Blue sunrise on the Oregon Coast
To those wondering, it is a sunrise! 7am. The light you see is a crabbing boat
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tannertan36
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occasionally subtle
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I'd rather be in outer space 🛸
Peter Solarz

blake kathryn
Game of Thrones Daily
Not today Justin

Origami Around
TVSTRANGERTHINGS

Product Placement

pixel skylines
Three Goblin Art

#extradirty
Mike Driver
Claire Keane
One Nice Bug Per Day
ojovivo

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@fromfesteringflames
Blue sunrise on the Oregon Coast
To those wondering, it is a sunrise! 7am. The light you see is a crabbing boat
Rainy day in Kyoto
i am going to sniff you. do not resist.
pick roses at night, just before the rain.
*holds you in my mouth perfectly safe between my sharp teeth bc i love you*
by Jeremy Miranda, 2024
real grapeheads know that red, green, and black grapes are equally tasty and just have a different appeal to them
explain yourself
grew and changed as a person
having anti punitive justice morals sucks because you want to say "man that guy sucks he should get hit with hammers until he dies" but you also want to make it clear you don't think anyone should be put in charge of the 'hit people with hammers until they die" machine.
Tea gown, Maria Monaci Gallenga, 1920s, Italian, silk, glass
Gallenga developed her own technique for metallic printing on velvet using wood blocks. These were produced for her quickly and at little cost by cutting her designs from thin wood blanks that were then glued to sturdier support blocks. To execute the printing, an adhesive film was applied to the blocks, which were then pressed onto the textile to replicate the pattern in adhesive. Powdered metallic pigments were brushed onto the treated areas, which allowed colors to be subtly blended into one another. In this tea gown, whose form imitates that of a medieval gown with hanging sleeves, transitions from silver to gold are made throughout the print, a pattern of birds and hounds set within pointed ovals resembling Gothic tracery. Variations in the tone of the metallic pigments were achieved by adjusting their composition, which typically included copper and zinc. Changing the ratio of these metals produced shades ranging from silver to gold, copper, and bronze. From The MET
Aleksandra Waliszewska
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