FREE THE DRAMA
Cosimo Galluzzi

tannertan36
ojovivo

Love Begins

oozey mess
Three Goblin Art

#extradirty
Game of Thrones Daily
i don't do bad sauce passes
let's talk about Bridgerton tea, my ask is open

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Janaina Medeiros

Product Placement
DEAR READER
Mike Driver

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Jules of Nature

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@genoscala
FREE THE DRAMA
A writer is someone who has taught his mind to misbehave.
Oscar Wilde (via wordsnquotes)
Word counts; how long should your fictional work be?
Writers don’t count pages, but words. Any writing program (scrivener, word, pages) has a function to tell you your word counts. If someone asks for the length of your work and you answer in pages you sound like a rookie.
Approximate to the closest 5,000. For example don’t say 83,255 words, around 80,000 is okay unless you are talking to a publisher. Know your word counts :)
If you’re wondering how many pages is your work, it will depend on how your book is printed, but a good average for YA (young adult) is 250 words per page. So if your work is 75,000 words you are looking at 75,000 words/250 words per page= 300 pages. For fiction: if your work is below 100 words it’s microfiction (superhard, I love it! For an excellent example check out Objects of Desire by Adam O’Fallon Price ), below a 1,000 words it’s flash fiction, below 30,000 words it’s a short story, below 50,000 a novella, above 50,000 it’s a novel (a fictional book). These ranges vary, but this is a good gauge.
Keep in mind that the length of a novel will depend on the genre, YA (young adult) is 50,000-80,000, any other fiction genre between 80,000 and 100, 000 with the exception of historical and science fiction which can get up to 120,000. Look up your specific genre once you figure out where your story fits or feel free to ask. Does this matter? Yes. If you are a best selling author you may do as you please, because you already built a loyal readership, but if you are a first time author you might want to consider a couple of notions:
1-Will you be looking for an agent? If you want to publish traditionally you might want to avoid an extra long or short novel which might look as a red flag in the eyes of an agent.
2-If you don’t care about publishing or you are planning on going indie (independent publishing) you can do as you please, but a word of caution. First of all, readers have expectations. Imagine paying to to a seminar or presentation and it ends after five minutes or worse…it never ends!
I know you think that all of your 300,000 words are irreplaceable mini monuments to the art of writing, but you cannot make that judgement. If you think your long novel rocks, send it to 5 beta readers. How many get back to you? If they don’t…time to cut.
(I LOVE the last Airbender!!!!!)
Second I personally found that standard word ranges have a reason to be. The first version (okay maybe the 35th, but still an early one) of my book was 135,000 word long (for YA that’s very long) and I thought word count limits were silly and restrictive. Well, many years later that same book is 75,000 words and so much better for it. As you write more and more and get better at it you will learn to cut parts that drag and to say more with less words. My writing became more compelling and engaging and my book shortened to a standard range.
Keep in mind that when you write your first draft you might want to be way over your word count, because a quarter to a half of your draft will be pared down and the whole thing likely rewritten multiple times.
I never worry about having too long of a draft, but if my work is too short you might want to give it a bit more thought ;)
GBA
PS
I’m collecting all my writing advice in a free writer’s guide! Sign up here to get updates ^_^
Good advice.
Paramount is planning a November release for Martin Scorsese’s Silence.
See more details and watch the director discuss his love for Technicolor.
Oh man.
Geno Scala discusses an increase in roles and nominations for women in Hollywood over the age of 40. It appears that the industry is reflecting the country.
How To Impress A Script Reader
How To Impress A Script Reader
Script readers are the initial gatekeepers of screenplays. So it’s important for screenwriters to know how to treat them. Screenplay readers are jaded and overworked due to the overabundance of mediocre, derivate and reductive material. Make sure you impress them in the following ways to enhance your chances of your material being referred to the decision makers: HAVE A POINT Have something to…
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10 Effective Plots To Elevate Your Romantic Comedy Scripts
10 Effective Plots To Elevate Your Romantic Comedy Scripts
Romantic comedy movies are box often darlings. They make great date movies and girls’ nights out. Maybe even some boys’ nights out too? Here are some story devices you can use to really add some punch to your romcoms: 1) THE GIRL/GUY IS SWORN OFF LOVE Following a messy breakup, a string of bad dates, well-meaning family and friends determined to set your character up with the perfect spouse, a…
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Good stuff, @gideonsway
An oral history of Good Will Hunting, in the words of Matt Damon, Ben Affleck, and the rest of the Good Will Hunting cast and crew.
“ Damon: The very first day, I remember we started crying, because it was a scene between Robin and Stellan. And when Gus called action and we watched these guys—I mean accomplished actors—do our scene verbatim, we had waited so long for this to happen. I remember just sitting next to Ben and I had tears rolling down my cheeks because I was just so happy and relieved that it was really happening.”
Geno Scala discusses the history of television and its current rise as a medium comparable and even preferable (to some) to film.
Geno Scala discusses films that have been adapted from television shows. They include a range of genres, time periods, and styles.
Geno Scala shares very important steps, which determine success or failure, that each scriptwriter must consider before sending their work to a given studio.
Check out Geno Scala’s advice about submitting scripts and the process to follow before doing so.
Characters don’t change because they want to. They change because they are forced to.
Unknown (via gideonsway)
Writer-director Ava Duvernay ("I Will Follow," "Middle of Nowhere") takes viewers inside her creative process in an exploration of where ideas come from.
