the problem is that going to bed at night feels like a chore whereas lying down for a forbidden nap at 4pm feels like the pinnacle of decadence
šŖ¼
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pixel skylines
Sweet Seals For You, Always

Origami Around
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YOU ARE THE REASON
almost home
Fai_Ryy

oozey mess

ā

titsay

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KIROKAZE
"I'm Dorothy Gale from Kansas"

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One Nice Bug Per Day
Mike Driver
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shark vs the universe

seen from T1
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@furiouslywritten
the problem is that going to bed at night feels like a chore whereas lying down for a forbidden nap at 4pm feels like the pinnacle of decadence
A fox that came to me in a dream ā·
Jonesy
back print for a mini zine
reminder to worldbuilders: don't get caught up in things that aren't important to the story you're writing, like plot and characters! instead, try to focus on what readers actually care about: detailed plate tectonics
@dragonpyre any chance you could elaborate on this
I grew up learning about land formations. Seeing fictional maps that donāt follow the logic and science of them makes me upset
What are the most common sins youāve seen relating to this? I wanna know
Mordor.
Why is the mountain range square. How did the mountain range form. Why is there one singular volcano in the center. Why does it act like a composite volcano but have magma that acts like itās from a shield. If itās hotspot based volcanic activity why is there only one volcano.
And then the misty mountains!!!! Why isnāt there a rain shadow!! And why is there a FOREST where the rain shadow should be!!!!!!!!
So what is a rain shadow?
Wind blows clouds in from the sea, but mountains are so tall the clouds can't get past 'em, so you get deserts on the windward side of mountain ranges because clouds can't get there to water the land, or do so only very rarely.
Oh yeah nothing is more annoying than fantasy maps that can't get mountains, rivers and rain shadows right.
May I recommend my new favorite tool: Mapgen4. You start with a random seed and then add mountains, valleys, shallow water, or oceans as you like. You can adjust the wind direction to make wind shadows off the mountains fall where you want. You can adjust overall raininess to make the rivers larger or smaller, or have more or fewer tributaries. It works best for small, isolated landmasses (think islands more than continents) but as thereās no scale bar and itās all slightly abstracted anyway you can do whatever you want with it. Iāve only just started playing with it but itās SO FUN.
I do think this could be useful for writers! ...Caveat, if you're going to use this for making a map for anything published (digital or paper, even if it's only in a fanfic archive or whatever), please, please credit the creator and their program as how you made that map! The more ways information like this gets out there, the more useful it'll be to other writers, roleplaying game DMs/GMs, creators, etc.
One of my favourites for mapping plates, biomes, etc is Tectonics.js. If you're familiar with how tectonics shape a planet, you can guess where the features go by toggling plates, crust thickness, etc. Between Mapgen4 and Tectonics.js, we've got some pretty sweet tools at our disposal.
More stuff!:
European Geosciences Union Blog ā Beyond Tectonics: Building fictional worlds to better understand our own
Reshaping Reality's Worldbuilding Tips
Worldbuilding pasta's series, An Apple Pie from Scratch also check their resources page!
R/worldbuilding's Reading List. Also check out their collected resources link. This basic geology guide from 11 years ago is still nice.
Creating an Earth-Like Planet, and The Climate Cookbook (aka Geoff's Climate Cookbook) technically the climate cookbook is a part of Creating an Earth like Planet I think.
Related: Worldbuilding Workshop's "Working Out Climates Using Geoffās Climate Cookbook." Which goes through using the resource in order to map make. Also just the Worldbuilding Workshop in General.
Madeline James Writes's Worldbuilding Guide
Worldbuilding 101 (this links to the Biomes section but there's like...everything.)
Also I would recommend looking into Landscape Archaeology as well! That's because Landscape archeology is basically adding the social/cultural layer on top of all that geology and geography. Environments change when communities live in them, and communities likewise adapt to various environments.
This is a short free introduction to the concept: "Notes on Landscape Archaeology." To summarize, Landscape archaeology sort of like...studies the relation of people to places/spaces (that is, landscapes) in time.
Also this paper [An Archeology of Landscapes] breaks down/introduces the key concepts that I learned which is first that you can form the "construct paradigm" of a landscape from settlement ecology, ritual landscapes, and ethnic landscapes.
And then the highlights of their summary of what constitutes defining a landscape:
Landscapes are not synonymous with natural environments. Landscapes are synthetic (Jackson, 1984, p. 156), with cultural systems structuring and organizing peoplesā interactions with their natural environments ...
Landscapes are worlds of cultural product ... Through their daily activities, beliefs, and values, communities transform physical spaces into meaningful places. ...
Landscapes are the arena for all of a communityās activities. Thus landscapes not only are constructs of human populations but they also are the milieu in which those populations survive and sustain themselves. A landscapeās domain involves patterning in both within-place and between-place contexts ...
Landscapes are dynamic constructions, with each community and each generation imposing its own cognitive map on an anthropogenic world of interconnected morphology, arrangement, and coherent meaning ...
Basically a "landscape" is made by a community living in an environment. Once you have a geological environment that makes sense, landscape archaeology is like... Basically how I feel confident knowing where trade routes would be on a map, where there are areas of continual high conflict, what kinds of agriculture exists where, etc. once the geological stuff is hammered out, it's like...I know how that would influence the local cultures and vice versa. At that point, it's easy to start marking the natural borders, settlements, trade/port cities, and even strategic fortresses. If you have properly put rivers on a map, then marking your port cities is effortless, basically.
