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arkarti

TADC/Backrooms crossover!

a more elaborate ref based on this post! Clark being in TADC as a lil pirate guy!

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saintpinky

mr. clark backrooms just doesn't know when to quit.

birdlistening2music

the-irreverend

Can we take a moment to appreciate how AMAZINGLY WRITTEN MARY IS?! Because she is, honest to god, one of the best written horror protagonists in recent memory.

Like, where do I even begin???

The way the Backrooms itself BRILLIANTLY connects to her own childhood trauma and how it is ingeniously tied into her opening monologue?!

How said trauma defines and develop her character, and how did she become a therapist so that she can prevent people from suffering what her mother had to endure?!

How her path/outlook on life connects to and contrasts with Clark's... AND HER ABSOLUTELY GLORIOUS AND COMPLETELY VALID CRASHOUT WHERE SHE CALLS OUT HIS BS?!?!

I LOVE HER SO MUCH!!!!!!!!

the-irreverend

Clark has got to be one of the best-written horror antagonists in recent memory, and the thing I love most about his character is how the film makes you understand his hardships, while at the same time not using them to justify, excuse, or downplay his actions.

You really get a clear idea of how his own hardships inspire the bad decisions he makes. And at the same time, it doesn't pull any punches in showing you the consequences of those decisions, which ultimately resulted in the creation of the Captain Clark entity.

Yes, I don't doubt that he was going through a very difficult time in his life, but it goes without saying that it doesn't give him the right to lash out at everyone and make their lives difficult. And it sure as hell didn't give him the right to take out his frustrations on his spouse or Mary!!!

That's why I love (to hate) him so much! He's not some run-of-the-mill mustache-twirling villain. He's understandable, relatable, and even sympathetic! And at the same time, the film is smart enough to not use those things that make him understandable, relatable, and sympathetic to excuse the harm and hurt he chose to inflict.

P.S. Mary's crashout on him was absolutely glorious to behold!

chloesimaginationthings

Didn’t know FNAF William and Clark Backrooms were chill,,

(Based off this post by @/uorplefever)

mercymornsproxy

When changing yourself is terrifying and hard and change means destroying your current self so you want to stay the same and the person who is meant to help change you says you can but never changing is only remembering worse and worse each time and it destroys you in a different way

aprilthe0th

In this scene, Clark says "Can you imagine how good that must feel?"

"There's no thoughts, no pain, no ego. No fear. They simply exist. Like furniture."

But then when he turns the light off, the wheelchair user turns his lamp on. When Mary hits The Pirate with the concrete piece, he yells in pain. Clark consoles The Pirate as though its feelings might be hurt. And when the memory of his wife sees The Pirate, she tries desperately to get away.

They have every one of those things. He just refuses to see their interiority. Like he always did. Like he refused to understand why his wife would kick him out, and keeps refusing, even now that he can see that she was terrified of him. Cause she's always been just furniture to him.