Aboriginal Churinga sacred stone

❣ Chile in a Photography ❣

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NASA
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noise dept.
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Xuebing Du
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Acquired Stardust

Andulka

JVL
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
Three Goblin Art

Kaledo Art
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PUT YOUR BEARD IN MY MOUTH
Mike Driver
Lint Roller? I Barely Know Her
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@ggokotta
Aboriginal Churinga sacred stone
Kaloki Nyamai Nikwetela nginya indii 3, 2025 textured layers of paint with image transfer and collage on stiched canvas 150 x 150 cm | 59 x 59 in
Roses (1890)
Vincent Van Gogh
Aaron Morse, b. 1974 in Tucson, AZ
"I am drawn to the mutability of images, the way that a picture or set of cliches might be altered and changed into another thing," Morse notes. "Paintings are real and unreal. My paintings, though broadly representational, are not so realistic as to be confused with reality, so what then is a Wild West or Sci-Fi image actually doing? It's emotional and symbolic, it calls upon our memories of other pictures, both overtly and subconsciously." Aaron Morse's work invites us to experience the sublime in the manner in which grand landscape paintings are designed to do.
Momus is an independent platform for art writing and criticism.
Zao Wou-Ki - Roses, 1953, oil on canvas, 55 x 46 cm
White Tulips
Charles Rennie Mackintosh
c.1915
John Nash (British, 1893-1977), The Lake, Little Horkesley Hall, c.1958. Oil on canvas, 60.6 x 76 cm. Royal Academy of Arts, London
Solange Knopf
"The Inner Darkness" No. 2, 2025
Colored pencil on black paper
71 x 39.25 inches, 180.3 x 99.7 cm
Cavin-Morris Gallery
“There were no ghosts. Only memory.” ― Stephen King, Lisey's Story
“A profound thought is in a constant state of becoming; it adopts the experience of a life and assumes its shape.”
–Albert Camus
Tony Karpinski.
Solitude, an intoxicating sense of freedom.
- Colette, 'My Friend Valentine, 'Letter' in Stories
Eric Jacobsen, Autumn's Gift, 2025, Oil on canvas
Narcissism: A Wound Born from Love
“I become what the love of another allows me to be.”
Sometimes what we call narcissism is not arrogance at all — but the ache of being unseen. The ache of a child, wide-eyed and waiting, searching for affirmation in another’s gaze, and finding only silence.
Heinz Kohut once wrote: Narcissism is not selfishness; it is the deep human need to be mirrored in love. When that mirror is absent, the self remains unfinished — fragile, hungry for reflection. And later, in love, we do not seek a person, we seek an image — someone to return us to ourselves, not someone to truly know us.
Kohut spoke of two faces of this wound: Overt narcissism — the one who speaks loudly to be admired. Covert narcissism — the one who waits quietly, longing for a gaze that will soothe them. Both are born from the same root: a boundless thirst for affirmation, because somewhere along the way, love was not enough.
In depth psychology, this wound is not condemned. It is listened to, touched gently, and offered a new mirror — one that reflects not perfection, but presence.
And within that presence, a quiet voice begins to whisper: “I can be loved, even when I am not flawless.”
That is where true love begins — when the other is no longer a mirror, but a soul standing before us, shining not with reflection, but with being.
“The madness of self-selling burns so hot, that every spark becomes another fire in the market.” — Bidel Dehlavi
In this verse, “self-selling” is not about vanity, but about offering the self for validation — a trade of identity for applause.
💌 “Letter from Underwater”
Nizar Qabbani
If you are my friend, then help me to leave you. If you are my lover, then help me to heal from you.
If I had known love was so dangerous, I would never have loved. If I had known the sea was so deep, I would never have set sail. If I had known my end, I would never have begun.
I miss you teach me how not to miss you. Tell me, how can I uproot your love from my soul? How do tears die in the eyes? How does the heart die? And how do dreams commit suicide?
"The Evening Window" by Stanislav Yakushevsky (1970s)
49 East Street, Doylestown PA USA
Ice House, Coldwell, Lake Superior.” Lawren Harris. c. 1923.