Don Draper saying 'what'

[narrie]

Twitter dying but tumblr is still standing

[thehumming6ird]

‘Every February 13th, my lady friends and I leave our husbands and our boyfriends at home, and we just come and kick it, breakfast style. Ladies celebrating ladies!’

Happy Galentine’s Day!

[ladiesofcinema]

DAPHNE KLUGER OCEAN’S 8 (2018)

[sentrysvoid]

You must know… surely, you must know it was all for you. You are too generous to trifle with me. I believe you spoke with my aunt last night, and it has taught me to hope as I’d scarcely allowed myself before. If your feelings are still what they were last April, tell me so at once. My affections and wishes have not changed, but one word from you will silence me forever. If, however, your feelings have changed, I will have to tell you: you have bewitched me, body and soul, and I love–I love–I love you. I never wish to be parted from you from this day on.

Pride & Prejudice (2005), dir. Joe Wright

[bladesrunner]

THE MANDALORIAN | Chapter 12: The Siege

[manny-jacinto]

“Sorry, I have some onboard maintenance I gotta take care of.” aka Daddy™ duty for Din Djarin

[tennant]

[speaks frog] honey, i’m home. i miss you, are you alright? 🐸

[cilly-murphy]

Pride and Prejudice 2005 | dir. Joe Wright

[bobdylan-n-jonimitchell]

From the article, Wild and Soft Is Joni Mitchell. published January 11, 1969.

[ava-deb]

As Harga takes, so Harga also gives. MIDSOMMAR (2019) dir. Ari Aster

[slayerbuffy]

So it’s a show? It’s a lifestyle. It’s a religion. 

GILMORE GIRLS’ 20th anniversary week / favorite lines of dialogue

[slayerbuffy]

Happy 20th Anniversary to Gilmore Girls! (October 5th, 2000).

[carlaconnors]

20 YEARS OF GILMORE GIRLS (October 5th, 2000)

[winterswake]

Grace Kelly in REAR WINDOW (1954)

[humorblr]

MEAN GIRLS 2004 | dir. Mark Waters

[hayaosmiyazaki]

“Ten years in, The Social Network has held up infinitely better than the internet idealism running through so much of the criticism that was aimed at the film at the time… The film didn’t predict the role Facebook would play as a vector for misinformation and political manipulation and an incubator of conspiracy theories and extremist groups. It couldn’t foresee the degree to which the company would shape modern global life while attempting to avoid having to take any ownership over the unwanted consequences. What it did understand is that the desire to disrupt the establishment isn’t the same thing as the drive to build something better in its place.”

THE SOCIAL NETWORK dir. David Fincher Ten year anniversary — Oct. 1, 2010

[ava-deb]

UNPREGNANT 2020, dir. Rachel Lee Goldenberg