void Fuzzwerks(){

// // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // // void Fuzzwerks(){ https://soundcloud.com/fuzzwerks };

[nearlya]

Rosmarie Lukasser. Annäherung an“…bin im Netz i1.0“, 2012

[dvdp]

150612

[isiope]

no. 2089 - Jonas Schmidt - www.isiope.com

[carolinedavid]

for MTVNews article about listening to music while reading

[trannywalk-blog]

[slumscape]

[mirrormaskcamera]

Lonely Old Street in Hong Kong x

[2ndway-blog]

Omotesando

[marukido]

[nicekill-deactivated20190407]

[carolinedavid]

Lady of the Lake, from my recent print pack Gored by Sun Kissed by Moon

the pack will be for sale this weekend at NYABF at the txtbooks table, #38 : )

[pcmusicmusic]

PC005

chrislee.pcmusic.info

Real Love / Only You by Chris Lee (Li Yuchun)

Image by Kim Laughton

[sinsynplus]

mayer+empl . hff . interactive light sculpture . munich . 2015

[charlottetaylorphotography-deac]

[prostheticknowledge]

Times Square with adblock enabled

[Found via TrashPandaMafia @ imgur]

More examples in the comments thread [Link]

[darksilenceinsuburbia]

[eilottuerie]

Jean-François Lepage:  Recycle (Prelude) Series.

[thedesignwalker]

CTline bookshelf designed by Victor Vasilev. From a particular angle, this construction looks nothing like a bookshelf, but rather a minimalistic art installation.

[prostheticknowledge]

Captives #B04

Documentation from artist Quayola of a stone sculpture being formed with an industrial robot to create a work combining the contemporary and the classical:

Captives is an ongoing series of digital and physical sculptures, a contemporary interpretation of Michelangelo’s unfinished series “Prigioni” (1513-1534) and his technique of “non-finito”.

The work explores the tension and equilibrium between form and matter, man-made objects of perfection and complex, chaotic forms of nature. Whilst referencing Renaissance sculptures, the focus of this series shifts from pure figurative representation to the articulation of matter itself. As in the original “Prigioni” the classic figures are left unfinished, documenting the very history of their creation and transformation.

Mathematical functions and processes describe computer-generated geological formations that evolve endlessly, morphing into classical figures. Industrial computer-controlled robots sculpt the resulting geometries into life-size “unfinished” sculptures.

More Here