The old catcher considers the failing of his knees by Devin Kelly

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occasionally subtle

bliss lane

shark vs the universe

Kiana Khansmith
Interview Vampire Daily

@theartofmadeline
PUT YOUR BEARD IN MY MOUTH
TMBGareOK. The Official They Might Be Giants tumblr
Misplaced Lens Cap

oozey mess
Claire Keane

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Aqua Utopia|海の底で記憶を紡ぐ

gracie abrams
YOU ARE THE REASON

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The Bowery Presents

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@freeurheart
The old catcher considers the failing of his knees by Devin Kelly
Jonas Mekas, As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
Nate Pritts, Endless Summer
Yakov Khomich
From the series "Girl in the blue dress", 2024
Oil on canvas.
— James Baldwin from Giovanni’s Room (1956)
Superbly Situated by Robert Hershon
Louise Bourgeois
Allen Bratton, Henry Henry
Come. And Be My Baby, Maya Angelou
i love comforting nihilism. who cares, we’re all gonna die. eat that cake. buy that eyeshadow. be nice to people. you dont owe the world shit. the stars dont care about what we do. give anyway because why spend your eighty years on this rock miserable and making other people miserable. the sun is going to blow up and we’re all gonna die someday. make the most of what time you do have. use the fine china for taco night and microwave lunch. smell the flowers. tell a stranger they are beautiful.
Postscript by Marie Howe
Hanif Abdurraqib, from A Fortune for Your Disaster: Poems; “The Prestige”
Hanif Abdurraqib, from "Ok I'm Finally Ready to Say I'm Sorry For That One Summer", The Crown Ain't Worth Much
Mark Rothko on the "recipe of a work of art," lecture at the Pratt Institute, 1958:
There must be a clear preoccupation with death—intimations of mortality… Tragic art, romantic art, etc. deals with the knowledge of death.
Sensuality. Our basis of being concrete about the world. It is a lustful relationship to things that exist.
Tension. Either conflict or curbed desire.
Irony. This is a modern ingredient—the self effacement and examination by which a man for an instant can go on to something else.
Wit and Play..for the human element.
The ephemeral and chance…for the human element.
Hope. 10% to make the tragic concept more endurable.