Stigma by Antoine d'Agata
this photo dangles over my head every night
Claire Keane
Today's Document

pixel skylines

shark vs the universe

#extradirty

Kaledo Art
"I'm Dorothy Gale from Kansas"
noise dept.
Show & Tell
Peter Solarz

ellievsbear

Product Placement
Not today Justin

No title available

⁂
TVSTRANGERTHINGS
Monterey Bay Aquarium

if i look back, i am lost
Mike Driver
Sweet Seals For You, Always

seen from United States

seen from Germany
seen from Malaysia
seen from United States
seen from Russia
seen from Saudi Arabia
seen from United States

seen from Czechia
seen from Russia

seen from United States

seen from Türkiye
seen from United States
seen from Sri Lanka

seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from Türkiye

seen from United States
seen from Malaysia
@fototensioni
Stigma by Antoine d'Agata
this photo dangles over my head every night
A poem is not made of words.
It is made of everything that happened before the words.
Abhilasha, "Can AI replace poets?"
A.i. is creative if - and only if - you don't search beyond the surface of things; in facts a.i. ends where art starts: with a recombination of signs. That act of recombining is driven on the human side by curiosity, pleasure and by a stubborn selection of models; while on the machine side, by algorithms and statistics on the widest possible models, spiced up with stocastic and fuzzy aromas to simulate some human feel.
L'i.a. è creativa se - e solo se - non si va oltre la superficie delle cose; l'i.a. finisce infatti dove inizia l'arte: con una ricombinazione di segni. Quest'atto di ricombinazione è guidato, sul versante umano, dalla curiosità, dal piacere e da una selezione ostinata di modelli; mentre, sul versante meccanico, da algoritmi e statistiche sui modelli più ampi possibili, conditi con aromi stocastici e sfocati per simulare il tocco umano.
Self-Portrait, New York, Photo by Harry Callahan, 1942
In terms of motive, it's a couple of decades ahead of Friedlander, although slightly off-center, in terms of approach.
In termini di motivo, è avanti di un paio di decenni rispetto a Friedlander, sebbene l'approccio sia leggermente fuori asse.
Flag, New York City, Photo by Lee Friedlander, 1965
If it wasn't for him, photos like this one would have never made it to the fore...
Se non fosse per lui, foto come questa non sarebbero mai venute alla luce...
an immortal gesture (I only object against the bokeh looking a bit phoney)
un gesto immortale (c'è solo che l'effetto bokeh suona un po' falso)
Prima di vantarvi di quando prendevate 9 in italiano...
Before flaunting your old B+ in English....
Katsushika Hokusai
Breaking Waves, Edo Period, 1847
ink and colour on silk
Anna et Bernhard Blume - De la série 'Im Wahnzimmer', 1984
The Blumes are always worth it.
Coi Blume ne vale sempre la pena.
Henri Matisse - Panel with Mask (Le Panneau au masque), 1947, gouache on paper, cut and pasted, 110 x 53 cm
Robert Frank, 1949
You are made of what you resonate to.
True as hell.
sorry, not sorry - plenty of ad people miscalculating...
From the age of 6 I had a mania for drawing the shapes of things. When I was 50 I had published a universe of designs. But all I have done before the the age of 70 is not worth bothering with. At 75 I'll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80 you will see real progress. At 90 I shall have cut my way deeply into the mystery of life itself. At 100, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign my self 'The Old Man Mad About Drawing.
Katsushika Hokusai (c. 1760-1849), the renowned Japanese woodblock printmaker and printer from the famous period of ukiyo-e.
Katya Kalyska
"it ain't watcha write, it's the way atcha write it" Jack Kerouac
(-> It matters not what you take a photo of, what matters most is the mood the picture elicits. // Non conta tanto ciò cui fai una foto, quanto le emozioni che l'immagine è capace di suscitare).
“As far as we can discern, the sole purpose of human existence is to kindle a light of meaning in the darkness of mere being.”
— Carl Jung, “Memories, Dreams, Reflections”
«Per quanto riusciamo a discernere, l'unica motivazione dell'esistenza umana è quella di accendere una fiammella di significatività nell'oscurità della mera esistenza.»
Puoi dire quello che vuoi della sua psicoanalisi, ma non ne puoi negare l'inesorabile lucidità. // Say what you want about his way to psychoanalysis, but you can't deny his inexorable lucidity.
"We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories."
The Handmaid's Tale – Margaret Atwood
Where I Belong