Attraction and Repulsion. Modern views of electricity. 1892.
Internet Archive
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@geometrymatters
Attraction and Repulsion. Modern views of electricity. 1892.
Internet Archive
Tenfold Knottiness: I love this diagram from 1885 that shows possible variations of knots with 10 crossings.
Attraction and Repulsion. Modern views of electricity. 1892.
Internet Archive
Saturn's north pole !
The hexagon is nearly 30,000 km (20,000 miles) wide. This is large enough that two Earths could fit inside the storm with room to spare.
It is a standing atmospheric wave created by a powerful jet stream that wraps around the pole. Winds along its edges can exceed 300 km/h (about 220 mph).
At the very center of the hexagon lies a deep, dark polar vortex that extends hundreds of kilometers down into Saturn's atmosphere.
Spacecraft/Mission: NASA/JPL-Caltech/SSI (Space Science Institute).
Spectroscopy Technique Reveals Nanoscale Acoustic Waves
Imaging using extreme ultraviolet scattering shows that optical pulses can generate surface excitations with spectra that were previously difficult to achieve. [...] Surface acoustic waves (SAWs) propagate along a solid material’s surface like ripples on a pond. SAWs with wavelengths of hundreds of kilometers are generated by earthquakes, whereas SAWs with wavelengths at the micrometer scale can be excited by lasers. Flavio Capotondi at the Free Electron laser Radiation for Multidisciplinary Investigations (FERMI) facility at Elettra Sincrotrone Trieste in Italy and his colleagues have now demonstrated a simple laser-based technique for exciting and detecting SAWs with nanometer wavelengths [1]. They say that the work will allow the dynamics of materials’ crystal lattices to be probed over a wavelength range that has been inaccessible using other approaches.
Read more.
Anne Griswold Tyng, Spiral Extension of Helix from Form finds Symmetry in Geometry. 1969
Reinhardt, Didier. (2005). Regulation of phyllotaxis. The International journal of developmental biology. 49. 539-46. 10.1387/ijdb.041922dr.
Fingals Cave, Scotland
Majestic ♡
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We are here to have an experience
Guest of Brian “Ponch” Rivera and Mark McGrath on the No Way Out Podcast, Tib talks about his Polynon theory for a Geometry of Consciousness, cognitive gravity, and the cognitive implications for the OODA Loop and spatial coordination.
They dive into what an observer is, tackling fundamental aspects of perception, attention, and how orientation emerges in real time via geometric manifolds of cognition.
The conversation opens a broader view of cognition as structured space, where geometric relations guide sense-making, action, and adaptation.
It’s a deep look at how awareness organizes itself via geometric principles, how feedback shapes decisions, and how spatial coherence influences the way we move through uncertainty.
Cognitive gravity and the superposition of perception and memory
Attention acts as a vector, drawn toward regions of relevance shaped by phenomenal bias β and cognitive variability γ: β anchors prior expectations, while γ allows flexibility. After Escher (Liberation).
Cognitive gravity will define the vector of attention and how perceptual structure is further defined by the cognitive manifold.
The neurons that let us see what isn’t there
A standard optical illusion triggers specific neurons in the visual system of mice.
The neurons that let us see what isn’t there
Archive Links: ais ia
RF pulse design and simulations: supplementary animations Magnetic Field Patterns from Hertzian Dipole Antenna
Mathematical fun fact of the day 4. You can divide a hexagon into nine identical convex pentagons.
Diffraction of visible light from a variety of 2-D crystalline patterns
Spiral Beehive
©Tim Heard
The Geometry of Movies can Change the Way We Think
Circles. Triangles. Squares. Those aren’t the things you expect to see in a movie but films have been using shapes to subtly influence emotion for a long time. Circles are lovable, triangles are evil, and squares are boring. Now You See It highlights the geometry used in shots to show you how movies use shapes to manipulate your feelings.
A villain is usually portrayed with sharper features to represent their harshness—think Maleficent or Darth Vader. The good guys are softer and rounder to make them appear more lovable and huggable—think Mickey Mouse or Baloo from The Jungle Book. And squares are used for boring and old-fashioned characters like Carl Fredricksen from Up, because squares are squares (duh).
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