he wasn't even looking at me and he found me
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@fuckyeahjhene
Jhené, Teyana, Summer Walker, and Kehlani have an important and long overdue roundtable discussion about the lack of respect and recognition for female R&B artists.
Check out their amazing conversation here: @billboard COVER STORY
“R&B is still not nearly as big as hip-hop: It has a market share of 7.43% of overall album consumption units so far in 2020, compared with 19.17% for hip-hop, according to Nielsen Music/MRC Data. Yet it’s growing — by 4.64% in market share compared with this time last year. (Hip-hop’s market share grew less than 1% in the same period.) And as the genre catches up commercially, it’s having a renaissance artistically — one that’s largely powered by female singer-songwriters who are reimagining and reinterpreting its sounds for a new generation of listeners. Of the 14 releases that have reached No. 1 on Billboard’s Top R&B Albums chart in 2020, nine of them have been from women.”
CHECK OUT THE COVER STORY: HERE
TWENTY88 WILL BE PERFORMING TONIGHT AT THE 2020 BET HIPHOP AWARDS!
TUNE IN!
The one time you could laugh while crying during Trip (The Movie)
Jhené Aiko is the cover girl for @nylonmag ‘s digital issue.
Photos: MYLES PETTENGILL
STYLE: ADE SAMUEL.
MAKEUP: FELICIALATOUR
“I need somebody real to get close upon…”
Izanami no mikoto- is a goddess of both creation and death
Jhené Aiko -“Never Call Me” ft Kurupt OFFICIAL VIDEO
Jhené Aiko literally has a funeral for her ex’s ego
Change is inevitable…
“I need somebody real to get close upon…”
"I need somebody real to get close upon..."
Slauson…. 📸: @topshelfjunior
Slauson.... 📸: @topshelfjunior
ATTENTION NYC
ENTER OUR “FYEAHJHENETRIP GIVEAWAY” ON INSTAGRAM.
Jhené Aiko is the cover girl for @nylonmag ‘s digital issue.
Photos: MYLES PETTENGILL
STYLE: ADE SAMUEL.
MAKEUP: FELICIALATOUR
Jhené Aiko for Nylon Magazine
Jhené Aiko is the cover girl for @nylonmag ‘s digital issue.
Photos: MYLES PETTENGILL
STYLE: ADE SAMUEL.
MAKEUP: FELICIALATOUR
If you don’t listen to Jhené Aiko, you’re living life wrong.