Also:
This course syllabus for a Landscape Archaeology class is freely accessible. It includes an online resources page.
Place, Landscape, and Environment: Anthropological Archaeology in 2009
(Landscape Biographies is open access, as is Landscape Archaeology between Art and Science: From a Multi- to an Interdisciplinary Approach. But I wouldn't try to read every essay.)
If you are like me and find it helpful to have video reference for a process/activity in addition to a written guide, Artifexian is a YouTube channel that does a LOT of world building stuff and specifically he's in the process of creating a world following a lot of Worldbuilding Pasta's methodology!
Romeo brings the boys to meet Aurora, unknown to her, and tries to butter her up with a good fuck before surprising her with her long-lost children.
also, sheās just really hot and he canāt help himself.
heavilyĀ nsfw -- graphic smut and shit -- youāve been warned, etc.Ā
Romeo gives Aurora a gift.
set in the early timeline -- years before, when Aurora was young and before Diego and Andreas were born.
-----------
The transmission ended, and Romeo tilted his head to cast an apologetic smile towards Aurora. But sheād already turned her head away, the slight softness of her features that heād been graced with moments before gone as her face hardened back to itās normal state.
āYouāre leaving, arenāt you?ā She stated more than she asked. Though she probably couldnāt have understood the words of Romeo and the other Guardian speaking back and forth, his tone as heād tried to argue was one of disappointment. Aurora was intelligent enough to pick up on that.
Romeo let out a breath, wishing that he didnāt have to tell her the truth as he answered in her tongue. āTheyāre calling us back to the city early, since the negotiations went by more quickly than they expected.ā
She nodded, once. Throwing her legs over the side of her bed and coming to sit up straight and proper. He reached out and touched her shoulder with his fingertips, chest aching. Theyād only been able to spend a single night together when there was supposed to be three more to come. But the reef diplomats had been surprisingly generous with the meeting and Romeoās small team of liaisons had finished their job early.
āIām sorry, my darling.ā He breathed out, and she finally looked at him again, eyes sharp as she simply said.
āDonāt.ā
And Romeo pressed his lips together, but he didnāt take his hand away. As their eye contact lingered, the daggers began to fade from her gaze. An exhale, nostrils flaring, and he could swear she was physically trying to hold her composure in that moment.
āDonāt apologize to me. Itās just how things are.ā She finally said, less sharp, voice quieter. Romeoās fingertips made small circles on her skin and he wished that it didnāt have to be. Trying not to linger on the thought, he pulled his hand away completely. He had plans that were messed up, now, from having to leave early. But he could at least improvise.
Gently, quietly, he brought his hands together, twisting at a ring that he had been wearing on his pointer finger until it came off.
āAurora.ā He said her name to catch her attention again as sheād looked away during the silence. When she did glance his way, he reached out to take her hand and bring it closer to him. Wordlessly, he took the ring and slid it onto her finger instead.
āWhat are you doing?ā She asked, jerking her hand back a little late and bringing the ring up to her face, studying it. āWhat is this?ā
āSomething to remember me by.ā Romeo told her, and she looked at him almost with suspicion. He reached out to take her hand once more, in between his own, running a thumb over her hand gently as he looked down at the ring.
It seemed simple. A silver ring with a rather large, black stone set into it. Both plain and flashy at the same time.
āI couldnāt possibly wear this. Itās not practical.ā She said to him, and he let out a small huff of laughter. It seemed typical of her to say something like that.
āYou donāt have to wear it if you donāt want. But please, my goddess, keep it.ā He said. āI only bought it because it reminded me of you.ā
āHowā¦?ā Her brows were furrowed with confusion, and he smirked just slightly. The question that heād been hoping that Aurora would ask him.
āBecause āā
He cupped the hand so he could bring it up to his face, pressing his lips against the stone for a long few seconds, longer than a simple kiss needed to be. But when he pulled away, again, the reasoning was clear. The heat from his mouth had changed the stone, the black fading where his lips had been and revealing the stoneās hidden color.
A beautiful shade of blue, sparkling and gleaming for a second before the cold of the room began to fade it back to black.
āIt reminded me of your beautiful skin the moment I saw it.ā
āRomeoā¦ā She said his name, trying to sound annoyed, but he took note of the slightest darkening of her face as she pulled her hand away from his, closing it into a fist. But her thumb touched at the stone gently and he felt like, even if she wouldnāt admit it to him, she would keep the ring as he wanted. āYou should go, before they begin to search for you.ā
A sigh. āProbably so.ā He said, but he didnāt move to get up right away. Instead, he shifted to close the gap between them, touching Auroraās face. Leaning in, he intended to kiss her, but her lips met his before he had even leaned in that far as Aurora took control of the moment.
The kiss was long and full, both of them slow as they moved. Words implied that couldnāt be spoken out of fear and duty, an aching that was mutual and not fair for either of them. Star-crossed lovers from across the solar system. He always hated to leave her, and their time together was always much too brief.
Eventually, the kisses had to come to an end as well, Puck beeping quietly to him only to signal that the others were calling him again. He pulled away, tapping her open lips with his index finger twice and offering what he could of a smile, despite the ache in his chest.
āIāll be back.ā He promised, and she nodded again, just once, as he pulled away.