he was a weak leader who didn’t know how to communicate properly. Izuna admits that his own stubbornness and pride doomed Madara into ruling and dealing with things alone, when for 20+ years they had always been together and shared equal burden.

The only closure to the oppression and genocide is in the pure lands, when Madara was finally free of plot and god’s control and allowed to die properly without anymore reincarnations, and the Uchiha clan come together and live happily.

No one from the side of Senju & Co should partake in this whatsoever.

[prouchihaclan]

Amen.

[petra-volkova]

This, this right here and after witnessing(from the pure lands) hashirama quite literally stab madara in the back there is no way in hell that izuna(even in the pure lands) would let hashirama anywhere near his brother ever again. The only thing hashirama did is prove that izuna was right to never trust him when it came to the well-being of Madara.

[forlornwind]

You do bring up a point, however I’d argue that Madara was the aggressor in his attack on Konoha

After Uchiha Madara left Konohagakure, the Fourth Databook mentions « Madara’s hatred was split between (two entities): Hashirama, because of his incompatible dreams, and also towards the village of Konoha. He then unfolded [incidents] upon Hashirama by attacking the village on multiple occasions. » 

Hashirama as the Hokage and strongest shinobi has a high responsibility to end the casualties at the soonest possible time. As shinobi from warring clans all know that killing their enemies is the quickest way to solve the problem, surely. That Madara managed to assault Konoha multiple times was Hashirama’s mercy, if we were to wager Hashirama’s true strength against Madara’s true strength plus Kyuubi.

I would say that Hashirama’s greatest sin that came out of VOTE was him framing killing Madara as something he had to endure, which birthed the Will of Fire ( which I also wrote about here hehehe )

And to be completely honest, if Izuna could witness things from the pure lands, he’d be shocked at himself and his clan was played like a fiddle by Kurozetsu and Kaguya, and he should in part be held accountable for not ? really ? consoling Madara’s bleeding heart about the state of the world in the warring states era because I’m very sure Izuna knew it since he could advise against Hashirama’s wishes. Izuna could have believed he was right and that he died and made Madara powerful, only for Madara’s instructions and advise as Clan Leader to be denied by an ungrateful ( and understandably tired ) clan. So, that righteous fury might not have been very righteous after all. Remember that up until Izuna’s death, Madara likely did not have sole leadership of the clan. They were equal and they shared and they did things together and then. Madara was alone.

I for one will never be too sympathetic to any warlord in history and they all need to take some responsibility for the events that transpired.

But definitely for strategic and therapeutic reasons, Madara is to be kept away from Hashirama at all times :)

[elerondo]

What is the purpose of a peaceful nation in a story world about to be ruined by a great evil? If the purpose is just to be ruined, then that's it. There is no story.

The traditional guess is that the peaceful nation could birth a hero, or a group of heroes, that will rise out of passivity and march against the great evil. Surely, anyone who fights against the great evil is hailed as a hero, right?

Tolkien gives us the answer: Yes, and no.

In The Silmarillion, "the Fall" is the solution to Morgoth. The Valar didn't even know they were part of the set up, and that ignorance was exactly what led to them arguing for the Silmarils in the first place.

In the flight of the Noldor was the resources and knowledge, the best smiths, the greatest weapons ahead of Beleriand's time, brought over to Beleriand.

Thus the Undying Lands, Valinor, won't just "be ruined".

The peaceful nation exists to be disrupted. It is the only way she can save herself.

[luna-azzurra]

Ways to hit your readers in the gut

When it comes to writing, there's a profound and mesmerizing way to touch your readers deep within their souls. It's about crafting moments that hit them in the gut, stirring up intense emotions and forging an everlasting connection. Here are some techniques to help you achieve this:

1. Unexpected Loss: Introduce a character who captures hearts, only to snatch them away suddenly. Think of J.K. Rowling's "Harry Potter" series, where the abrupt departure of beloved characters like Sirius Black and Fred Weasley leaves readers shattered, their grief a testament to the power of storytelling.

2. Sacrifice for a Cause: Show a character willingly sacrificing their own happiness or even their life for a greater purpose. Suzanne Collins' "The Hunger Games" portrays Katniss Everdeen's selflessness, volunteering as a tribute to save her sister, evoking empathy and admiration.

3. Unrequited Love: Explore the agony of unrequited love, where hearts ache and souls yearn. Charlotte Brontë's "Jane Eyre" delves into the bittersweet and heart-wrenching tale of Jane's unfulfilled affection for Mr. Rochester, resonating with readers who have experienced the profound depths of unrequited longing.

