Thrown Drapery 'Redux' Study 1 - David Ligare , 2004.
American , b. 1945 -
Oil on canvas , 26 × 16 in. 66 × 40.6 cm.

Game Changer & Make Some Noise

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"I'm Dorothy Gale from Kansas"
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Today's Document

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❣ Chile in a Photography ❣
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2025 on Tumblr: Trends That Defined the Year
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Thrown Drapery 'Redux' Study 1 - David Ligare , 2004.
American , b. 1945 -
Oil on canvas , 26 × 16 in. 66 × 40.6 cm.
Possession (1981) dir. Andrzej Żuławski
+ maggie gyllenhaal for miu miu (2004)
Total solar eclipse
by Antonio Turok, July 11th 1991.
Chiapas, Mexico
old gray cemetery, knoxville
andrew kwon | spring 2026
Im always like "i will not add my two cents. i will not add my two cents" but i cant lie the pennies are getting sweaty in my hand
John O'Brien for NEW YORKER magazine, 1991.
Mission to Mars, Sebastian B (@tabacstar_)
riding the highest horse you’ve ever seen back to my glass house
Satyr’s Head with Antlers (1624-1627)
Bayerisches Nationalmuseum (Munich, Germany)
An expressive carved ivory satyr mask fitted with naturally irregular stag antlers. It formed part of a larger ensemble created by the court sculptor Christof Angermair for Elector Maximilian I of Bavaria, which originally included a chandelier with a satyr’s head and four satyr masks. The work is an exceptional example of Munich court sculpture and Kunstkammer culture, combining natural specimens with works of art.
Artist: Christof Angermair
Material: Ivory, stag antlers, steel, wood
Dimensions: Height 47.1 cm
Materials: Ivory, stag antlers, steel, wood
Technique: Carving
Epoch: Baroque and Rococo
Stag at Sharkey's (1909), George Bellows
Oil on canvas
Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)
Leonard Koscianski (US-American, 1952) - Lone Wolf (2010-2019)
Chun Jin by Ice Pong by Harper’s Bazaar Thailand May 2026
Kyle Sakunruchira (Fashion Editor/Stylist), Harley Beman (Hair Stylist), Lindsay Kastuk (Makeup Artist), Bronson Vajda (Casting Director)
Ladislav Novak - L'ombre en Elle, 1971
Goth is so incredibly lame now it’s like you have to be all serious and stand there solemnly. When Peter Murphy used to be freaking out on stage like some kind of creepy wet coked out ghoul rolling around and hanging upside down and dry humping everyone. Fuck. You.
blue window, beautiful ground & touch of shame by rae klein, 2022, oil on linen, 152.4 x 3.8 centimeters each
Rae Klein (American, 1995)