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One Nice Bug Per Day

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2025 on Tumblr: Trends That Defined the Year
Not today Justin
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wallacepolsom

izzy's playlists!

Janaina Medeiros
Stranger Things
Claire Keane
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Keni
Misplaced Lens Cap

tannertan36
TVSTRANGERTHINGS
NASA
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titsay
todays bird
let's talk about Bridgerton tea, my ask is open

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@fvlklore-archive
đđđđđđ đđ đđđđ.
pearls and cyanide: a playlist for when you want to murder a bunch of people, but also, you know, be classy about it.
Writing about a child rapist did not make Vladimir Nabokov a child rapist.
Writing about an authoritarian theocracy did not make Margaret Atwood an authoritarian theocrat.
Writing about adultery did not make Leo Tolstoy an adulterer.
Writing about a ghost did not make Toni Morrison a ghost.
Writing about a murderer did not make Fyodor Dostoevsky a murderer.
Writing about a teenage addict did not make Isabel Allende a teenage addict.
Writing about dragons and ice zombies did not make George R.R. Martin either of those things.
Writing about rich heiresses, socially awkward bachelors, and cougar widows did not make Jane Austen any of those things.
Writing about people who can control earthquakes did not make N.K. Jemisin able to control earthquakes.
Writing about your favorite characters and/or ships in situations that you choose does not make you a bad person.
Itâs a shame that in this day and age these things need to be said.
Or, in short: the narrator =/ the author.
You know what else is a shame? This nowadays tendency of putting on the author the responsibility of teaching their readers morality.
Authors are allowed to write morally ambiguous characters.
Authors are allowed to write downright despicable characters - and guess what they are even allowed to make despicable characters charismatic and likeble and the protagonists of their stories if they wish - because absolute monsters exist only under the bed.
It is not up to the author to spoonfeed the readers about morality and Yes I know this character did a bad thing and I am going going to show it in the story and make other characters call them out of it andâ Bullshit.
The authors should be able to write what they want without having thousands of people jumping and their throats claiming to know them, their ideas and their morality based on what they write.
Itâs not up to the author to teach you about what is right and what is wrong.
Itâs not up to the author to teach you about what is right and what is wrong.
Ideally, thatâs your parents job.
Elizabeth Lail and Henry Cavill requested by @listensweettea (thanks @tessrps for all 4 of Elizabeth Lail gifs)
@fvlklore
COLOR PALETTE MEME: hope mikaelson + âpalm greensâ
âI donât want you to be the hero â the heroâs never the one left standing.â
â i enjoy talking to you. your mind appeals to me. â + cat & henry
â... do you understand? Women were completely erased from art history.â Catherine terminou o raciocĂnio, caminhando calmamente para a prĂłxima obra disposta nas gigantescas paredes do MET, virando o rosto para o amigo e sorrindo abertamente com a fala. Ăs vezes era muito bom receber tal elogio, principalmente vindo dele, que era uma das Ăşnicas opiniĂľes que importavam em sua vida. Henrik era tambĂŠm o Ăşnico, fora Margaritta, que sabia o quanto a loira se interessava por arte, e o quanto aquilo era algo que a deixava feliz. âThank you, I enjoy talking to you too. You are a great listener.â O risinho contido escapou, tentando nĂŁo fazer muito barulho pela galeria. O gosto pelas pinturas e esculturas talvez viesse da tentativa desesperada de se conectar com a mĂŁe, que Ăşnico genuĂno interesse era pelas obras que arrebatava nos leilĂľes, mas no fim tinha se tornado sua paixĂŁo tambĂŠm. Elena tinha a levado ali pela primeira vez, mas depois passou a ser um dos, inĂşmeros, passeios exclusivos de Cat e Henry. âIn fact, I donât think anyone can put up with me talking so much besides you.â Brincou, deixando que ele passasse o braço por seus ombros, entĂŁo levando sua mĂŁo atĂŠ a dele. âItâs in the friendship contract, I canât do much about it.â A Huntington revirou os olhos, enquanto ele ria, tentando a voltar a atenção para os quadros. A seção de Arte Europeia era a que mais a agradava, talvez pelos antigos infantis desejos de ser uma princesa ou simplesmente pelo glamour que tanto a agradava, fato era que a cada comentĂĄrio seu ele tinha algo a responder e continuaram assim, por vĂĄrios salĂľes. O Museu era um dos seus lugares preferidos em Nova York e Henrik sua pessoa favorita, logo era quase natural que estivesse ali, com ele. Se sentia completamente segura junto do meu melhor amigo, e confortĂĄvel o suficiente para exibir essa versĂŁo sua que era desconhecida por quase todos. âI think we should go see the Greek exposition too, you like the statues.â Comentou, enquanto era puxada para um dos bancos vazios. âHey! Iâm wearing a Louboutin, you canât just pull me.