4. Betrayal by a Loved One: Peel back the layers of trust to reveal the sting of betrayal. George R.R. Martin's "A Song of Ice and Fire" series delivers shocking betrayals that shatter readers' expectations, leaving them stunned and heartbroken alongside the characters.

5. Overcoming Personal Demons: Illuminate the struggle against internal conflicts, be it addiction, guilt, or haunting trauma. Anthony Doerr's "All the Light We Cannot See" explores Werner's moral compass during wartime, captivating readers as they witness his battle for redemption and personal growth.

6. Injustice and Oppression: Shed light on the injustices characters endure, igniting empathy and inspiring change. Harper Lee's "To Kill a Mockingbird" reveals the racial prejudice faced by Tom Robinson, awakening readers to the urgent need for justice and equality.

7. Parent-Child Relationships: Navigate the intricate tapestry of emotions between parents and children. Khaled Hosseini's "The Kite Runner" unearths the complexities of the father-son bond, evoking a myriad of feelings, from longing and regret to hope for reconciliation.

8. Final Farewells: Craft poignant scenes where characters bid farewell, whether due to death or separation. Markus Zusak's "The Book Thief" gifts readers with heartbreaking partings amidst the backdrop of World War II, leaving an indelible mark of loss and the fragile beauty of human connections.

9. Personal Transformation: Illuminate characters' growth through adversity, offering a beacon of hope and inspiration. Charles Dickens' "A Christmas Carol" narrates Ebenezer Scrooge's extraordinary journey from a bitter miser to a beacon of compassion, reminding readers that redemption and personal change are within reach.

10. Existential Questions: Delve into existential themes that provoke deep introspection. Albert Camus' "The Stranger" challenges readers to ponder the meaning of life through Meursault's detached and nihilistic worldview, prompting them to question their own existence.

With these techniques, you have the power to touch your readers' souls, leaving an indelible impression. Remember to weave these moments seamlessly into your narrative, allowing them to enrich your characters and themes. Let your words resonate and ignite emotions, for that is the essence of impactful storytelling.

[elerondo]

once again thinking about Fingolfin as the means to an end.

He is not a pillar. He is the bridge. He has always been the bridge, between himself and Feanor, between two people, between the stalemate and Morgoth.

[bruciemilf]

Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3

[bruciemilf]

I FOUND IT BITCHES

[dramono]

This is going to save me so much trouble in the future.

[bruciemilf]

Okay this website belongs to @wordsnstuff do us both a favor and go to THEIR blog sksks

[wordsnstuff]

[forlornwind]

just went through script analysis and storyboarding for Parasite. Got big assignment coming up uwaaah cannot bg3 for awhile

[forlornwind]

Duo playthrough with a new buddy. He's the Druid bear romancing Laezel and I am the Durge Ranger Knight (with a bow) romancing Gale and helping him to power.

This is the funniest playthrough ever lol.

[forlornwind]

JUST HIT.

[justsomeoneunordinary]

Was thinking of my other post and had the brilliant idea of what if Hashirama and Mito immediately hated each other at first instead!

Hashirama finds Mito rather rude and unruly, and while he has grown up with Tobirama and thus is used to that kind of behavior anyway, he finds it rather unbecoming of an adult kunoichi to almost start a brawl with a civilian over textiles of all things. It’s none of his business tho; he’s here to expand the Senju-Uzumaki alliance into a Konoha-Uzushio alliance, so he ignores the loud “lady” at the market and just continues his way over to the main estate.

Except, turns out Mito is the Uzumaki’s greatest seal master and since Konoha would like to trade for Uzumaki seals, it means he and Mito will have to work together to come to a solution.

It’s a bit annoying, but Hashirama is well-versed in political talks (he did, after all, convince almost every clan of Hi no Kuni to join Konoha), so he turns on his charm up to 1000 and tries to smooth-talk Mito practically into submission.

Mito is wholly unimpressed. His blinding smile is getting on her nerves to the point she considers sealing that stupid mouth shut, and nothing that comes out of it convinced her of his supposed intelligence. That fuckin’ hippie is called the God of Shinobi? Puh please, he can’t even tell a barrier seal from a containment seal, don’t make her laugh.

They don’t get along. At all. Hashirama tries to stay polite and professional, while Mito makes no secret of how little she thinks of Hashirama.

(She also comes up with all kinds of pranking seals, just to see if she can pull one over the so-called God of Shinobi.) (She can.) (Obviously, she never gets caught but Hashirama knows.)  

