Free Press And Twirl

Twitter.

[pokemon-photography]

[jonty-tiplady-deactivated201806]

[365filmsbyauroranocte]

Written on the Wind (Douglas Sirk, 1956)

[garethsimms]

「 16 - 2016」

Terrace House Boys & Girls in the City - Masato Maeda

Dark Souls III - Hidetaka Miyazaki

Elle - Paul Verhoeven

FADER mix - Manara

Yuri on Ice - Sayo Yamamoto

Kentucky Route Zero: Act IV - Jake Elliot, Tamas Kemenczy & Ben Babbitt

Monster Factory: Second Life, Second Chances - Part Three - Justin & Griffin McElroy 

Uncharted 4 - Bruce Straley & Neil Druckmann 

Not Above That - D∆WN 

Cemetery of Splendour - Apichatpong Weerasethakul

The Life of Pablo - Kanye West

Rinse FM Podcast - Yamaneko 

Final Fantasy XV - Hajime Tabata 

My Woman - Angel Olsen 

Yeezy Season 3 x Pablo Launch - Live from MSG Stream - Kanye West 

Actress and the London Contemporary Orchestra @ Barbican

[sukoot]

Dia Azzawi Relationship, 1975.

[garethsimms]

Landscape Plus, 2016

Laida Lertxundi

Photo engraving, transfer, chine-collé, hand drawn ink line

[solardrifter]

Record of Lodoss War - ロードス島戦記 (1990)

[faye-wong]

[gareth-simms]

「 15 - 2015」

88:88 - Isiah Medina

Art Angels - Grimes

Blackhat - Michael Mann

Bloodborne - Hidetaka Miyazaki

Chris Paul v Spurs - NBA Playoffs

Fade to Mind on Rinse FM - 9.10.15 - MA DJ b2b Manara

From Teklife to the Next Life - Meaghan Garvey

Hallucinogen - Kelela

Life is Strange - Raoul Barbet & Michel Koch

Magic Mike XXL - Gregory Jacobs

Man Don’t Care - JME (feat. Giggs)

Metal Gear Solid 5: The Phantom Pain - Hideo Kojima

Rocket League - Thomas Silloway

The Garden Thrives/A Walk Down Chapel - Jam City 

Young Thug - Young Thug

[kenotype]

Criticism of avant-garde vs criticism that is itself avant-garde

[dappledwithshadow]

In the Cinema, Malcolm Drummond

c. 1913

[garethsimms]

[maudelynn]

[mubiblog]

Lana Turner, 1941.

[garethsimms]

[ps2saveicon]

[garethsimms]

The Naming of Oedipa Maas

“If Oedipa as everywoman is to define her own life, she must start by re-defining the words she lives in and learns by, and in Foucauldian terms she must seek a new discourse. In this sense then, it is not important that she has been written by a man, as the suggestion remains that all women have been written by a man, even those that are writers themselves; her fate then is suspended in line with that of her contemporaries, awaiting the redefinition of patriarchal culture.”

Feminist reading of Crying of Lot 49

[bigleblogski]

La Collectionneuse, dir. Eric Rohmer (1967)