Gdyby Kózka

nie wstawiam tu rzeczy na trzeźwo

[pankurios-templeovarts]

Karina Kulyk: Dominus Satanas.

[0ld5chool]

[forevernoon-deactivated20181218]

Antonio Turok, Solar Eclipse, Chiapas, Mexico, 1991.

[lanavenotte]

Bill Traylor

William “Bill” Traylor (1853–1949) was an African-American self-taught artist from Lowndes County, Alabama. Born into slavery, Traylor spent the majority of his life after emancipation as a sharecropper. It was only after 1939, following his move to Montgomery, Alabama that Traylor began to draw. At the age of 85, he took up a pencil and a scrap of cardboard to document his recollections and observations. From 1939 to 1942, while working on the sidewalks of Montgomery, Traylor produced nearly 1,500 pieces of art.

[xphaiea]

Kaljo Põllu “Üle järve”, 1976

[nobrashfestivity]

James Ensor, The Skeleton Painter, 1896

[sloppjockey]

rott. gouache watercolor 2019

[disease]

FRANCIS BACON / "PAINTING" / 1946 [oil and pastel on linen | 6' 5 7/8" x 52"]

[plastiboo]

[thewindowofthesummerhouse]

Thon

[morbid-search]

"Wound from a rupture of a projectile" Medical illustration by William Schultz, 1863

[shawnfreki]

A Moonlight Phantasy, circa 1930 by Hilda Hechle.

[charnel-grounds]

Leonora Carrington - Untitled (Ritual), 1964

[enchantedbook]

‘La Nuit’ (The Night) by Tomas Julio Leal da Camara, 1903

[squidtree]

[sgeoffa]

[sovietpostcards]

“The Fox and the Rooster” by Yevgeny Charushin (1943)