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he wasn't even looking at me and he found me
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Aqua Utopia|海の底で記憶を紡ぐ
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@genderamiright
redraw of something I keep seeing
an insurgent whom i heard called apollo
jane eyre is a book i like a lot but also have intense feelings about bc i don’t interpret Rochester as a ‘sweet good guy hiding behind an intimidating shell’ and i dislike adaptations and retellings which try to soften him or make him out to be an aggrieved victim of society. the entire point of the novel imo is that Jane, in grasping her autonomy and personhood, decides to put her personal happiness and passion over expectations of ‘perfect moral womanhood’.
she rejects the virtuous, religious suitor who wants to devote their lives to missionary work and chooses Rochester, the man who treats her like an intellectual equal and who shares her dark sense of humor and fascination with wild things.
Rochester is not a good, upright guy. While he should be commended for not consigning his wife to an asylum where she’d be tortured and abused, he keeps her shut up in a dark attic cell and freely admits he married her primarily for her money and that he never tried to understand her as a person even before her mental illness.
The loss of his hand and the burn scars inflicted on him during the climax are absolutely supposed to carry moral judgment. He lied to and manipulated Jane, imprisoned his wife (who he hates), and just because he comes to see Jane as an equal, it doesn’t mean he suddenly believes men and women should share the same rights and privileges. He is still very much a man of his time and culture. But the point is that Jane’s life is so narrow and so limited that the only real way for her to experience some joy and freedom is to embrace Rochester, even if he’s a bastard. He loves her and she loves him.
Being with him will probably not make her a better person, but it will bring her pleasure, and it will be her choice, not something coerced or demanded of her. It complicates the ending of the book. Rochester’s a beast. But Jane is no angel either, and only by accepting this does she find peace with herself.
like they both suck in some ways, but...
Mr. Rochester: yes, I tried to get you to marry me when my wife, who suffers from violent psychosis and can never get help in this era, was still alive. without you knowing about her. also you are 18 and I'm 40. I do love you, though, and when you're being Very Jane(tm) I love that too, even if it's inconvenient for me
St. John: I don't and cannot love you. but if you don't marry me and do everything I want, regardless of your own feelings and wishes, you're going to hell :)
oh i know the 19th century literature girlies were gagged at this
jane eyre should’ve ended with jane and rochester getting married and then jane locking him in the attic for prolonged periods of time while the novel framed her as righteous and romanticized it
Jane Eyre still captures what it’s like to be a weird angry little girl (which isn’t something you grow out of being, you just get better at hiding it) better than anything I’ve ever read
Today's literature hot take: the extended childhood portion of the book, and the time with the Rivers family are essential parts of the book and when you ignore/downplay them (or when the movie version you're watching does) that's when you start to have problems with the story. The book essentially is divided into fairly even thirds, but it tends to get treated as if Thornfield is 80% of the book.
With those sections intact as they are in the book, Jane Eyre is more coming of age story than romance. The romance is important, but its not the MAIN thing. Jane's growth is the central story. Her ultimate challenge is actually rejecting St. John. This is why Rochester's redemption gets treated so summarily at the end--Rochester is not as much of a deuteragonist as some would have you believe. He's prepared off-screen for the ending, once Jane has completed her arc off on her own and is ready to come back. That feels weird if you treat her relationship with Rochester as THE plot, rather than one of a series of formative relationships which she experiences, grows through and then cycles back to later. Rochester is resolved in essentially the same manner as Mrs. Reed and Lowood school are.
This is why I think that, while there are some pretty decent Jane Eyre movies, the way to actually capture the book would be a miniseries that actually gives Lowood and Moor House space equivalent to their role in the book.
there is nothing that can really prepare you to read jane eyre for the first time because what do you mean there’s a multi-chapters plot line where the ~brooding byronic hero~ love interest disguises himself as an old woman fortune teller in a ploy to get the main character to admit she likes him. except a man wants to get his fortune told by this “old woman” so the love interest makes a rule that “she” will only tell the fortunes of young unmarried women. but then every young unmarried woman except the main character goes to have their fortunes told, so the “fortune teller” has to send someone to get the main character so she’ll have her fortune told as well. and then the “fortune teller” tries to get the main character to talk about boys, but the main character is dismissive and says shes never spoken to the men at the party. so the “fortune teller” brings up the love interest and the main character straight up says he doesn’t even count. and the “fortune teller” keeps trying to get the main character to talk about the love interest, and she just deflects every time. then the “fortune teller” tells the main character that happiness is close enough for her to have, if she should only choose it for herself. and then the love interest takes off his disguise and declares his true identity once again. and the main character walks away from this wondering whatever it could mean.
pisses me off when modern comics do a flashback to the og brotherhood of evil mutants days and have pietro or wanda act like they were actually Loyal To The Cause. they hated being there from their first appearance. magneto was explicitly holding the fact that he saved wanda's life over their heads the whole time and they were always bemoaning that they had nowhere else to go. these teenage twins trapped in a new country under the control of a man doing "when you live under my roof, you follow my rules" shit before he even knew he was their dad, with no one at all they could trust except each other, is way more compelling to me than the idea that they actually bought into what magneto claimed to be doing. that history is foundational to wanda and pietro's messy swinging-between-estrangement-and-codependence sibling relationship in adulthood AND their whole thing with the avengers. they hadn't had a home or anyone/anything to believe in since they lost their parents until they joined the avengers! things would be a hell of a lot different if that weren't the case.
Just give him some time, he'll get there eventually!
Why was Clover killing themself the most accurate part of UTY’s justice interpretation
THE SUN REMINDS ME OF HER AND HIM...
yerah
The trick in chapter 5 was showing us a horrible horrible twink where the new tumblr sexyman should be, only to reveal a DUO of sexymen later who can never ever be separated because one will kill himself if left unattended