â A reclamação foi ignorada pelo Van Helsing, que pousou a mĂŁo em sua coxa, distraidamente. Os olhos azuis dela rondaram as obras Ă sua frente, o quadro Princess Pauline do Boundin, o Princess Elizabeth de Peake, atĂŠ pararem nos verdes, que jĂĄ a encaravam. âDo you really have to go to Germany?â Seus lĂĄbios se contorceram num biquinho, odiando ter que ser negada algo, como a boa mimada que era. âDo you really have to go to Washington?â Henry arqueou as sobrancelhas, rebatendo e a fazendo suspirar, deitando a cabeça contra seu ombro. âI can already feel the criticism that Iâm gonna suffer. We should really just stay in New York. Go to the Hamptons, maybe.â Cat falou, manhosa, enquanto pegava a mĂŁo livre alheia, brincando. âOr, we could run away to a nicer place in Europe, like Monaco or the French Riviera. Mykonos, you have never been there.â Aquilo era uma possibilidade completamente impossĂvel, mas disse somente para o provocar, sabia que o melhor amigo nĂŁo gostava nem um pouco de praias. âWe could also be disowned. Câmon, you know our mothers. Family is important.â Imitando uma das mulheres falando, o moreno a fez bufar. âYouâre so lovely and encouraging, Henry.â Sorriu sem graça, fechando os olhos por alguns segundos. A pior ĂŠpoca do ano era, sem dĂşvidas, quando tinham que se separar para visitar os familiares. Se ficasse um pouco mais irritada com tudo isso começaria a odiar o Natal. âIâm gonna miss you, but itâs only two weeks and then weâre going to Vermont to ski. Youâre not dying, but if you start to, call me, because it will be a good excuse for me to come back.â Catherine podia atĂŠ se irritar com a fala e o sorrisinho insuportĂĄvel que ele carregava, mas jĂĄ estava acostumada e, sinceramente, os adorava. Balançando a cabeça negativamente, ainda que sorrisse, voltou a o encarar. âIâm gonna miss you too.â
favourite female actresses [6/â] âł kathryn newton
Mission: Impossible â Rogue Nation (2015), dir. Christopher McQuarrie
A Four Weddings and a Funeral Inspired Playlist // Part 1/?: Charles
Playlist // Template Credit
âHey, David, itâs Camille. You know, when Dostoevsky was writing The Gambler, he signed a contract with his publisher saying that he would finish it in twenty-six days, and he did it, but he had the help of this young stenographer. This girl, she⌠she stayed with him and she helped him. And⌠afterwards they actually got married. Ha, isnât that cool? Thatâs how he met his wife. Anyway I found this story in the preface for Crime and Punishment so I was thinking that⌠and, this would have to be between you and me, but⌠I was thinking that I could read the books and tell you whatâs going on and that way you could just focus on your music. But only if youâre comfortable with this, and if youâre not then you can just forget it, and you can quit, but if you are⌠then open this door.â
New York, I Love You (via movieinapixel)
Hayden Christensen as Ben | New York, I Love You (2008)
johan o gado & elena holstein, august 2020Â Â Â //Â Â @fvlkloreâ
Youâll come tonight? Yes.
Once I learn how to read and write itâs over for you hoes
Lily James as Cinderella/Ella in Cinderella (2015)
character skills that donât actually matter, but give your character depth & facilitate interesting open or closed starters.
accents.  they can literally mimic any accent theyâve ever heard, and itâs a little terrifying to be honest. where are they even from, anyway?
green thumb. Â they live in a high-rise with two tiny ass windows, but somehow manage to keep their indoor garden alive and thriving.
hearing.  donât bother whispering around them. or anywhere near them, for that matter. they can hear through walls, basically.
measurement.  they know how far 6 feet is just by looking, and never bother with measuring cups or scales.
organization.  nothing in their house, office or car is ever, ever out of place. even their junk drawer is arranged by color.
mental calculation.  itâs not just adding and subtracting â they can tell you what 20% off $24.99 is in eight seconds flat.
the perfect cup of coffee. Â itâs the reason most people stay the night at their place. word gets around, yâknow?
perfect pitch.  not a professional singer by any means, and they donât wanna be â singing is just a joy, and damn are they good.
predicting the ending.  yeah, theyâre that person. they know exactly how the movie is going to end, five minutes into it.
quick reflexes. Â Â somethingâs falling off the counter? no problem. they wonât let it hit the ground. and they sure as hell have never spilled their truly in the pool.
sense of direction.  theyâre never lost. literally ever. also your personal gps.
storytelling.  theyâre always telling you about something that happened on the train that morning or making up something for bedtime, they just make it look so easy.
thrift shopping.  they literally walk into any thrift store and find the nicest fucking stuff. itâs insane. but they also give the best birthday presents, so itâs fine.
throwing accuracy. Â Â they can throw a crumpled peach & pear la croix can across the room and right into the garbage can, every time.
touch-typing.  theyâve consistently hit 95+ wpm since they were 10. itâs on their resume, but employers always think theyâre exaggerating. nope.