THE DIVINE INTERVENTION: AN ANALYSIS ON LIGHT YAGAMI
The god of the new world is the claim Light Yagami made to become the first time using the death note. He views himself as a god. So how come, as the story comes to a close, he became nothing more than a puppet of his own desires? Light was bound to lose from the start, better yet he was bound to die from the moment he decided to use the Death Note, as it's said whoever uses the Death Note cannot enter heaven or hell and will meet an unfortunate end. Today I'm going to dissect Light Yagami and show how everything was pointing to one inevitable ending.
Light's ideology and beliefs are more closely tied to religion rather than the law of the state—specifically in relation to catholicism. If you are familiar with the stories in the bible, you'd know that names carry a significant meaning to the person. It describes a person's essence, their character, and their Divine destiny designed by God. To rename someone would mean a fundamental shift within one's life purpose and identity with God. So, first of all does the name Light Yagami mean?
Light Yagami, Yagami translating to “Night God” and Light to moon—however, it is pronounced as “Light”. His name perfectly encapsulates his mindset and goals: the idea of becoming god of the new world and his initial aspirations of being a beacon of hope for the people who live in a world filled with darkness and injustice. As the series progresses, though, we witness a shift, a subtle but noticeable trait: whenever he was referring to himself, he always used the name Kira rather than his own real name. Kira a name given by the public as a romanized version of the word “killer”-he himself may not have acknowledged it but he was unintentionally accepting the role of a killer, to be known as Kira than for his initial goal, for from the very start it was evident, it wasn't for the well being of any but for his self interest, his own satisfaction alone. And later, it was no longer Light Yagami, a human, but Kira, a God.
One of the details I noticed is how they referred to the creation of Adam; however, there is a stark difference. See in the original, God is extending his hand to Adam, who is relaxed, which illustrates that God is always offering life and love, but that humanity is given the choice to reach right back. In Death Note, it was replaced with Light and Ryuk, with an apple being offered in between. In the original, God is outstretched, trying to provide connection to Adam, while Adam is lying back, not even bothering to lift a finger to meet God halfway. Now the meaning of the relaxed posture flips; Ryuk is the one relaxed. Ryuk is a god of death, yet he is the relaxed one because it portrays how, from the very beginning, he didn't care who got the death note in the first place; to him, it was all to please his boredom. To Light, in comparison, well, it simply was a blessing to him, for it gave him the ability to take life; for him to be able to alter the world to how he sees fit. Yet, he is solely relying on the death note; take that away, and he has no real power. He needs the death note as it is the only “proof” that he is a divine being, blessed with the powers of a god, that he is God. One more detail is how he is shown to be Adam in the portrait — Adam being the first person god created and Light being the first person to use the Death Note. An important thing to know about Adam is that he was the one who gave the animals and living things their names, signifying his dominion over them. For light to write someone's name would mean a direct invocation of his divine authority, to assert “his” control. That once he has your name, you are completely and utterly at his mercy.
However, another interpretation of this same portrait is the significance of the apple. Why place it there in the first place? In the original, there is only a gap between the fingers. And why an apple specifically? The apple represents temptation and sin among humans, but it is Eve who offers the apple to Adam-that's the distinction because Ryuk isn't even offering the apple; if anything, it seems like Light is the one trying to hand it, he is the one reaching out to Ryuk. In this sense, it is a reverse temptation: if Light can provide entertainment to temporarily cure a god of death’s boredom, then in exchange he can do as he pleases.
His character reminds me of the argument that “if God is real, why is there so much violence and hurt? Why would he allow such things to happen?” People are often left dumbfounded to think how such atrocities can happen in their world despite doing good all their lives. Light truly believes that evil is a persistent disease that only “he” can eradicate; he proceeds to use the notebook to kill criminals regardless of the level of crime they commit.
But have you ever wondered why people act the way they do? It's not that evil is inherent; it's just that freedom is. The freedom to act as you please is not a disease, but rather a privilege that others took advantage of for their pleasure — one might argue that any loving deity will provide us with freedom, for control over one's anatomy, over one's mind will not create individuals; they'll be nothing more than dolls for it to act however they please.
Then that makes you ask yourself what the line is between good and bad? Well, you need to understand it's not as simple as black or white, as most of the time people are grey, most of the time they're just people, and oftentimes the line between the two blurs. A good person is willing to take action despite being inconvenienced, and a bad person is someone who takes anything and everything if it means satisfying themselves. But even so, who are we to decide whether or not a person is good or bad? Who are we to judge whether they deserve to die? Being human is being able to feel, but acknowledge we cannot control a person's actions, we only control our own.
And that is the defining line between good and evil, a person's actions. The decision you make when faced with a situation, especially one where morality or ethics come to question. Anyone can think that an action is “wrong” but choosing how to act accordingly is a different topic. In the case for Light though, with every situation he is faced with we see time and time again how his selfishness prevails over the “righteous” goal he claims to stand for — keeping Misa in the promise of loving but in reality is only using her because of her undying devotion. Trying to pursue his dad (who was dying mind you) to kill someone for him even at his dying breath, or how about just killing anyone who “stands in the way” or “loose ends”, or even at the very end were he was cornered his immediate action was to shift the blame to his follower and claim it was just to “frame him”. No matter how you look at it, all of it is just wrong. Light views being “mighty” and “powerful” as Godhood, but mistakes it as tyranny; he just wants to be known as a powerful individual, in the pretense of something mighty. Taking advantage of people who question the cruelty in the world by presenting himself as one who will “kill” all evil.
Light initially falls in the shade of grey; it was criminally wrong, but the intention was understandable, even admirable. However, we witness the inconsistency in his “goals” because soon it wasn't a means to create a world filled with good people, but rather a world where he is the sole judge. And you can see that by his need to always be right, to be known and acknowledged as a this almighty being and killing anyone who tries to prevent it or disposing people who have no more use for him, he keeps people close such as Misa, Takada s family, not as loved ones but as proof of his “loving nature” and confirmation of his power over others.
So how did he lose? He seemed to have everything planned out and was always planning a step. But the main cause of it was simply himself. The belief that he controlled everything and everyone, and that his word was the word of “God,” was the catalyst for him to overlook one crucial characteristic of humans: the ability to decide. He relied on blind obedience, then formed an actual “partnership” with Mikami, and because of Teru Mikami's panicked decision to kill Takada, allowed an opening for Near to manipulate Mikami. That simple error, all because he thought that his ‘’follower” would do exactly as he asked, became the critical point in stopping him.
He ended up playing himself; he lost a game he created because of his greed for more, to be more, to satisfy his belief that he is “more”. Instead of continuing to see himself as Light, a person, his belief in being a god, of being Kira, ultimately led to his demise; instead, he became the very thing he sought to eradicate in the first place. He was desperately trying to play God and in the end, he played write into the God of death's hands and paid that price with his own life—dying exactly in the middle of the stairs case to show that he can no longer enter heaven or hell — he becomes the final image of a man who, in trying to control everyone else's fate, only ever controlled his own undoing, the only strings he was pulling were his own.