Cosmic Funnies
EXPECTATIONS
YOU ARE THE REASON
NASA

ellievsbear
Misplaced Lens Cap
will byers stan first human second
untitled
trying on a metaphor
Game of Thrones Daily
I'd rather be in outer space 🛸

@theartofmadeline

Andulka

Origami Around
Claire Keane

pixel skylines

if i look back, i am lost
Show & Tell
sheepfilms
🪼

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@frenchnavyy
not to be uhhh one of them but my energy is truly unmatched and everyone doesn’t deserve this shit. idk who or what I was in my past life but it’s felt
desert flower : nei lydia for blvd mag
elixir of the sun
age 11: worry about internet people finding me in real life
now: worry about people in real life finding me on the internet
Dagger with Sheath, Arms and Armor
Medium: Steel, skin (shark), jade, gold, ruby, emerald, sapphire, gemstone, silver
Bequest of George C. Stone, 1935 Metropolitan Museum of Art, New York, NY
http://www.metmuseum.org/art/collection/search/31403
Quote by unknown
May you NEVER be in a position to not afford your rent!
Sending good vibes to everyone with rent, utilities and more bills than bills! Better days are ahead.
A remarkable Jacobean re-emergence after 200 years of yellowing varnish Courtesy Philip Mould
PAINT RESTORATION OF MESMERIZING
I saw this on Twitter. He’s using acetone, but a cellulose ether has been added to make it into a gel (probably Klucel—this entire gel mixture is sometimes just called Klucel by restorers, but Klucel is specifically the stuff that makes the gel).
Normally, acetone is too volatile for restoration, but when it’s a gel, it becomes very stable and a) stays on top of the porous surface of the painting, and b) won’t evaporate. So it can eat up the varnish.
It looks scary, but acetone has no effect on oils, and jelly acetone is even less interactive with the surface of the paint or canvas.
this is my kind of ASMR
see you again - tyler the creator