my bi queen for pride month<3
hello vonnie
Not today Justin
Today's Document
YOU ARE THE REASON
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PUT YOUR BEARD IN MY MOUTH
let's talk about Bridgerton tea, my ask is open
Stranger Things

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cherry valley forever

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we're not kids anymore.
dirt enthusiast
TVSTRANGERTHINGS

Product Placement

if i look back, i am lost
Cosimo Galluzzi

Kiana Khansmith
KIROKAZE

shark vs the universe

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@generictrashblog
my bi queen for pride month<3
rough Jason Todd page of sketches.
love that little babyjay in the corner.
Justice League Dream Girls - A DC Pride Event #2
maybe the most jon to ever jon
The thing that really sucks about the North American housing market besides all of the lack of affordability everywhere that’s not the middle of an abandoned corn field is that there’s no in between options.
In most of the US and Canada there’s detached single family homes with a yard and there’s high rise to mid rise apartments. Very little in between.
Row houses, duplexes, large family sized apartments, etc. do exist but outside of a few locations they’re unusual or only seen as something that poor people live in.
Thing is though that there’s a market for these in between types of housing and they could really help with our density problems where cities are so spread out due to all the detached single family houses that it becomes expensive and environmentally problematic to get utilities to all of them.
I know that I would very much like a cute duplex or row house when I feel financially ready to have kids. Walking distance to a school and a bus stop, tiny yard for an herb garden and citrus tree but not so big that it’s a pain to maintain it, neighbors nearby, easy walking and biking access to the road, hopefully a playground nearby for my kids to use.
But that sort of thing doesn’t really exist where I live and doesn’t exist in a lot of North America. You either live in a small apartment or you live in a house and either way you’re probably forced to own a car.
Anyways our zoning laws in this part of the world are terrible and probably racist and I hate them.
there's not even, like, normal sized houses anymore. Just gigantic, ugly boxes in sprawling housing developments that don't even have sidewalks
mutuals can always dm me but be warned i talk like your coworker who is trying too hard to get to know you and my response times are akin to the response times you might get if we were communicating by letter
Do Not. insinuate romantic relationships are more important than friendships on my post.
it's very frustrating seeing otherwise well-structured posts about media literacy and critical thinking bookended with statements about "nowadays", "nobody has literacy anymore", "this generation is so anti-intellectual", and the like, unquestioningly falling into better past fallacies.
Do we really think the 80s and its Satanic Panic were better at critical thinking? what about the 40s? the Victorian era? societies have always had problems with critical thinking and literacy, because most societies have dealt with propaganda, corrupt leadership, difficulty providing education (due to poverty or discrimination or other issues), and/or people who resist critical thinking (due to privilege or circumstance or what have you). we can criticize media trends without pulling a "well back in the GOOD OLD DAYS" about it.
the difference between whump and hurt/comfort to me is that whump is the point/main event and it is therefore gratuitous. In hurt/comfort the hurt is a means to an end. Hurt/no comfort blurs the line a bit and may fall into "emotional whump" but even then I'd argue hurt/no comfort is also a means to an end and that end is ANGST. which is NOT the same as emotional whump but often concurrent. another main factor of whump I think is that whump is an external force whereas angst is internal in origin. These can and often do of course follow/lead to each other.
behold the avatar
There's wholesome ships and there's toxic ships, but I'd like to coin 'sodium chloride ships', where the individuals involved are both horrible and dangerous people, but somehow being together renders them surprisingly well-adjusted (if a little salty).
Alvin is a raging narcissist and Simon and Theo are held back from their musical potential because of misplaced fraternal loyalty. It is no secret in the industry that Theo's vocals and Simon's lyricism carry the group but Alvin's attention-seeking behavior was exploited by their agent
this is a DEEPLY unfair interpretation of their musical identity that valorizes public scrutiny teebeeache. There’s an urge towards overcorrection amongst critical voices that can identify the undervaluation of Theo and Simon as contributors and subsequently develop a narrative of antagonism between them and their frontman and to some extent that’s understandable, given how big his little shadow is. but the group has always been structured around performance and spectacle in a way that greatly benefits from the strong identity and stage presence granted by such a large personality
It only took 2 seconds on your blog for me to know I could dismiss everything you said. For those who don't know, red icons are a dogwhistle for crypto-Alvinists who, as we saw from the AatC Midwest Fan discord, sought to sow mistrust in the fandom by insisting on "nuance" while secretly attempting to downplay Alvin's public scandals and shit-talking Simon and Theo.
Tell me this, if the group "benefits" from the strong identity, why is it Alvin has to contractually bar Theo and Simon from pursuing solo careers? Why did he veto the proposed name change to "The Chipmunks" in 2013? Hell, if this is all about the group, as you claim, why is it that Alvin features on 67% of all AatC merch while only making up 31% of overall merch sales (and, as if the stats following his disgusting behavior during the 2022 Oscars is to be believed, dropping lower and lower to even 26%)? Admit it, Dave Seville's excuse that Alvin's presence adds any kind of shine to the group is a transparent lie to conceal the fact that Alvin's disastrous public life makes for cheap sales boosts.
It always comes down to the personal attacks with the separatists! as if red isn’t at the core of not only the debut album’s visual identity but also thematically relevant throughout the whole project… but once someone has a favorite they start thinking everyone else must also be projecting signatures and solo-fan lockdowns onto their Chipmate accounts.
anyway solos love to bring up A’s “behavioral issues” as if he didn’t spend half of last year absent from promotions trying to smooth over T’s violent confrontation with the paps. (which, because I’m an actual Chipmate, I would never turn into some theo hate train. this is what I’m saying, the scrutiny and narrativization of their project has created the justification to infringe on their personal lives in a way that keeps getting cyclically encouraged by people who are in it for the sport and moral victories, not the actual music or the art. I think we can all agree that the real villain is the exploitation of their passion for the craft that roped them into a lifetime commitment to careers they were not prepared for and they literally cannot escape 😕)
op is literally a thimon truther so I don’t think we should bother listening to what they say anyways :/
That is not even fucking true? I shared ONE Theo/OC fic in the Theo Chipmates Discord and the author happened to have also written Thimon WITHOUT MY KNOWLEDGE. I made this very clear (with receipts!) in the Google doc. This is yet another example of a transparent smear campaign against Alvin-critical fans. A patently hypocritical act, BTW, given that you guys are literally constantly shipping Alvincest
Oh my god you guys
for pride month I feel obligated to share this Kate bishop panel
23 with the fab five? (seperate or together) <3
Im v v v lazy so i wont dig it up also i dont exactly remember which annual this is from but you know those sort of photorealistic panels of Donnas photographs of them where its like Roy smiling or Dick asleep in an armchair etc etc that's the one I always think most fondly of
repose, from the titans secret files & origins (1999) #1
I Saw the TV Glow (2024) dir. Jane Schoenbrun