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@fuckyouchristmasfilms
Love Always, Santa :
Randy calls Celia “babe” after she asks him several times not to.
There are repeated “jokes” about how women are lesser. The main character is told not to “act like an 8th grade girl” but to “be a man”.
This type of sexism is a constant threat through an otherwise sweet film.
Window Wonderland has an entirely white (or nearly entirely white) cast even while being set in New York City and the male lead pulls the "you look better without make-up" BS.
A Very Merry Mix-Up has an entirely white cast--though it's set in New York City (among other places).
In The Nine Lives Of Christmas, the main character and her friend discuss being fat as if it were a terrible/shameful thing.
In Christmas In The City...
Only a white person could have thought it'd be okay to have a white character say "Christmas is changing hues around here." in regard to the actions of a newly hired WOC.
Granted, they were talking about the fact that she painted the store's Christmas trees, Queen of Hearts-style, from green to pink...and she is the antagonist...but still....
Only a white person could not see how fucked up that is.
In Christmas Do-Over...
A "girl" toy is given to the son in the film and it's made fun of for being a "girl" toy...it's an oven. To the best of my recollection, ovens can be used by every gender, but hey. And even if it were a "girl" toy, why is that a bad thing? Oh yeah, it isn't.
The ex-husband is shamed many times for eating and possibly getting fatter.
In Mickey's Twice Upon a Christmas, one of the reindeer is made fun of for "not being tiny" like in the poem.
Much of The Real St. Nick takes place in a psychiatric institution...
Part of the time, I feel like they make the jokes on people who mistreat folks with mental illnesses.
But a lot of the time it seems as though the jokes they make are ON/ABOUT the patients and folks with mental illnesses...or at least about the illnesses themselves.
He's normal and she's a South American looney tune.
A Christmas Wish
In A Bride For Christmas, they constantly play on the "she's not like other girls; she's the cool girl" meme. After all, she "watches horror instead of romances and eats burgers instead of Thai!" Clearly, she's awesome while all those other girls (read most girls) like gross girly stuff!
In The Sons of Mistletoe, as with sooo many other [Christmas] films, the fat kid is constantly talking about food as if his whole identity revolves around it and/or eating it.
There are many things I love about Love at the Thanksgiving Day Parade, but one thing I don't is that the people who made it seemed to have forgotten that POC exist in Chicago.
Of course, most of the made for TV Christmas films on this time of year are 99.9% white, so it isn't shocking--sad, but not shocking.
In Mistletoe Over Manhattan, Mrs. Claus seems to imply that it's okay to discriminate against people if they're homeless.
In Eve’s Christmas, Eve laments not being able to eat what she wants because it would make her fat and is amazed that her friend stayed thin.
I want to reblog this one with something I should have added before...the character who says this is played by an actress who has spoken about her own disordered eating. I can't help but feel sorry for her for getting lines like this.
In Christmas Song, two of the teachers engage in very 'slut' shaming talk about a student, insisting that because she's a "party girl" and the "girl voted most likely to...", she can't possibly be worth a shot at a school event.
In Meet The Santas, not only does the mother constantly pick on her daughter's weight, no one seems to think the daughter knows her own mind or has the ability to make her own choices.
In Holiday Engagement, the main character is excited that she finally has a man to take home so her mother won't preach to her about how "she's going to be a lesbian or a spinster" or both.