Hey, I'm a little worried about my main character. He starts off his character arc with a problem and, over the course of the story, learns about the problem and eventually overcomes it - only for that to land him with even worse problems than before. My worry is is that outside this change there is little wrong with this character, he has no little flaws to make him realistic and I worry he is (God help me) a subtle Mary Sue. What character flaws could I give him to make him more human?
There are so many possible flaws to make a character human, I couldn’t possibly know which ones would work best for your character and your character’s story. Only you, as the writer of the story, can figure that out. Try not to overthink flaws–they’re not complicated. Have you ever noticed something a person does that bothers you or which seems to always get them into trouble? That’s probably one of their flaws. Flaws don’t even have to be negative traits. Being too affectionate could be a flaw depending on how it manifests. Your best bet is to consider two things: your character’s personality and what obstacles he has to overcome throughout the story. You mention that he has a problem and eventually overcomes it. Presumably, in attempting to overcome the problem, there are things he must accomplish or challenges he must face in order to do so. What flaws would make those tasks or challenges more difficult? For example, let’s say your character’s problem is that his girlfriend is leaving town for college, so he wants to try to get into the same college so they can stay together, but he doesn’t have good enough grades so he’ll have to raise them if he wants a shot. Maybe his worst subject is math, so passing his math class becomes an obstacle. One of the tasks he’ll have to complete successfully in order to overcome that obstacle is to pass his math final. What kinds of flaws could make that a bigger challenge? Maybe he gets distracted easily which makes studying difficult. Maybe he’s addicted to video games and has trouble dividing his time between studying and homework. Or, maybe he simply doesn’t believe in himself and has trouble putting in the proper amount of effort. If you can give your character flaws that make their challenges a bit more difficult, you’ll lend a real sense of humanity to the character. :)
———————————————————————————————Have a question? I’d love to hear from you. Please make sure to read my ask rules before submitting a question. Thanks! :)
A Winding Road
Does this beautiful woman really need an introduction? Ava DuVernay, everybody!
Ava was born the eldest of 5 children in Long Beach, California to an educator mother and businessman father; a native of Hayneville, Alabama (inspiration for Selma). Check out her wiki for more interesting details about her life.
Following a brief career in journalism and publicity, during which she got to work on the OJ Simpson Trial, Ava went on to direct varying films. Her first is a documentary called This is The Life, which chronicles “The Good Life” emcees and their effect on the art world.
Soon after, she moved on to narrative features, starting with a very low budget indie drama called I Will Follow.
Following that feature, she became part of the Sundance family and received the opportunity to direct another indie narrative feature, Middle of Nowhere.
Ava became heavily involved with AFFRM (African American Film Festival Release Movement, now known as ARRAY), which sought to make sure black stories were being told to the world.
(I was lucky enough to get to help out with the first annual Black Star Film Festival, a direct project of AFFRM, in my hometown of Philadelphia when Ava was present. They do great work!)
Most recently, Ava directed the highly acclaimed and EXTREMELY important film Selma, chronicling Martin Luther King Jr’s famous and historic march from Selma to Montgomery, Alabama in the pursuit of equal voting rights during the Civil Rights Movement.
Just look at this lady go!
She is seriously such a talented and amazing woman and artist. Check her out! Buy or rent her two latest features here.
And don’t forget to see what you can do to support ARRAY, formerly AFFRM.
Until Next Time, Theresa
A Winding Road
Does this beautiful woman really need an introduction? Ava DuVernay, everybody!
Ava was born the eldest of 5 children in Long Beach, California to an educator mother and businessman father; a native of Hayneville, Alabama (inspiration for Selma). Check out her wiki for more interesting details about her life.
Following a brief career in journalism and publicity, during which she got to work on the OJ Simpson Trial, Ava went on to direct varying films. Her first is a documentary called This is The Life, which chronicles “The Good Life” emcees and their effect on the art world.
Soon after, she moved on to narrative features, starting with a very low budget indie drama called I Will Follow.
Following that feature, she became part of the Sundance family and received the opportunity to direct another indie narrative feature, Middle of Nowhere.
Ava became heavily involved with AFFRM (African American Film Festival Release Movement, now known as ARRAY), which sought to make sure black stories were being told to the world.
(I was lucky enough to get to help out with the first annual Black Star Film Festival, a direct project of AFFRM, in my hometown of Philadelphia when Ava was present. They do great work!)
Most recently, Ava directed the highly acclaimed and EXTREMELY important film Selma, chronicling Martin Luther King Jr’s famous and historic march from Selma to Montgomery, Alabama in the pursuit of equal voting rights during the Civil Rights Movement.
Just look at this lady go!
She is seriously such a talented and amazing woman and artist. Check her out! Buy or rent her two latest features here.
And don’t forget to see what you can do to support ARRAY, formerly AFFRM.
Until Next Time, Theresa
I am lucky. I have no problems coming up with very good ideas for movies. If I never had another idea for the rest of my life, I would not make a sizable dent in the ones I already have. Screenwriters who struggle with coming up with an idea tend to be visibly annoyed when I tell them this. I think I’m comfortable sharing this with others because I know movie ideas really mean nothing and please nobody in and of themselves, so there’s not much to brag about. I guess you can get lucky and sell an idea, but in terms of what’s important, a motion picture screened in front of people, a great idea is simply a member of the orchestra that achieves that vision.
Read the entire article at: http://www.bluecatscreenplay.com/articles/discovering-the-great-movie-idea-for-your-next-screenplay/