There is only so much patience Hashirama has before he loses it, and losing it he does. They butt heads. Loudly and uncivilly. Until at one point Mito grabs Hashirama’s ridiculous hair (seriously, what kind of stupid shinobi doesn’t tie their long hair?!) and pulls.

And Hashirama moans.

… There’s a moment of awkward silence in which they silently stare at each other, Hashirama deeply flushed and Mito speechlessly looking at him in wonder, before their lips crash brutally and they end up all but destroying the not-so-private meeting room as they turn their heated energy in different ways.

(It’s then that Mito learns that Hashirama’s mokuton can grow more than only flowers, and would you look at that, now that’s some usage of plants she never thought of before but oh, she’s certainly not complaining.) (The fact that apparently once Hashirama created a plant that just straight-up swallowed a whole battalion helps to see him in a more positive light also. Even tho it makes her question why the thought of that makes her hot…)

Anyway, I just think that loud and brash and wild Mito, y’know?

[forlornwind]

I modelled my warlock in Baldur's Gate 3 after Kai'Sa. Eldritch blast with knock back.

Met Halsin and called him daddy, and then this cut scene happened during long rest. I was like, who the heck is this? He sounds too much like a scammer. My friend on comms be like: You really forgot who this is? ( i always stream when i play so he can see my screen. my friend gave me BG3 as a birthday gift so we started the character creation together )

Then I'm like .... OH OH It's him the guardian I made.

Met Halsin and then promptly forgot the first daddy I made LOL

[forlornwind]

my friend gifted me Baldur's Gate 3 on Steam for my bday and i am beyond surprised. We will start it together when it releases in SEA this week

Currently hardstuck TFT gold iv so yeaaaa

[forlornwind]

a little hc as to why / when did Madara start wearing gloves, and his hands.

As an Uchiha ( by default, feels too much. ) and a sensor ( who cannot turn off his feelings ), I like to believe that Madara is very touch sensitive. From a young age, Madara has always felt suddenly very agitated when other kids might pull on his hand to run somewhere, to play. Or the adults trying to guide him and Izuna somewhere else, and they hold their hands so the last Uchiha heirs won’t get lost or something.

Little Madara didn’t know how to explain the irritation properly, and Tajima-papa did not fully understand the sensing abilities of his son, or how being a sensor affected Madara. However, Tajima was rather practical, so he was the one who suggested Madara to just wear gloves, then nobody could hold his “real hands”.

Izuna tried to copy his brother, but in the end Izuna didn’t find anything special about wearing gloves. Tajima started making gloves of different sizes for Madara because the kid was growing up fast. That Madara later took up falconry as a hobby was a joyous time, and he was naturally talented at it, and his hands of course never got hurt, because he wore gloves religiously.

And that kind of continued to adulthood. Madara’s gloves are one of the few reminders of a father who tried his best with a rather difficult child who was prone to tears, emotional outbursts, or frequent disappearances into the forest for a self-imposed “timeout” because he felt too much and didn’t know how to communicate it properly. There was really no one like Madara.

So, Uchiha Madara has very nice and fair hands, which is very surprising to anyone who ( rarely, however ) got to look at them. Hands that have never seen the sun, and might frequently be moisturized when Madara took care of his luscious locks.

[fire-eyed-raven]

God yes

[obitoslover]

So… Madara has autism

[forlornwind]

I like how you think :D Alot of people I've spoken to do think that Madara is on the spectrum. I myself am not one, hence I am not equipped with the knowledge to use specific terms. I always love to hear people's thoughts.

[meandthedevilsminion]

#had a little too much fun making this for my blorbos #this blogger does not know how to make gifs

[cuthalions]

Nine years Túrin dwelt in the halls of Menegroth. His heart and thought turned ever to his own kin, and at times he had tidings of them for his own comfort. For Thingol sent messengers to Morwen as often as he might, and she sent back words for her son; thus Túrin heard that Morwen’s plight was eased, and that his sister Niënor grew in beauty, a flower in the grey North. And Túrin grew in stature until he became tall among Men and surpassed that of the Elves of Doriath, and his strength and hardihood were renowned in the realm of Thingol. In those years he learned much lore, hearing eagerly the histories of ancient days and great deeds of old, and he became thoughtful, and sparing in speech. [He didn´t] win friendship easily, for he was not merry, and laughed seldom, and a shadow lay on his youth. Nonetheless he was held in love and esteem by those who knew him well, and he had honour as the fosterling of the King.

— THE CHILDREN OF HÚRIN, CHAPTER V: TÚRIN IN DORIATH