Verdigris Waxcap, 2024-05-04
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Verdigris Waxcap, 2024-05-04
Color charts of undifferentiated (top) and specialized (bottom) plumage of different warbler species from Charles Keeler's Evolution of the colors of North American land birds (1893).
Full text here.
A different kind of Witches' sabbath
The Walnut Tree in Benevento (the Witches' Sabbath), circa 1822ā1826. Painted by Giuseppe Pietro Bagetti.
This eerie and fantastical painting depicts the legendary witches' sabbath under the walnut tree in Benevento, a site steeped in Italian folklore. Beneath a spectral night sky, scores of ghostly figures dance in spiraling formations around the enchanted tree, while a glowing, chandelier like apparition hovers ominously overhead. The scene evokes a haunting blend of the supernatural and theatrical, capturing the dark mystique of occult ritual with dreamlike intensity.
Ā The Walnut Tree of Benevento Ā (Il Noce di Benevento) is one of the most famous witchcraft legends in southern Italy. It was believed to be the tree beneath which the witches of Benevento, or janare, gathered for nocturnal rites, dances, banquets, and flights to the sabbath.
The legend was already strongly associated with witchcraft by the fifteenth century. One of the most important references comes from the 1428 trial of Matteuccia di Francesco of Todi, where an incantation sends the witch to the walnut tree of Benevento āover water and over windā. From that point, Benevento became a repeated point of reference in Italian witch-trial imagination: to say that a woman went to Benevento was to associate her with witchcraft.
A later and influential source is Pietro Pipernoās seventeenth-century treatise, Della superstitiosa noce di Benevento (1640). Pipernoās work explicitly presents the walnut as a āsuperstitiousā tree and organises the legend around its origin, its cutting down by St Barbatus, its supposed demonic associations, and the gatherings of witches and magicians at that place.
The Christianised version of the story connects the walnut tree to the Lombards of Benevento. According to the tradition reported in later sources, the Lombards continued certain pagan or semi-pagan rites after their formal conversion, including rituals around a sacred tree. St Barbatus, bishop of Benevento, is said to have ordered the tree to be cut down in order to destroy the pagan cult associated with it.
In folklore, however, the tree did not disappear. Later traditions imagined that it returned, or that witches replanted it, turning it into the centre of a supernatural geography. The walnut was described as a tall, evergreen, harmful or ānoxiousā tree, usually located near the River Sabato, although different traditions placed it in different locations around Benevento.
Summer Farro Salad with Shredded Zucchini (Vegan)
Anne Sudworth,Ā Earth Light Trees
Urs Fischer, āuntitledā (2011): paraffin wax mixture, pigment, steel, wicks
Anne Boleyn in the Tower of London (Anne de Boleyn Ć la Tour de Londres, dans les premiers moments de son arrestation) (1835) by Ćdouard Cibot (French, 1799 ā 1877) , oil on canvas, 162.5 cm (63.9 in) x 129.4 cm (50.9 in), MusĆ©e Rolin
Remedios Varo, Rheumatic pain
could he act? no. but was his character good? also no. and were his plotlines compelling? not really. but did he look good? also no. but did i enjoy his time on the show? again, no. but would i watch more of his character? also no
Force Remove Copilot, Recall and More in Windows 11 - zoicware/RemoveWindowsAI
How do I... use this? I don't know what to do ;-;
hereās a youtube tutorial by the guy who made it
itās ok to ask for help the next 946 days
filthy, filthy read
Mary Delany (1700 - 1788), an English artist known for her "paper-mosaics" and her lively correspondence, created 950 works of botanical decoupage.
"With the plant specimen set before her she cut minute particles of coloured paper to represent the petals, stamens, calyx, leaves, veins, stalk and other parts of the plant, and, using lighter and darker paper to form the shading, she stuck them on a black background. By placing one piece of paper upon another she sometimes built up several layers and in a complete picture there might be hundreds of pieces to form one plant. It is thought she first dissected each plant so that she might examine it carefully for accurate portrayal..."
- from Mrs. Delany: her Life and her Flowers, by Ruth Hayden, 1980/2000. (The author was a descendant of Delany's sister Anne.)
Born the daughter of Colonel Bernard Granville, she was a niece of George Granville, 1st Baron Lansdowne. She was coerced into an unhappy marriage with the sixty-year-old Tory MP Alexander Pendarves when she was still only seventeen; her husband died in his sleep seven years later, making her a widow at the age of twenty-four. With little means and no home of her own, she spent time living with various relatives and friends. But having the social freedom allowed by her widowhood, she was able to indulge her artistic and scientific interests.
At the age of forty-three, she married again, to Dr. Patrick Delany, an Irish clergyman. A year later they moved to Dublin, where Dr. Delany had a home. Both husband and wife were very interested in botany and gardening. After twenty-five years of marriage, most of it spent in Ireland, her husband died, leaving her a widow again at the sixty-eight. She had always been an artist, but during her second marriage she had had the time to hone her skills, not only as a gardener, but with her needlework, drawing, and painting.
It was only in her second widowhood, though, when she was in her early seventies, that she began to assemble detailed and botanically accurate depictions of plants in decoupage, using tissue paper and hand coloration. She created nine-hundred and eighty-five of these works, calling them her "Paper Mosaics." She continued making them until her sight began to fail in the last year of her life. She died a month before her eighty-eighth birthday. The ten volumes of her Flora Delanica were eventually bequeathed to the British Museum.
(From the blog of artist and writer Stephen OāDonnell. He is married to writer and graphic designer Gigi Little, with whom he sometimes performs. Their book, The Untold Gaze ā a collection of Stephenās paintings paired with short fiction by 33 authors ā was published in October of 2018.)
Isabella Rossellini
Blue Velvet (1986)
Life story. The Book of Knowledge. v.5. 1927.
Internet Archive
men will say āprincess treatment ā¤ļøā and then itās just how i normally treat the cashier at the store
Red botanical wallpaper. Album P. R. Nouveautes 1937-1938.
Internet Archive