At first, he got everything out of photography, the Barton Hollow series in National Geographic becoming an article that happened with every issue. They allowed him to even write a few of the articles, taking his many degrees into consideration despite none of them being in writing or journalism. And Forrest fell in love again with the town he had grown disillusioned with, fell in love with the people heâd watched tear each other apart. It was liberating, and with Sarai he settled down, the two of them living in a cabin, though thankfully one far away from Saraiâs uncle, at least for their own privacy. Thereâs no rings on their fingers, but no one contests it. Since the moment she pressed that knife against his throat, since the moment they first kissed in the woods, theyâve belonged to themselves and each other all at once. Both independent and yet both needing the other. She was his fire, and he was her water. Their souls are married, their everything is one, and Forrest and Sarai go to sleep next to each other every night, and with both of them finally being able to sleep through the night. Now almost 40, Forrest has accepted that he has held a resentment over his parents, which had held him back from doing something he really wanted to. Academia has always been home, and Forrest took a position as a adjunct professor at BHU, teaching both language classes and photography classes. It comes naturally, the years spent watching his parents prepare for lectures. But Forrest takes it further, asking his students to come out with him into the forest, bringing them to the place he fell in love with here in this swampy town.Â










